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Textbook of melody : a course in functional melodic analysis
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Year: 1955 Publisher: S.l. : American Institute of Musicology,

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Keywords

Melody. --- Melodic analysis.


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Fraseo musical
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Year: 1936 Volume: 162 Publisher: Barcelona : Editorial Labor,

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Melodic similarity: concepts, procedures, and applications
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ISBN: 0262286858 0585069786 9780585069784 0262581752 9780262581752 Year: 1998 Publisher: [Place of publication not identified] MIT Press

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Mélodie et fonction mélodique comme objets d'analyse : actes du colloque tenu à l'Ircam les mardi 17 et mercredi 18 octobre 2006
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ISBN: 9782752101198 2752101198 Year: 2013 Publisher: Sampzon (Ardèche) : Ed. Delatour France,

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A partir de l'analyse d'oeuvres issues du répertoire classique et contemporain, cette étude cherche à élaborer des procédures facilitant l'appropriation et la compréhension de la fonction mélodique.


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Monomotivik, Sequenz und Sonatenform im Werk Robert Schumanns.
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ISBN: 3925036490 Year: 1990 Publisher: Saarbrücken Saarbrücker Druckerei und Verlag

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Highpoints : A Study of Melodic Peaks
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ISBN: 0812234057 9780812234053 1512801895 Year: 2016 Volume: *3 Publisher: Philadelphia : University of Pennsylvania Press,

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In Highpoints Zoltan Eitan investigates a universal melodic phenomenon--the melodic peak--in Western repertories ranging from eighteenth-century Galant music to twentieth-century Expressionism. Using "hard" statistical analysis, Eitan examines the rhythmic, melodic, harmonic, and dynamic configurations associated with contour peaks in the music of Haydn, Chopin, and Berg, three composers of decidedly different t musical casts.

The analysis and cognition of basic melodic structures : the implication-realization model
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ISBN: 0226568458 Year: 1990 Publisher: Chicago University of Chicago Press

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Eugene Narmour formulates a comprehensive theory of melodic syntax to explain cognitive relations between melodic tones at their most basic level. Expanding on the theories of Leonard B. Meyer, the author develops one parsimonious, scaled set of rules modeling implication and realization in all the primary parameters of music. Through an elaborate and original analytic symbology, he shows that a kind of "genetic code" governs the perception and cognition of melody. One is an automatic, "brute" system operating on stylistic primitives from the bottom up. The other constitutes a learned system of schemata impinging on style structures from the top down. The theoretical constants Narmour uses are context-free and, therefore, applicable to all styles of melody. He places considerable emphasis on the listener's cognitive performance (that is, fundamental melodic perception as opposed to acquired musical competence). He concentrates almost exclusively on low-level, note-to-note relations. The result is a highly generalized theory useful in researching all manner of psychological and music-theoretic problems concerned with the analysis and cognition of melody. "In this innovative, landmark book, a distinguished music theorist draws extensively from a variety of disciplines, in particular from cognitive psychology and music theory, to develop an elegant and persuasive framework for the understanding of melody. This book should be read by all scholars with a serious interest in music."--Diana Deutsch, Editor, 'Music Perception'


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Melody beyond notes : a study of melody cognition
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ISBN: 9185974730 Year: 2004 Volume: 77 Publisher: Göteborg Göteborgs universitet. Institutionen för musikvetenskap

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The melodic tradition of Ireland.
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ISBN: 0873384075 Year: 1990 Publisher: Kent (Ohio) : Kent state university press,

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Des sons aux mots, comment parle-t-on du timbre musical ? : thèse
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ISBN: 9782812121302 2812121300 Year: 2010 Publisher: Paris : Éd. Édilivre Aparis,

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