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Melodic analysis --- Data processing. --- Analysis, Melodic --- Music --- Melody --- Musical analysis
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A partir de l'analyse d'oeuvres issues du répertoire classique et contemporain, cette étude cherche à élaborer des procédures facilitant l'appropriation et la compréhension de la fonction mélodique.
Melodic analysis --- Analyse mélodique --- Congresses. --- Congrès
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Instrumental music --- Melodic analysis --- Sonata form --- Analysis, appreciation --- Schumann, Robert,
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In Highpoints Zoltan Eitan investigates a universal melodic phenomenon--the melodic peak--in Western repertories ranging from eighteenth-century Galant music to twentieth-century Expressionism. Using "hard" statistical analysis, Eitan examines the rhythmic, melodic, harmonic, and dynamic configurations associated with contour peaks in the music of Haydn, Chopin, and Berg, three composers of decidedly different t musical casts.
Analyse mélodique --- Melodic analysis --- Melodieke analyse --- Analysis, Melodic --- Music --- Melody --- Musical analysis --- Melodic analysis. --- MUSIC / History & Criticism.
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Eugene Narmour formulates a comprehensive theory of melodic syntax to explain cognitive relations between melodic tones at their most basic level. Expanding on the theories of Leonard B. Meyer, the author develops one parsimonious, scaled set of rules modeling implication and realization in all the primary parameters of music. Through an elaborate and original analytic symbology, he shows that a kind of "genetic code" governs the perception and cognition of melody. One is an automatic, "brute" system operating on stylistic primitives from the bottom up. The other constitutes a learned system of schemata impinging on style structures from the top down. The theoretical constants Narmour uses are context-free and, therefore, applicable to all styles of melody. He places considerable emphasis on the listener's cognitive performance (that is, fundamental melodic perception as opposed to acquired musical competence). He concentrates almost exclusively on low-level, note-to-note relations. The result is a highly generalized theory useful in researching all manner of psychological and music-theoretic problems concerned with the analysis and cognition of melody. "In this innovative, landmark book, a distinguished music theorist draws extensively from a variety of disciplines, in particular from cognitive psychology and music theory, to develop an elegant and persuasive framework for the understanding of melody. This book should be read by all scholars with a serious interest in music."--Diana Deutsch, Editor, 'Music Perception'
Melodic analysis. --- Music --- Analyse mélodique --- Musique --- Psychological aspects. --- Aspect psychologique --- Analyse mélodique --- Melodic analysis --- Music psychology --- Analysis, Melodic --- Melody --- Musical analysis --- Psychological aspects --- Psychology
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Melodic analysis. --- Music --- Cognition. --- Analyse mélodique --- Musique --- Cognition --- Psychological aspects. --- Aspect psychologique --- Analyse mélodique --- Melodic analysis --- Music psychology --- Analysis, Melodic --- Melody --- Musical analysis --- Psychology --- Psychological aspects
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Melodic analysis. --- Music --- Songs, Irish --- History and criticism. --- History and criticism.
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Sound --- Melodic analysis --- Tone color (Music) --- Son --- Analyse mélodique --- Timbre
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