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"Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors, Giambologna, Bartolomeo Ammanati, and Vincenzo Danti, as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in process.... Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect."--Jacket.
Art and architecture --- Art --- Sculpture, Italian --- History --- Political aspects --- Giambologna, --- Ammannati, Bartolomeo, --- Danti, Vincenzo, --- Criticism and interpretation. --- 1500-1599 --- Italy --- Aby Warburg. --- Adriaen de Vries. --- Alessandro Allori. --- Alessandro Vittoria. --- Andrea Riccio. --- Andrea del Verrocchio. --- Antipope John XXIII. --- Ascanio Condivi. --- Banderole. --- Baptistery. --- Bartolomeo Ammannati. --- Benvenuto Cellini. --- Boboli Gardens. --- Brought to Light. --- Caravaggio. --- Cavalieri. --- Counter-Reformation. --- Daniele da Volterra. --- David (Michelangelo). --- De Re Aedificatoria. --- De rerum natura. --- Desiderio da Settignano. --- Duke of Florence. --- Erwin Panofsky. --- Farnese Hercules. --- Fasti. --- Fibonacci. --- Figurative art. --- Filarete. --- Filippo Brunelleschi. --- Florence Cathedral. --- Francesco Mochi. --- Francesco da Sangallo. --- Friedrich Sustris. --- Galleria Borghese. --- Gerhard Wolf. --- Giambologna. --- Gian Lorenzo Bernini. --- Gian Paolo Lomazzo. --- Giovanni Angelo Montorsoli. --- Giuliano de' Medici. --- Hieronymus Cock. --- Hugo van der Goes. --- Illusionism (art). --- J. Paul Getty Museum. --- Jacopo Sansovino. --- Jan Gossaert. --- Jan van Scorel. --- John Chrysostom. --- Laurentian Library. --- Leone Leoni. --- Luca della Robbia. --- Marzocco. --- Massimo. --- Matteo Civitali. --- Medici Chapel. --- Michel de Montaigne. --- Michelangelo Naccherino. --- Michelangelo. --- Michelozzo. --- Minimalism. --- Modello. --- Monumental sculpture. --- Museo del Prado. --- Non finito. --- Pantheon, Rome. --- Paragone. --- Picturesque. --- Pierino da Vinci. --- Pietra serena. --- Pietro Bernini. --- Pietro Francavilla. --- Pietro Tacca. --- Pontormo. --- Pope Julius II. --- Pope Sixtus V. --- Praxiteles. --- Putto. --- Renaissance art. --- Roman Inquisition. --- Sandro Botticelli. --- Santa Maria sopra Minerva. --- Santa Trinita. --- Sebastiano Serlio. --- Sigismondo. --- Signoria. --- Stefano della Bella. --- Stoldo Lorenzi. --- Strozzi family. --- Taddeo Landini. --- The Work of Art in the Age of Mechanical Reproduction. --- Titian. --- Tomb of Antipope John XXIII. --- Tommaso Laureti. --- Vatican Museums. --- Veduta. --- Venus Genetrix (sculpture). --- Villa Medici. --- Vitruvius. --- Woman Bathing (van Eyck).
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One of the great European publishing centers, Venice produced half or more of all books printed in Italy during the sixteenth-century. Drawing on the records of the Venetian Inquisition, which survive almost complete, Paul F. Grendler considers the effectiveness of censorship imposed on the Venetian press by the Index of Prohibited Books and enforced by the Inquisition. Using Venetian governmental records, papal documents in the Vatican Archive and Library, and the books themselves, Professor Grendler traces the controversies as the patriciate debated whether to enforce the Index or to support the disobedient members of the book trade. He investigates the practical consequences of the Index to printer and reader, noble and prelate. Heretics, clergymen, smugglers, nobles, and printers recognized the importance of the press and pursued their own goals for it. The Venetian leaders carefully weighed the conflicting interests, altering their stance to accommodate constantly shifting religious, political, and economic situations. The author shows how disputes over censorship and other press matters contributed to the tension between the papacy and the Republic. He draws on Venetian governmental records, papal documents in the Vatican Library, and the books themselves.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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-Media, News
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News media
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Anti-Reformation
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Canoniek zakenrecht: censuur; verboden boeken; index--(canon 1384-1405)
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348.416.4 Canoniek zakenrecht: censuur; verboden boeken; index--(canon 1384-1405)
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-Anti-Reformation
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Media, News
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Counter-Reformation
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Inquisition
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Press
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094.1 <45 VENEZIA>
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098.1
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348.416.4
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Church history
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Church renewal
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Reformation
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098.1 Verboden boeken
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Verboden boeken
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Media, The
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Journalism
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Publicity
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Newspapers
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Periodicals
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Holy Office
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Autos-da-fé
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094.1 <45 VENEZIA> Oude drukken: bibliografie--
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