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Tractatus de contrapuncto et de musica mensurabili : (Mss. Munich, Staatsbibliothek, Clm. 16208 et 24809)
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ISBN: 377511811X Year: 1995 Volume: 40 Publisher: [S.l.] : Neuhausen : American Inst. of Musicology, Hänssler,

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Ars Cantus Figurati ; Capitulum de quattuor ; Tractatulus mensurationum ; Compendium breve de proportionibus ; Tractatulus prolationum cum tabulis
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ISBN: 3775118101 Year: 1997 Volume: 38 Publisher: Neuhausen Hänssler-Verlag

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Mensuration and proportion signs : origins and evolution
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ISBN: 0198162308 9780198162308 Year: 1993 Volume: vol *9 Publisher: Oxford Clarendon Press

Poetry and music in medieval France : from Jean Renart to Guillaume de Machaut
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ISBN: 0521622190 9780521622196 Year: 2003 Volume: 49 Publisher: Cambridge Cambridge University Press

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In Poetry and Music in Medieval France Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture.


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Tactus, mensuration and rhythm in Renaissance music
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ISBN: 1316255654 1316236730 1316249972 1316234843 1316253759 1316246183 1316248070 1107587719 1107064724 1107637023 9781107637023 9781107587717 9781316248072 9781107064720 9781316249970 9781316234846 9781316253755 9781316246184 9781316236734 9781316255650 9781107064720 Year: 2015 Publisher: Cambridge : Cambridge University Press,

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Ruth DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.

Musique et théâtre dans les pays rhénans
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ISBN: 2252015969 2252016973 225201735X 9782252016978 9782252015964 9782252017357 Year: 1974 Volume: 1/1, 1/2, 2 85, 86 Publisher: Paris : Klincksieck,

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