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The essays in this volume honour the distinguished career of Professor Elizabeth Archibald. They explore two areas that her scholarship has done so much to illuminate: medieval romance, and Arthurian literature. Several chapters examine individual romances, including Emaré, Sir Gawain and the Green Knight and the Roman de Silence. Others focus on wider concerns in romances and related works in Middle English, Latin, French, German and Icelandic, from a variety of perspectives. Later chapters consider Arthurian material, with a particular emphasis on hitherto unexamined aspects of Malory's Morte Darthur. It thus, fittingly, reflects the range of linguistic and literary expertise that Professor Archibald has brought to these fields.

Arthurian romances --- History and criticism. --- essays; medieval romance; Arthurian Iiterature; Elizabeth Archibald --- Romances

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Epic poetry, Romance --- Narration (Rhetoric) --- Poetry, Medieval --- Rhetoric, Medieval. --- History and criticism. --- History --- Epic poetry --- Medieval romance

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Der Band versammelt 29 Aufsätze, die Walter Haug in seinen letzten Lebensjahren geschrieben hat. In ihnen entwickelt er die großen Themen seines Lebenswerkes - insbesondere seine Beschäftigung mit dem höfischen Roman und der Mystik - weiter und führt sie zusammen unter dem titelgebenden Aspekt der Negativität, d.h. des Scheiterns, des Verlustes, der Trennung. Die erotische Liebe wie die mystische Gottesbegegnung, deren absoluten Anspruch die Wirklichkeit nie ganz zu erfüllen vermag, können durch Literatur in ihrem Scheitern dargestellt und gerade dadurch erfahrbar gemacht werden. Literaturtheoretische und philosophiegeschichtliche Überlegungen bilden einen Schwerpunkt des Bandes, dessen Themenkreis über den höfischen Roman und die Mystik hinaus Heldenepik, Märendichtung, Lyrik und anderes mehr umfasst. Der Band spiegelt die Lebendigkeit und Vielseitigkeit von Haugs Denken und erlaubt zuletzt, über sechs Reden und Nachrufe, einen sehr persönlichen Blick auf diesen herausragenden Wissenschaftler und Menschen.

Criticism. --- Philosophy. --- Mental philosophy --- Humanities --- Criticism --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Technique --- Evaluation --- Literary Theory. --- Medieval Romance. --- Middle Ages (Literature). --- Mysticism.

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Essays examining the genre of medieval romance in its cultural Christian context, bringing out its chameleon-like character. The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant, sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance - or of medieval romance in general, although this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices. The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include the handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including Sir Gawain and the Green Knight and Malory's Morte Darthur, offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with anawareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences. Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY

Romances, English --- Christianity in literature. --- Christianity and literature --- History and criticism. --- History --- Chivalry. --- Christian Context. --- Crusades. --- England. --- Medieval Romance. --- Pre-Christian Cultures. --- Women.

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The fast-moving romance plot of this early thirteenth-century tale recounts the ancestry and exploits of Waldef and his two sons, set against a history of pre-Conquest England. The narrative shares themes and incident types with other important insular romances, including the Lai of Haveloc, Boeve de Haumtone, and Gui de Warewic. Waldef's scope, interest in battle, and political stratagems bear reading alongside medieval chronicles, while secret love affairs connect it with other romance literature of the period, and adventures across a wide area of the known world provide affinities with medieval travel narrative.

Romances --- Romances. --- Chivalric romances --- Chivalry --- Courtly romances --- French romances --- Medieval romances --- Romances, French --- Romans courtois --- French literature --- Literature, Medieval --- LITERARY CRITICISM / Medieval --- battle in literature. --- love in literature. --- medieval adventure. --- medieval politics. --- medieval romance. --- medieval travel.