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Popular music --- History and criticism --- Popular music - History and criticism
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The first book to bring together music and fashion and situate both within the context of popular culture.
Music and fashion. --- Popular culture. --- Popular music -- History and criticism.
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Music and society --- Popular music - History and criticism.
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Popular music --- Music --- History and criticism --- Philosophy and aesthetics --- Popular music - History and criticism --- Music - Philosophy and aesthetics
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Despite the growth of digital media, traditional FM radio airplay still remains the essential way for musicians to achieve commercial success. "Climbing the Charts" examines how songs rise, or fail to rise, up the radio airplay charts. Looking at the relationships between record labels, tastemakers, and the public, Gabriel Rossman develops a clear picture of the roles of key players and the gatekeeping mechanisms in the commercial music industry. Along the way, he explores its massive inequalities, debunks many popular misconceptions about radio stations' abilities to dictate hits, and shows how a song diffuses throughout the nation to become a massive success. Contrary to the common belief that Clear Channel sees every sparrow that falls, Rossman demonstrates that corporate radio chains neither micromanage the routine decision of when to start playing a new single nor make top-down decisions to blacklist such politically inconvenient artists as the Dixie Chicks. Neither do stations imitate either ordinary peers or the so-called kingmaker radio stations who are wrongly believed to be able to make or break a single. Instead, Rossman shows that hits spread rapidly across radio because they clearly conform to an identifiable style or genre. Radio stations respond to these songs, and major labels put their money behind them through extensive marketing and promotion efforts, including the illegal yet time-honored practice of payoffs known within the industry as payola. "Climbing the Charts" provides a fresh take on the music industry and a model for understanding the diffusion of innovation
Music --- Telecommunication services --- Business policy --- Service industry --- Radio and music. --- Popular music --- Social aspects --- History and criticism. --- Popular music - Social aspects --- Popular music - History and criticism.
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"The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method; The Business of Popular Music; Popular Music History; The Global and the Local; The Star System; Body and Identity; Media; Technology; and, Digital Economies. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology."--Publisher's description.
Music --- Sociology of culture --- Popular music --- Music theory --- History and criticism --- Music theory. --- Sound recording industry. --- Popular music. --- History and criticism. --- Popular music - History and criticism
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popmuziek --- muziekinitiatie --- Music --- muziekonderwijs --- School music --- Popular music --- Instruction and study --- History and criticism --- School music - Instruction and study --- Popular music - History and criticism
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Music --- Subculture --- Musique --- History and criticism --- Social aspects --- Histoire et critique --- Aspect social --- Musicians --- Popular music --- Psychology --- Musicians - Psychology --- Music - Social aspects --- Popular music - History and criticism
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