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Art styles --- Architecture --- Painting --- architecture [discipline] --- easel paintings [paintings by form] --- Neo-Romantic --- artists [visual artists] --- Berman, Eugène --- George, Waldemar --- Stein, Gertrude --- anno 1920-1929 --- France
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Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.
German literature --- Mythology in literature. --- Romanticism --- History and criticism. --- Dante Alighieri, --- Appreciation --- Influence. --- Dante, Goethe, romanticism, myth, mythology, German idealism, Novalis, Schelling, The Divine Comedy, Gerhart Hauptmann, Rudolf Borchardt, Stefan George, Thomas Mann, romantic, neo-romantic, Friedrich Schlegel, August Wilhelm Schlegel, Commedia, Shakespeare, fascism, Nazism.
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Cet ouvrage est publié à l'occasion de l'exposition éponyme, présentée au Petit Palais, Paris, du 1er octobre2015 au 17 janvier 2016. De Goya à Redon, un univers peuplé de monstres. Lorsque Francisco de Goya place sa suite de quatre-vingts gravures, les Caprices, sous le signe du "sommeil de la raison qui engendre des monstres", il ne se doute pas qu'il ouvre une brèche qui n'est pas prête de se refermer : la veine fantastique va hanter, tout au long du XIXe siècle, l'imaginaire des artistes qui lui succèderont. Squelettes, fantômes, sorcières et diables en tout genre peuplent les oeuvres d'Eugène Delacroix, de Victor Hugo, de Gustave Doré ou d'Odilon Redon. L'estampe, vecteur idéal des motifs fantastiques. Cet ouvrage met en lumière la manière dont l'inspiration fantastique a évolué au fil de trois générations successives d'artistes. A travers cent chefs-d'oeuvre, il révèle l'incroyable alchimie née de la rencontre de la veine fantastique avec le médium de l'estampe. L'utilisation des encres noires, propice aux jeux d'ombre et de clair-obscur, permet d'illustrer de la manière la plus frappante les récits surnaturels qui voient le jour. C'est d'ailleurs grâce à la gravure, oeuvre reproductible et donc largement diffusée, que les motifs du fantastique vont connaître, en littérature, un succès retentissant.
Painting --- Graphic arts --- engravings [prints] --- Neo-Romantic --- illustrations [layout features] --- Iconography --- prints [visual works] --- Romantic [modern European styles] --- Symbolist --- anno 1800-1899 --- Prints --- Prints, European --- Fantasy in art --- Romanticism in art --- Estampe --- Estampe européenne --- Fantasmes dans l'art --- Romantisme dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- grafiek --- visioenen --- spiritualiteit --- romantiek --- realisme --- symbolisme --- techniek --- duivel --- Bibliothèque nationale de France-Département des Estampes et de la Photographie (Parijs) --- Delacroix, Eugène --- Shakespeare, William --- Goethe, Johann Wolfgang von --- Hugo, Victor --- Boulanger, Louis --- Nanteuil, Célestin --- Johannot, Tony --- Grandville, Jean-Jacques --- Bracquemond, Félix --- Legros, Alphonse --- Bresdin, Rodolphe --- Doré, Gustave --- Redon, Odilon --- Ensor, James --- 19de eeuw --- 76.045 --- Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- 76.045 Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- Estampe européenne --- Gravure --- Lithographie --- Fantastique --- Romantisme --- Symbolisme --- Réalisme --- Goya, Francisco De --- Dante, Abrév.de Durante Alighieri --- Goethe, Johann Wolfgang Von --- Rops, Félicien --- Dore, Gustave --- Piranesi, Giovanni-Battista, --- Rembrandt, Harmenszoon Van Rijn --- duivel(s) en demonen --- von Goethe, Johann Wolfgang --- Piranesi, Giovanni-Battista, 1720-1778 --- visioenen. --- spiritualiteit. --- romantiek. --- realisme. --- symbolisme. --- techniek. --- duivel(s) en demonen. --- Bibliothèque nationale de France-Département des Estampes et de la Photographie (Parijs). --- Delacroix, Eugène. --- Shakespeare, William. --- von Goethe, Johann Wolfgang. --- Hugo, Victor. --- Boulanger, Louis. --- Nanteuil, Célestin. --- Johannot, Tony. --- Grandville, Jean-Jacques. --- Bracquemond, Félix. --- Legros, Alphonse. --- Bresdin, Rodolphe. --- Doré, Gustave. --- Redon, Odilon. --- Ensor, James. --- 19de eeuw.
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Chicago School --- Les XX --- Lettrist --- Sezessionstil --- earthworks [sculpture] --- High-Tech --- social realism --- Der Blaue Reiter --- Die Brücke --- Color-field --- Kinetic [style] --- Suprematist --- Cubist --- Photorealist --- Art Nouveau --- Postmodern --- Trans-avantgarde --- Op art --- architecture [discipline] --- Abstract Expressionist --- Fluxus --- Neo-Expressionist --- Orphist --- Arbeitsrat für Kunst --- Neo-Pop --- New Realist [post-1945 style] --- Socialist Realist --- outsider art --- Situationist --- Decadent Movement --- Bauhaus --- Art styles --- Der Ring --- Pop [fine arts styles] --- International Style [modern European architecture style] --- Art Deco --- Post-Impressionist --- Modernist --- Purist --- Cloisonnist --- video art --- Symbolist --- Precisionist --- Impressionist [style] --- Brutalist --- Futurist --- De Stijl --- existentialism --- Novembergruppe --- Synchromist --- Magic Realist --- Art --- Constructivist --- performance art --- art history --- Salon de Rose+Croix --- Neue Sachlichkeit --- Novecento italiano --- Dada --- Synthetist --- Deutscher Werkbund --- Beat generation --- Hongaars Activisme --- Jack of Diamonds --- Neo-Dada --- Arte Povera --- Surrealist --- Ashcan School --- Expressionist [style] --- Neo-Impressionist --- assemblage [sculpture technique] --- body art [visual works, performance] --- Art Informel --- Neo-Romantic --- Arts and Crafts [movement] --- Movimento Italiano per l'Architettura Razionale --- sound art --- Elementarist --- Gruppo 7 --- Mir Iskusstva --- American Scene --- Funk --- Rayonist --- Nabis --- Fauve --- Vorticist --- multi-channel video installations --- Concrete art --- Minimal --- site-specific works --- Groupe de recherche d'art visuel [Paris] --- Les Vingt --- anno 1900-1999 --- anno 1800-1999 --- anno 2010-2019 --- anno 2000-2009 --- United States --- 7 --- 7.036 --- 7.037 --- 7.038 --- 7.039 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Moderne kunststijlen --- Overgang tussen expressionisme en abstracte kunst. Avant-gardekunst --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 7.038 Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- 7.037 Overgang tussen expressionisme en abstracte kunst. Avant-gardekunst --- 7.036 Moderne kunststijlen --- 7 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Nouveau Réalisme --- biomorphic abstraction --- Kinetic Art --- Orphist [modern French style] --- Amsterdamse school --- kunstenaarsbeweging --- Kitchen Sink School --- anti-design --- cobra --- internetkunst --- metafysische schilderkunst --- combines --- Ecole de Paris --- Supports/Surfaces --- Photorealist [style] --- United States of America
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