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Church music --- Church music --- Church musicians --- Church musicians --- Musique d'église --- Musique d'église --- Musiciens d'église --- Musiciens d'église --- History --- Histoire --- Catholic Church --- Eglise catholique --- Liturgy --- History. --- Liturgie --- Histoire
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Church musicians --- Music --- Musiciens d'église --- Musique --- Biography. --- History and criticism. --- Biographies --- Histoire et critique --- Kastalʹskiĭ, Aleksandr Dmitrievich,
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In eighteenth-century Mexico City, cathedral musicians made explicit and considered use of music and institutional affiliation in order to construct their Spanish identity. Ramos-Kittrell argues that music, as a performative and theoretical activity, was a highly dynamic factor in the cultural and religious life of New Spain, and an active agent in the changing discourses of social status and ""Spanishness"" in colonial America.
Church musicians --- Music and race. --- Music --- Musiciens d'église --- Musique et race --- Musique --- Social aspects. --- Aspect social --- Mexico --- Mexique --- anno 1700-1799 --- Mexico [city] --- Musiciens d'église --- Mexico. --- Music and race --- History --- muziekgeschiedenis
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Musiciens d'église --- Paris (France) --- Sainte-Chapelle du Palais --- Music --- anno 1500-1599 --- anno 1600-1699 --- Paris --- Church musicians --- Church music --- Job descriptions --- Economic conditions. --- Sainte-Chapelle (Paris, France) --- Musique chrétienne --- Musiciens d'église --- Église catholique
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Music --- History of civilization --- anno 1700-1799 --- anno 1600-1699 --- Auvergne --- Velay --- Church music --- Church musicians --- Musique d'église --- Musiciens d'église --- Economic conditions --- Job descriptions --- Social conditions --- Conditions économiques --- Descriptions d'emploi --- Conditions sociales --- Musique d'église --- Musiciens d'église --- Conditions économiques
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Church music --- Church musicians --- Musique d'église --- Musiciens d'église --- Catholic Church --- Congresses --- Italy --- Rome --- Eglise catholique --- Congrès --- Musique d'église --- Musiciens d'église --- Congrès --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Liturgical musicians --- Parish musicians --- Pastoral musicians --- Musicians --- Catholic Church&delete& --- Italy&delete& --- Rome&delete& --- History and criticism --- Religious aspects --- Christianity
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Church music --- Church musicians --- Musique d'église --- Musiciens d'église --- S. Maria Maggiore in Bergamo (Basilica) --- Opera pia Misericordia Maggiore di Bergamo --- History --- Musique chrétienne --- Eglises catholiques --- Musique d'église --- Musiciens d'église --- Italy --- Bergamo (Italy) --- Catholic Church --- Biography --- Dictionaries --- Eglises catholiques.
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La 4ème de couverture indique : "Le projet MUSEFREM (La création des musiques d'Église en France aux XVIIe et XVIIIe siècles) a été conclu à Montpellier en 2013 par un colloque ayant pour objet la circulation de la musique et des musiciens d'église sous l'Ancien Régime. Hormis l'itinérance des hommes, c'est également celle des sources, des répertoires et des pratiques liées à des institutions particulières qui fut interrogée. Les contributions réunies dans ces actes abordent donc ce phénomène selon des angles variés : ceux offerts par l'observation de partitions, de livres liturgiques et de récits personnels ; par l'analyse des oeuvres musicales elles-mêmes ; par la reconstitution des conditions de recrutement et d'exercice des musiciens ; et, enfin, par l'étude de cas inscrits dans un environnement spécifique."
History of France --- anno 1500-1799 --- Church musicians --- Church music --- Job descriptions --- Social conditions --- Musicians --- Congresses --- Church music - France - 16th century --- Church music - France - 17th century --- Church music - France - 18th century --- Musicians - France --- Musique chrétienne --- Musiciens d'église --- Sociologie de la musique
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Young singers played a central role in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities. The training of singers for performance in religious services was so crucial as to shape the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members; while the development of musical repertories and styles directly reflected the ubiquitous participation of children's voices in both chant and polyphony. Once choristers' voices had broken, they often pursued more advanced studies either through an apprenticeship system or at university, frequently with the help of the institutions to which they belonged. This volume provides the first wide-ranging book-length treatment of the subject, and will be of interest to music historians - indeed, all historians - who wish to understand the role of the young in sacred musical culture before 1700. SUSAN BOYNTON is Associate Professor of Historical Musicology at Columbia University; ERIC RICE is Assistant Professor of Music at the University of Connecticut at Storrs. CONTRIBUTORS: SUSAN BOYNTON, SANDRINE DUMONT, JOSEPH DYER, JANE FLYNN, ANDREW KIRKMAN, NOEL O'REGAN, ALEJANDRO PLANCHART, RICHARD RASTALL, COLLEEN REARDON, ERIC RICE, JUAN RUIZ JIMENEZ, ANNE BAGNALL YARDLEY.
Choirboys --- Church musicians --- Choristes --- Musiciens d'église --- History. --- Training of --- Histoire --- Formation --- Musiciens d'église --- Liturgical musicians --- Parish musicians --- Pastoral musicians --- Musicians --- Choir boys --- Singers --- History --- Training of&delete& --- Music --- History of civilization --- anno 500-1499 --- anno 1500-1599 --- anno 1600-1699 --- Choirboys - History --- Choirboys - Training of - History --- Church musicians - History --- Cathedrals. --- Chant. --- Choristers' Training. --- Monasteries. --- Music Historians. --- Musical Repertories. --- Polyphony. --- Religious Institutions. --- Young Singers.
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Philip II of Spain founded the great Spanish monastery and royal palace of El Escorial in 1563, promoting within it a musical foundation whose dual function as royal chapel and monastery in the service of a Counter Reformation monarch was unique; this volume explores the performance and composition of liturgical music there from its beginnings to the death of Charles II in 1700. It traces the ways in which music styles and practices responded to the the changing functions of the institution, challenging notions about Spanish musical patronage, scrutinising musical manuscripts, uncovering the biographical details of hundreds of musicians, and examining musical practices.
Music --- anno 1600-1699 --- anno 1500-1599 --- Spain --- Church music --- Church musicians --- Musique d'église --- Musiciens d'église --- Catholic Church --- Eglise catholique --- Escorial. --- Musique d'église --- Musiciens d'église --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Liturgical musicians --- Parish musicians --- Pastoral musicians --- Musicians --- History and criticism --- Religious aspects --- Christianity --- Escurial --- Monasterio de El Escorial --- Monasterio de San Lorenzo del Escorial --- Monasterio de San Lorenzo el Real de El Escorial --- Real Monasterio de San Lorenzo del Escorial --- Real Monasterio del Escorial --- Regium Monasterium Scorialensis --- San Lorenzo del Escorial (Monastery) --- Liturgy --- History --- 78.25 --- 78.93 --- Escorial --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Church music - Spain - San Lorenzo del Escorial - 16th century --- Church music - Spain - San Lorenzo del Escorial - 17th century --- Church music - Catholic Church - 16th century --- Church music - Catholic Church - 17th century --- Church musicians - Spain - San Lorenzo del Escorial
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