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Reading African art's impact on modernism as an international phenomenon, *The "Black Art" Renaissance* tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde "discovery" of African sculpture - known then as *art nègre*, or "black art" - eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, "black art" evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the Ecole de Dakar, African sculpture's influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history's alleged centers and margins must be conceived as interconnected and mutually informing. *The "Black Art" Renaissance* reveals just how much modern art has owed to African art on a global scale.

Art styles --- Sculpture --- sculpture [visual works] --- influence --- primitivism [artistic concept] --- African sculpture styles --- Harlem Renaissance --- Mid-Century Modernist --- Neo-Expressionist --- #breakthecanon --- Picasso, Pablo --- Mancoba, Ernest --- anno 1900-1999

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art criticism --- kunstkritiek --- hedendaagse kunst --- Philosophy and psychology of culture --- Contemporary [style of art] --- cultuurfilosofie --- Art --- anno 2000-2009 --- kunst --- Documenta --- Documenta 12 --- Kassel --- twintigste eeuw --- eenentwintigste eeuw --- Riera Alejandra --- Lange Darcy --- Koller Julius --- Monastyrskij Andrej --- Export Valie --- Posenenske Charlotte --- Milivojevic Era --- Kurtycz Marcos --- Chaves Raimond --- Abian Rose Sonia --- Creischer Alice --- Rekacewicz Philippe --- 7.039 --- 7.038 --- Georg Schöllhammer --- Stilinovic Mladen --- Darwin Francis --- Yang Jian --- van de Ven Lidwien --- Cantor Mircea --- Gutov Dmitri --- Dujourie Lili --- Grigorescu Ion --- Matsuzawa Yutaka --- Doujak Ines --- Gill Simryn --- Gül Massist --- Wang Zi --- Hu Yang --- Song Chao --- Pok Chi Lau --- Vollmer Ruth --- Schendel Mira --- Mancoba Ernest --- Araeen Rasheed --- Mohamedi Nasreen --- Piyadasa Redza --- Gao Minglu --- Bartuszová Mariá --- Lozano Lee --- Art, Modern

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It is not an exaggeration to write that Hans Ulrich Obrist is everywhere, has curated everything and has interviewed everyone. If "peripatetic" is the word most overused to describe him, it is not inappropriate. The Swiss-born, everywhere-based curator and head of the Programme Migrateurs at the Musée d'Art Moderne de la Ville de Paris has an unstoppable wanderlust and a related symptom: his penchant for interviewing anyone and everyone who piques his curiosity, be they artist, scientist, writer, curator, composer, architect, thinker, etc. Since 1993, Obrist has conducted more than 300 interviews, 75 of which are collected here in a selection that respects the cultural and professional diversity of the interviewees. Each interview is introduced by a short text outlining the biography of the interviewee and giving some contextual information on the recording of the interview.

Art --- Philosophy and psychology of culture --- Obrist, Hans Ulrich --- Hans Ulrich Obrist ; Edited by Thomas Boutoux --- kunst --- kunstenaars --- twintigste eeuw --- interviews --- tentoonstellingen --- galeries --- muziek --- filmregisseurs --- filosofie --- cultuurfilosofie --- wetenschap --- stedenbouw --- architectuur --- architecten --- kunsttheorie --- theorie --- Abramovic Marina --- Chaitin Gregory --- Acconci Vito --- Ballard J.G. --- literatuur --- schrijvers --- Barney Matthew --- film --- video --- videokunst --- Birnbaum Dara --- Boeri Stefano --- Boltanski Christian --- Boltanski Luc --- Buren Daniel --- Cattelan Maurizio --- Cladders Johannes --- Constant --- De Carlo Giancarlo --- Eliasson Olafur --- Eno Brian --- Esquivel --- Friedman Yona --- Gadamer Hans-Georg --- Gilbert & George --- Glissant Edouard --- Gonzalez-Foerster Dominique --- Gonzalez-Torres Felix --- Gordon Douglas --- Graham Dan --- Grigely Joseph --- Hadid Zaha --- Hall Stuart --- Hirschhorn Thomas --- Höller Carsten --- Hopps Walter --- Horn Roni --- Huang Yong Ping --- Hulten Pontus --- Huyghe Pierre --- Isozaki Arata --- Klüver Billy --- Koolhaas Rem --- Lee Bul --- Maharaj Sarat --- Varela Francisco --- Mancoba Ernest --- Matta Roberto --- Meireles Cildo --- Mekas Jonas --- Merz Mario --- Mofokeng Santu --- Ono Yoko --- Orozco Gabriel --- Otto Frei --- Pape Lygia --- Parent Claude --- Parreno Philippe --- Pistoletto Michelangelo --- Prigogine Ilya --- Rancière Jacques --- Richter Gerhard --- Rosenfield Israel --- Rouch Jean --- Sala Anri --- Sejima Kazuyo --- Sottsass Ettore --- Steels Luc --- Tiravanija Rirkrit --- Varda Agnès --- Weiner Lawrence --- West Franz --- Wyn Evans Cerith --- Zeilinger Anton --- 7.01 --- Arts, Modern --- Interviews. --- Architecture --- creation [doctrinal concept] --- artists' statements --- philosophy of art --- architects --- artists [visual artists] --- Varda, Agnès --- Steels, Luc --- Mekas, Jonas --- Prigogine, Ilya --- Buren, Daniel --- Ballard, James Graham --- Rancière, Jacques --- Huang, Yong Ping --- Ono, Yoko --- Parreno, Philippe --- Rouch, Jean --- Lee, Bul --- Friedman, Yona --- Pistoletto, Michelangelo --- Weiner, Lawrence --- Abramovic, Marina --- Mancoba, Ernest --- Parent, Claude --- Otto, Frei --- Pape, Lygia --- Sottsass, Ettore --- Hultén, Pontus --- Rosenfield, Israel --- Koolhaas, Rem --- Richter, Gerhard --- Varela, Francisco J. --- Boltanski, Christian --- Mofokeng, Santu --- Hall, Stuart --- Hadid, Zaha --- Merz, Mario --- Gadamer, Hans-Georg --- Horn, Roni --- Glissant, Edouard --- Acconci, Vito --- Graham, Dan --- Meireles, Cildo --- Cattelan, Maurizio --- Eliasson, Olafur --- Barney, Matthew --- Birnbaum, Dara --- Gilbert and George --- Gonzalez-Torres, Felix --- Hirschhorn, Thomas --- Sala, Anri --- Tiravanija, Rirkrit --- Höller, Carsten --- Orozco, Gabriel --- Huyghe, Pierre --- Cladders, Johannes --- Matta, Roberto --- Isozaki, Arata --- Gordon, Douglas --- Gonzalez-Foerster, Dominique --- Grigely, Joseph --- Eno, Brian --- Sejima, Kazuyo --- De Carlo, Giancarlo --- anno 1900-1999 --- Ballard, J.G. --- Ballard J.G --- kunstenaarschap