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Through a study of the actress' films, records and writings, Gerda Taranow reconstructs the rigorously developed artistry that lay behind the superb performances. Analyzing each histrionic element and discussing repertoire she shows how Bernhardt adapted the techniques learned at the Conservatoire and in the theatre to her own particular strengths and limitations.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

LITERARY CRITICISM / Drama. --- Bernhardt, Sarah, --- Acting. --- Adrienne Lecouvreur. --- Amoureuse. --- Andromaque. --- Arthur Symons. --- Athalie. --- Bajazet (play). --- Blanche Marchesi. --- Camille Saint-Saëns. --- Cavatina. --- Charles Gounod. --- Classicism. --- Clement Scott. --- Contralto. --- Cyrano (musical). --- Declamation. --- Dinorah. --- Dion Boucicault. --- Dramaturgy. --- Edmond Rostand. --- Eleonora Duse. --- Eric Bentley. --- Ernani. --- Fairy tale. --- Five Plays. --- Francesca da Rimini. --- Giacomo Meyerbeer. --- Gianni Bettini. --- Gismonda. --- Giuseppe Verdi. --- Goethe's Faust. --- Grand opera. --- Harper's Bazaar. --- Harry Baur. --- Hernani (drama). --- Hesketh Pearson. --- His Wife's Lover. --- Hyperbole. --- Ingenue (stock character). --- Jean Giraudoux. --- Jean Richepin. --- Jean-Louis Barrault. --- Jules Barbier. --- Jules Massenet. --- King Lear. --- Le Cid (opera). --- Le Figaro. --- Les Femmes Savantes. --- Libretto. --- Liebestod. --- Lillie Langtry. --- Lorenzaccio. --- Louis Jouvet. --- Lyric soprano. --- Mad scene. --- Marcel Schwob. --- Marcella Sembrich. --- Marguerite (musical). --- Mathilde Marchesi. --- Maude Adams. --- Max Beerbohm. --- Melodrama. --- Mephistopheles. --- Mise-en-scène. --- Mithridate. --- Molière. --- Mrs. Patrick Campbell. --- Opera and Drama. --- Oreste. --- Pantomime. --- Parody. --- Passepied. --- Passion and Purity. --- Quibble (plot device). --- Rachel's. --- Revue. --- Reynaldo Hahn. --- Rodgers and Hammerstein. --- Romanticism. --- Sacha Guitry. --- Sarah Bernhardt. --- Sardou. --- Shylock. --- Six Acts. --- Soubrette. --- Sound effect. --- Superiority (short story). --- Tartuffe. --- The Actress. --- The Duenna. --- The Human Voice. --- The Lady from the Sea. --- The Marriage of Figaro. --- Title role. --- Tragedy. --- Travesti (theatre). --- Two Women. --- Victor Hugo. --- Victorien Sardou. --- William Shakespeare.

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Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were used to express and release the tensions of the middle class during periods of both rapid cultural change and relative stability.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

English literature --- Thematology --- anno 1800-1899 --- Comic, The --- Middle class --- Literature and society --- Littérature anglaise --- Comique --- Classes moyennes --- Littérature et société --- History and criticism --- Histoire et critique --- Comic, The. --- History and criticism. --- Littérature anglaise --- Littérature et société --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Ludicrous, The --- Ridiculous, The --- Social aspects --- Social conditions --- Sociolinguistics --- Social classes --- Comedy --- Wit and humor --- Aestheticism. --- Aldous Huxley. --- Ambivalence. --- Aphorism. --- Art for art's sake. --- Bab Ballads. --- Becky Sharp (character). --- British humour. --- Comic book. --- Comic novel. --- Criticism. --- Culture and Anarchy. --- De Profundis (letter). --- Disenchantment. --- Dramatic monologue. --- Epigram. --- Falsity. --- Farce. --- Fashionable novel. --- Fiction. --- George Gissing. --- George Meredith. --- Gradgrind. --- Green World. --- Hamlet's Father. --- Harold Pinter. --- Henri Bergson. --- High culture. --- Huckleberry Finn. --- Human behavior. --- Humiliation. --- Humour. --- Hypocrisy. --- Irony. --- Joke. --- Joseph Andrews. --- Kingsley Amis. --- Laurence Sterne. --- Lewis Carroll. --- Libido. --- Literature. --- Little Dorrit. --- Lord Alfred Douglas. --- Lord Byron. --- Madame Bovary. --- Mario Praz. --- Martin Chuzzlewit. --- Max Beerbohm. --- Melodrama. --- Mortal Fear (novel). --- Mr. Dick. --- Narrative. --- Newgate novel. --- Nonsense verse. --- Novel. --- Novelist. --- Oscar Wilde. --- Our Mutual Friend. --- Overreaction. --- Parody. --- Persona. --- Philistinism. --- Picaresque novel. --- Poetry. --- Prose. --- Pun. --- Quibble (plot device). --- Quilp. --- Ridicule. --- Robert Plumer Ward. --- Romanticism. --- Samuel Butler (novelist). --- Satire. --- Self-love. --- Sensibility. --- Sentimental novel. --- Sentimentality. --- Simile. --- Snob. --- Social criticism. --- Superiority (short story). --- The Decay of Lying. --- The Green Carnation. --- The Importance of Being Earnest. --- The Narrator. --- The Newgate Calendar. --- The Old Curiosity Shop. --- The Ordeal of Richard Feverel. --- The Other Hand. --- The Picture of Dorian Gray. --- The Way of All Flesh. --- Thomas Love Peacock. --- Uriah Heep. --- V. --- Victorian era. --- Victorian literature. --- Weedon Grossmith. --- Writer. --- Writing. --- À rebours.