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Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodologies have emerged to encompass more distributed approaches. This transformation has taken place in parallel with changes in the dynamics and structures of culture, its institutions and constituencies. Artistic research maintains a productive dialectic between its potential status as discipline or as practice. It has developed topoi, tropes, and its own canon of cases, texts, and figures. How does it negotiate relationships with institutions, disciplines and bodies of theory while retaining the critical perspective of the artist? Twenty years ago the Orpheus Institute was founded in Ghent to pursue research through the practice of musicians; thus the Orpheus Institute is of the same generation as the field it was established to explore. This festive volume in honor of twenty years of the Orpheus Institute reviews the initial trajectory and looks ahead to the institute's new position.

muziektheorie --- research --- Music --- Orpheus Instituut [Ghent] --- Muziek --- Orpheus Instituut [Gent] --- Musicology. --- Musikwissenschaft. --- Orpheus Instituut --- Orpheus Instituut. --- Arts --- Aesthetics --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Study and teaching. --- Research. --- Psychology --- Orpheus Institute --- Arts, Primitive --- Radio broadcasting Aesthetics --- Artistiek onderzoek --- Onderzoek --- België --- 21e eeuw