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Cynthia Ozick : la trace de l'escargot
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ISBN: 2701125669 Year: 1999 Publisher: Paris Belin

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Ozick, Cynthia

Regards sur la fiction brève de Cynthia Ozick
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ISBN: 2738439551 Year: 1996 Publisher: Paris L'Harmattan

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Ozick, Cynthia

Cynthia Ozick's fiction : tradition and invention
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ISBN: 0253331293 9780253331298 Year: 1993 Volume: *1 Publisher: Bloomington Indianapolis Indiana University Press

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Understanding Cynthia Ozick
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ISBN: 9780872497726 0872497720 Year: 1991 Volume: *18 Publisher: Columbia University of South Carolina Press

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Cynthia Ozick
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ISBN: 0805775269 0805717757 Year: 1988 Publisher: Boston (Mass.) : Twayne,

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Imagining the holocaust
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ISBN: 0333915496 0333947088 Year: 2000 Publisher: Palgrave Publishers,

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Cynthia Ozick
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ISBN: 0877547130 Year: 1986 Publisher: New York : Chelsea House,

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Historical nightmares and imaginative violence in American women's writings
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ISBN: 0313301603 Year: 1998 Publisher: Westport London Greenwood Press

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The ritual of new creation : Jewish tradition and contemporary literature
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ISBN: 0791410897 0791410900 Year: 1992 Volume: *1 Publisher: New York State University of New York Press

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Cynthia Ozick's fiction : tradition & invention
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ISBN: 0585001189 9780585001180 0253331293 9780253331298 Year: 1993 Publisher: Bloomington : Indian University Press,

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Cynthia Ozick's emphasis on tradition has made her, paradoxically, one of the most innovative writers of our time. Elaine M. Kauvar illuminates the intricacies of Ozick's texts, explores the dynamics of her creativity, and excavates her sources, contexts, and allusions. She provides readings of all of Ozick's fiction, from her first published novel, Trust, through The Messiah of Stockholm. Working chronologically, Kauvar traces the development of the storyteller's thought and art, examines the themes that pervade Ozick's tales - the battle between Hebraism and Hellenism, the lure of paganism and the dangers of idolatry, the implications and consequences of assimilation, the perplexities of the artist and the besetting dangers of art - and demonstrates the dialectic existing between her tales, their shifting perspectives, and competing ideas. Precisely because Ozick draws on the resources in her heritage, Kauvar concludes, she transcends narrow categories and defies rigid ideologies.

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