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Offering students and performers a concise overview of historical performance, this 1999 book takes into account the many significant developments in the discipline. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c.1700-c.1900, the core period which forms the principal (though not exclusive) focus for the whole series.
Performance practice (Music) --- Pratique de l'exécution (Musique) --- History --- Histoire --- Performance practice (Music). --- Performance practice (Music) - 19th century. --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Instrumental --- Pratique de l'exécution (Musique) --- 18th century --- 19th century --- 78.53 --- Performance practice (Music) - History - 18th century. --- Performance practice (Music) - History - 19th century. --- Groot-Brittannië --- 20e eeuw --- Uitvoeringspraktijk
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Music --- Style, Musical --- Musique --- Style musical --- Performance --- History and criticism --- Exécution --- Histoire et critique --- barokmuziek --- -Performance practice (Music) --- -Style, Musical --- Musical style --- Style, Musical. --- Performance practice (Music) --- History --- Philosophy and aesthetics --- uitvoeringspraktijk --- barok --- muziekgeschiedenis --- muziek --- anno 1600-1699 --- 78.52 --- Performance practice (Music) - History - 17th century --- Performance practice (Music) - History - 18th century
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Music --- muziekinstrumenten --- blokfluiten --- fagotten --- fluiten --- hobo --- anno 1600-1699 --- Woodwind instruments - History --- Woodwind instruments - Methods --- Performance practice (Music) - History - 17th century --- Performance practice (Music) - History - 18th century --- 78.45.0 --- Performance practice (Music) --- Woodwind instruments --- 518 --- Double-reed instruments (Woodwinds) --- Double-reed woodwind instruments --- Double reeds (Woodwind instruments) --- Reed instruments (Woodwinds) --- Reeds (Woodwind instruments) --- Single-reed instruments (Woodwinds) --- Single-reed woodwind instruments --- Single reeds (Woodwind instruments) --- Wood-wind instruments --- Woodwinds --- Wind instruments --- History --- Organologie
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Musical meter and rhythm. --- Musical notation. --- Performance practice (Music) --- Musique --- Pratique de l'exécution (Musique) --- History --- Mesure et rythme --- Notation --- Histoire --- Musical meter and rhythm --- Musical notation --- -Performance practice (Music) --- Ligatures (Music) --- Music --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Signs and symbols --- Paleography, Musical --- Meter (Music) --- Musical rhythm and meter --- Rhythm (Music) --- Music theory --- Rhythm --- Time in music --- Neumes --- -Musical meter and rhythm --- Pratique de l'exécution (Musique) --- -Ligatures (Music) --- Performance practice (Music) - History - 17th century --- Performance practice (Music) - History - 18th century --- Muzieknotatie --- Uitvoeringspraktijk
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