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Drama --- German literature --- Medieval Latin literature --- anno 1500-1599 --- Bible plays --- Theology --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- History
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Michael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays.
Theater --- Bible plays --- English drama --- European drama --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- History --- Religious aspects. --- History and criticism. --- Moral and religious aspects --- Drama --- English literature --- anno 1500-1599 --- anno 1600-1699
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Mythology, Greek --- Bible plays --- Drama --- Buchanan, George, --- Euripides --- Translations into English --- Translations into Latin --- Latin drama (Tragedy) --- -Latin drama, Medieval and modern --- -Mythology, Greek --- -Greek mythology --- Latin literature, Medieval and modern --- Latin drama --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- -Translations into Latin --- -Translations into English --- -Euripides --- Euripide --- -Plays, Bible --- Greek mythology --- Buchananus, Georgius --- Translations into Latin. --- Translations into English. --- Buchanan, George --- Mythology, Greek - Drama --- Buchanan, George, - 1506-1582 - Translations into English --- Euripides - Translations into Latin --- Buchanan, George, - 1506-1582
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Stilistics --- Bible --- Drama --- French language --- French literature --- anno 1500-1599 --- French drama --- -Bible plays --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- History and criticism --- Bible plays. --- History and criticism. --- Bible plays --- Theatre (genre litteraire) medieval
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Bible plays --- Drama --- Joseph, --- Jephthah --- Drama, Modern --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- Giuseppe, --- José, --- Józef, --- Yūsuf, --- Jefta --- Jeftes --- Jephte --- Jephtha --- Jephthah, --- Jeptha --- Drama - 15th and 16th centuries --- Joseph, - Saint - Drama --- Jephthah - (Biblical judge) - Drama --- Joseph, - Saint --- Jephthah - (Biblical judge)
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Bible plays --- Christmas plays --- French drama --- Magi --- Mysteries and miracle-plays, French --- French miracle-plays --- French mysteries and miracle-plays --- Three Kings (Magi) --- Three Wise Men (Magi) --- Wise Men (Magi) --- Epiphany --- Christmas --- Drama --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama
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Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the drama: as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both.
Bible plays --- Religious drama --- Drama, Medieval --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- History and criticism. --- Presentation, etc. --- 82-251 --- 82-251 Religieus toneel --- Religieus toneel --- History and criticism --- Presentation, etc --- Pièces bibliques --- Théâtre religieux --- Théâtre médiéval --- Histoire et critique --- Présentation, etc --- Drama --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599
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Anhand der Bibeldramen Sixt Bircks (1501-1551) lässt sich darstellen, mit welchen Mitteln und Zielen biblische Texte in den Jahren nach der Reformation in Schauspiele transformiert wurden. Im 16. Jahrhundert war dies ein äußerst populäres Verfahren, um einem größeren Publikum Exempla aus der Heiligen Schrift vor Augen zu stellen. Das dramatische Werk Sixt Bircks beschäftigt sich darüber hinaus mit Fragen des öffentlichen Lebens und der Institutionen in einer ,Respublica christiana' - ein republikanisches Gemeinwesen mit Gott an der Spitze. In seinen Dramen spricht sich Birck u.a. für ein Gerichtswesen nach römischem Vorbild aus und leitet die weltliche Obrigkeit an, wie sie zum Wohl der ,Respublica christiana' beitragen könne.Die Dramen werden in den historischen und geistesgeschichtlichen Kontext ihrer Entstehung eingebunden, wodurch auch Bezüge zu historischen Ereignissen, Entwicklungen und gelehrten Diskursen an den Entstehungsorten Basel und Augsburg hergestellt werden können. Die interdisziplinär angelegte Studie betrachtet erstmals eine größere Auswahl der Dramen Sixt Bircks unter dem Aspekt politischer (Neu-)Entwürfe. Dadurch können die verschiedenen Aspekte der christlichen Respublica im Zusammenhang betrachtet werden.
Bible plays. --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- Birck, Sixt, --- Criticism and interpretation. --- 1500-1700 --- Betlius, Xystus, --- Betuleius, Xistus, --- Betuleius, Xystus, --- Betulius Augustanus, Xystus, --- Betulius, Xystus, --- Bircken, Sixtus, --- Betuleius, Xystus --- Classical Period --- Early Modern Period
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Scholars of early Christian literature acknowledge that oral traditions lie behind the New Testament gospels. While the concept of orality is widely accepted, it has not resulted in a corresponding effort to understand the reception of the gospels within their oral milieu. In this book, Kelly Iverson reconsiders the experiential context in which early Christian literature was received and interpreted. He argues that reading and performance are distinguishable media events, and, significantly, that they produce distinctive interpretive experiences for readers and audiences alike. Iverson marshals an array of methodological perspectives demonstrating how performance generates a unique experiential context that shapes and informs the interpretive process. Iverson's study explores the dynamic oral environment in which ancient audiences experienced the gospel stories. He shows why an understanding of oral performance has important implications for the study of the NT, as well as for several issues that are largely unquestioned by biblical scholars.
Bible plays --- Performance --- History and criticism. --- Religious aspects --- Christianity. --- Bible. --- Criticism, interpretation, etc. --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- Evangelie (Book of the New Testament) --- Fukuinsho (Books of the New Testament) --- Gospels (Books of the New Testament) --- Gospels, Synoptic (Books of the New Testament) --- Synoptic Gospels (Books of the New Testament)
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"A consciousness of the past has been an essential determinant of community in the city of Chester, England. In particular, the city's Whitsun Plays have been a vehicle for communicating the myth of the city's medieval heritage, helping to reinforce the sense of history that is part of Chester's identity." "Building upon the material in REED: Chester, David Mills has produced a detailed study of Chester's Whitsun Plays in their local, physical, social, political, cultural, and religious contexts. A continuum has survived between the Middle Ages and the present day, providing not only an understanding of the plays themselves, but a narrative of the ways in which manuscripts survive and the functions that they serve. The continued performance of these plays is significant of modern play revivals as a political and sociological phenomenon, demonstrating the power that these rituals and plays still hold."--Jacket.
Mysteries and miracle-plays, English --- Christian drama, English (Middle) --- Theater --- English drama --- Bible plays --- Cycles (Literature) --- History and criticism. --- History --- Chester plays. --- Chester (England) --- History. --- Plays, Bible --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- English miracle-plays --- English mysteries and miracle-plays --- Chester mystery plays --- Chester mysteries --- Chester mystery cycle --- Chester (Cheshire) --- Deva (England) --- Performing arts --- Acting --- Actors --- Cheshire West and Chester (England) --- Literature --- Sequels (Literature) --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama
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