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Films with legs
Authors: ---
ISBN: 128343587X 9786613435873 1443832626 9781443832625 9781283435871 1443832049 9781443832045 Year: 2011 Publisher: Newcastle upon Tyne Cambridge Scholars Pub.

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Abstract

Films With Legs: Crossing Borders with Foreign-Language Films addresses the ways in which international cinematic traditions both erect borders and blur them or tear them down. Each chapter of this book examines both real and perceived borders, their representation on the screen and the ways in which they manifest in filmic texts that can also be cultural documents and political statements. The fifteen articles included here discuss films made by twenty-four directors, with dialogue in nine f...

The foreign film renaissance on American screens, 1946-1973
Author:
ISBN: 9780299247942 9780299247935 0299247937 1282765949 9781282765948 0299247945 9786612765940 6612765941 Year: 2010 Publisher: Madison, Wis. : University of Wisconsin Press,

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Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L'Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini's Open City in 1946 to Bernardo Bertolucci's Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new "cinephile" generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.

Traditions in world cinema
Authors: --- ---
ISBN: 0813538742 1280643137 9786610643134 0748626263 0813538734 9780813538730 9780813538747 9780748626267 661064313X 0748618635 0748618627 9780748618620 9780748618637 Year: 2006 Publisher: New Brunswick : Rutgers University Press,

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Abstract

The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, and so on.

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