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Poetry and the arts.

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Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in OCytraditionalOCO verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is radical, adapting WollheimOCOs OCytwofold thesisOCO OCo grounded in the aesthetics of visual art OCo to the authorOCOs own concept of the OCydouble patternOCO. Graphic Poetics challenges the accepted protocols of reading and interpreting verse and considers how poetry is involved in a dialogue with such theoreticians as Derrida. Introducing a new perspective on how poems work and on how they generate effects, it shows how poets use devices previously unrecognised and unacknowledged, techniques which are more commonly associated with visual arts than with literature."

Poetry and the arts. --- Poetics. --- Poetry --- Arts and poetry --- Arts --- Technique --- Poetry and the arts --- Poetics

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Munch og Goldstein. Intense linjer' fortæller om det livslange venskab mellem den verdensberømte norske billedkunstner Edvard Munch og den glemte danske digter Emanuel Goldstein. De to kunstnere mødte hinanden i Paris i 1889, og det møde blev begyndelsen på en gensidig kunstnerisk inspiration og forståelse, der varede frem til Goldsteins død i 1921. 00I bogen præsenteres en enestående privatsamling af Munchs træsnit, og i tre artikler sætter kunst- og litteraturforskere de kraftfulde og farverige træsnit i dialog med Goldsteins heftige digte om kærlighed og elskov. Billedernes groft snittede motiver møder ordenes hidsige, men også hjerteskærende tone, og i dette vekselspil forstærker de to udtryksformer hinanden og gør Munch og Goldsteins følelser og relationer endnu mere sanseligt nærværende.00Exhibition: Fuglsang Kunstmuseum, Toreby Lolland, Denmark (20.09.2019-05.01.2020).

Poetry and the arts --- Munch, Edvard, --- Goldstein, Emanuel

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Depuis Mallarmé, les liens entre peinture et poésie se sont inextricablement renforcés et de nouveaux types d'ouvrages sont nés, des livres d'artiste ou encore des "livres de dialogue" selon l'expression d'Yves Peyré. Ces oeuvres montrent l'étroite collaboration possible entre deux artistes, entre deux media. Le présent ouvrage étudie plus particulièrement les relations d'un poète - André Frénaud - avec les peintres qu'il a eu le plaisir de côtoyer et avec lesquels il a volontiers travaillé. Se situant dans la continuité de la réflexion entamée en 2003 au colloque d'Autun, les contributions de ce livre se proposent de comprendre les modalités de ces amitiés artistiques et d'envisager la poésie frénaldienne comme un discours critique sur un autre medium : la peinture. L'émotion ressentie devant la beauté d'un tableau a suscité une parole poétique singulière dont il convient de pénétrer les spécificités.

Painting, Modern --- Art criticism --- Poetry and the arts --- Frénaud, André, 1907-1993

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Art criticism --- Poetry and the arts --- History --- Heine, Heinrich, --- 1700-1899 --- France.