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This volume looks at the concepts of nature in texts as well as in archaeological remains of the Ancient Near Eastern and Greek cultures from the Archaic to the Hellenistic period. Contributions from the fields of archaeology and philology are juxtaposed for each time period in chronological order.

Excavations (Archaeology) --- Landscape archaeology. --- Nature in art.

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Installations (Art) --- Nature in art --- Joly, Alexandre

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Painting, Spanish --- Nature in art --- Bento, Oscar

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Art, Modern --- Art, Modern --- Nature in art

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We have entered a new era of nature. What remains of the borders of modern thought that separated the living from the inert, subjectivity from objectivity, the apparent from the real, the value from facts, and the human from the non-human? Can the great oppositions that presided over the modern invention of nature preserve their coherence? In Nature as Event, Didier Debaise argues that new narratives and cosmologies are needed to rearticulate what has so far remained separate. Following William James and Alfred North Whitehead, Debaise presents us with a pluralistic way of approaching nature. What would happen if we attribute subjectivity and potentiality to all beings, both human and non-human? Why could we not think of the aesthetic and affective dimension as the fabric that links everything that exists? And what if the senses of importance and value were no longer understood as exclusively limited to the human? Translation by Laureano Ralón and Román Suárez Hemos ingresado a una nueva era de la naturaleza. ¿Qué queda de las fronteras del pensamiento moderno que separaban lo viviente de lo inerte, la subjetividad de la objetividad, lo aparente de lo real, el valor de los hechos, y lo humano de lo no humano? ¿Acaso pueden las grandes oposiciones que presidían la invención moderna de la naturaleza conservar su coherencia? En La naturaleza como acontecimiento, Didier Debaise argumenta que hacen falta nuevas narrativas y cosmologías para rearticular lo que hasta ahora permanecía separado. Siguiendo a William James y a Alfred North Whitehead, Debaise nos presenta una manera pluralista de abordar la naturaleza. ¿Qué sucedería si le atribuimos subjetividad y potencialidad a todos los seres, tanto humanos como no humanos? ¿Por qué no podríamos pensar la dimensión estética y afectiva como el tejido que enlaza todo lo que existe? ¿Y qué tal si los sentidos de importancia y de valor no fuesen entendidos ya como exclusivamente limitados a lo humano? Traducción a cargo de Laureano Ralón y Román Suárez

Animals & nature in art (still life, landscapes & seascapes, etc) --- Nature