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First published in 1999, this book asks what kind of advice was available to somebody wishing to embark upon oil painting in England between 1850 and 1900. It is a fascinating collection of Victorian instruction on how and what to paint, linked to crucial advice about art, its meaning and its relation to contemporary life, given by practising artists, important and often popular in their time, but whose lectures and writings are long overdue for reappraisal: Leslie, Hamerton, O'Neil, Poynter, Watts, Leighton, Armitage, Quilter and Herkomer. Here, beyond the familiar voices of Ruskin, Whistler and Pater, we have a whole range of experience from an age in which issues about painting were hotly debated by large numbers of people: professional artists, amateurs, critics, gallery-goers and Academy students. This anthology brings back to life the humour, seriousness, ambitions, eccentricities and controversies of people whose work shaped the nature of mainstream Victorian art.
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Painting, British --- Painting, Victorian --- Bibliography. --- Bibliography.
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Painters --- Painting, Victorian --- Peinture victorienne --- Biography --- Dictionaries
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Painting, British --- -Painting, Victorian --- -Bibliography --- Bibliography
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Painters --- -Painting, Victorian --- -Victorian painting --- Painting, Modern --- Artists --- Biography --- -Dictionaries --- Dictionaries --- Painting, Victorian --- Victorian painting --- Biography&delete& --- anno 1800-1899 --- Great Britain --- Painting --- Painting, Victorian - Great Britain - Dictionaries --- Painters - Great Britain - Biography - Dictionaries
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Women painters --- Painting, British. --- Painting, Victorian --- Women in art. --- Biography --- History and criticism
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Fascinating new research into Pre-Raphaelite painters and collectors in Northern England positions Liverpool as the Victorian art capital of the north in Pre-Raphaelites: Beauty and Rebellion.
This catalogue accompanies the first exhibition to examine Liverpool's role in the history of the Pre-Raphaelite movement. The exhibition will be held at the Walker Art Gallery, Liverpool, from 12 February to 5 June 2016, and is being produced by National Museums Liverpool, working with the specialist art historian Christopher Newall, whose insightful essays will feature in the book.
Containing new research on Pre-Raphaelite patrons and painters in Liverpool, including the collector John Miller and the artist John Ingle Lee, the book examines the relationship between artists like Ford Madox Brown and Rossetti with their Liverpool contemporaries, collectors, and the institutions that welcomed them, notably the forward-thinking Liverpool Academy. It will serve as an account of an important aspect of British artistic culture in the 19th century - and yet one for which there is no previous source of information.
It will also feature approximately 100 works from the exhibition.
Pre-Raphaelitism. --- Pre-Raphaelites. --- Painting, Victorian. --- Victorian painting --- Painting, Modern --- Preraphaelites --- Artists --- Preraphaelitism --- Art
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Painting, British --- Painting, Victorian --- Peinture britannique --- Peinture victorienne --- Catalogs. --- Catalogs. --- Catalogues --- Catalogues --- Royal Holloway College --- Catalogs.
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Narrative painting, British. --- Narrative painting, Victorian --- Great Britain --- Social life and customs --- Narrative painting, British --- Painting, English --- Painting, Victorian --- CDL --- 75.035 --- Victorian painting --- Painting, Modern --- English painting --- Paintings, English --- Victorian narrative painting --- Narrative painting --- British narrative painting
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