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Illumination of books and manuscripts. --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria
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Books of hours --- Illumination of books and manuscripts --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Horae (Books of hours) --- Hours, Books of --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Illustrated books
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Exhibitions --- Church plate --- Illumination of books and manuscripts --- Melchite icons --- Melkite icons --- Icons --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Communion plate --- Liturgical objects --- Plate
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Illumination of books and manuscripts. --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Saint John's Bible. --- Bible --- St. John's Bible --- Bible.
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The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Illumination of books and manuscripts --- Illumination of books and manuscripts. --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Technique. --- Medieval art history. --- manuscript studies. --- manuscripts conservation. --- metalwork.
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Beknopte geschiedenis van de verluchtkunst in handgeschreven boeken tot kort na de uitvinding van de boekdrukkunst.
Book history --- Manuscripts. Epigraphy. Paleography --- Illumination of books and manuscripts --- 091.31 --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Verluchte handschriften --- 091.31 Verluchte handschriften --- boekillustraties --- geschiedenis --- miniaturen
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091.31 --- Illumination of books and manuscripts --- -Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Verluchte handschriften --- History --- -Verluchte handschriften --- 091.31 Verluchte handschriften --- -091.31 Verluchte handschriften --- Illuminated manuscripts
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091.31 --- Illumination of books and manuscripts --- -Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Verluchte handschriften --- History --- History. --- -Verluchte handschriften --- 091.31 Verluchte handschriften --- -091.31 Verluchte handschriften --- Illuminated manuscripts
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Illumination of books and manuscripts --- Trees in art --- Trees --- 091.31:7.04 --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Folk-lore of trees --- Folklore --- Iconography
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Illumination of books and manuscripts --- Books of hours. --- Manuscripts --- 091:264-13*2 --- Diplomatics --- Horae (Books of hours) --- Hours, Books of --- Illustrated books --- Illuminated manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- 091:264-13*2 Getijdenboeken--(handschriften) --- Getijdenboeken--(handschriften) --- Facsimile edition --- Manuscripts. Epigraphy. Paleography --- Master of Mary of Burgundy --- Books of hours
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