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The work of Julia Spínola (b. 1979) departs from an intuitive and empirical practice, in which there is no place for metaphors or symbolisms. She is interested in the laws of physics such as connectivity, transference, movement, which have been present in her practice since earlier works.“One night in Madrid, a lamp came swirling down, as if it were a butterfly. It just missed the table and it did not break. The lamp was still burning, but it was hanging at a different level than usual: it had left the ceiling. Suddenly, a funny dialogue developed, a play with various lamps. It became obvious that Spínola wanted to link heart, head, feet and hands in her work – that she was in search of a form for them. Her work shows the effect of experienced and experimental material, it is imagined and created, one sees spaced possibilities that can be thought clearly at a certain moment in this space – a moment that surprises us.”From: ‘Julia Spínola: Form as Figure-Object, Engaged in a Dialogue with Sequenced Gestures and Action Codes’ Sofie Van Loo, in: Habla/Dice

art [fine art] --- kunst --- Spínola, Julia --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- Spinola Julia --- Catalogs --- Art [Spanish ] --- 21st century --- Art, Spanish --- Installations (Art) --- Spínola, Julia --- Verwée, Adriaan °1975 (°Gent, België) --- Posture Editions --- Beeldende kunst ; Spanje ; 21ste eeuw --- Spínola, Julia (°1979, Madrid) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- art [discipline]

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schilderkunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- België --- Gerhard Tatjana --- 75.071 GERHARD --- Exhibitions --- artists [visual artists] --- art [fine art] --- Gerhard, Tatjana --- 75.07 --- Gerhard, Tatjana °1974 (°Zurich, Zwitserland) --- Posture Editions --- Schilderkunst ; schilders --- Schilderkunst ; 1ste helft 21ste eeuw ; T. Gerhard --- Vrouwelijke kunstenaars --- Drawing, Belgian --- Gerhard, Tatjana, --- art [discipline]

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In the book Images Trouvées, Hans Segers collected twenty-nine shapes originally in a long concertina-shaped picture atlas, an archive of icons. Twenty-nine people from the art world in Belgium and France were invited to verbalise an image. As a result, the images in this book are enriched with new layers of meaning. - from publisher

Segers, Hans --- kunst --- woord en beeld --- schilderkunst --- België --- tekenkunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 75.071 SEGERS --- 741.071 SEGERS --- Exhibitions --- Painting --- oil paintings [visual works] --- aquarelles [paintings] --- Drawing, Belgian --- Artists' books. --- 741.07 --- Segers, Hans °1952 (°Antwerpen, België) --- Belgische kunstenaars --- Posture Editions --- Kunstenaarsboeken --- Tekenkunst ; tekenkunstenaars A - Z

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Armed with pencil, eraser and breaker knife, Fabrice Souvereyns (°1995 Tongeren) creates a detailed world from intense observations and perceptions. Souvereyns’s young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more ‘invisible’ themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist’s eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist.

Souvereyns, Fabrice --- kunst --- België --- eenentwintigste eeuw --- tekenkunst --- landschap --- landschapstekenkunst --- 741.071 --- Souvereyns Fabrice --- Thema's in de kunst ; het landschap --- LUCA School of Arts ; alumni --- Posture Editions --- Souvereyns, Fabrice (°1995, Tongeren) --- Tekenkunst ; België ; 21ste eeuw --- 741.07 --- Tekenkunst ; tekenkunstenaars A - Z --- drawings [visual works] --- Drawing

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Reclining Fragments, Ritsart Gobyn’s second book is the sequel to In Between and, as if by some miracle, thus completes the sentence: ‘In Between Reclining Fragments’. Where In Between still hesitated between indicating place or time, the complete sentence ‘In Between Reclining Fragments’ seems to indicate a place: somewhere between reclining fragments. But in the conversation between Ritsart and Maarten Inghels – the author of the text accompanying the book – it is again emphatically about time: “‘As you move closer and distance yourself again, a passage of time is created,’ you said. ‘That back-and-forth movement of your perception makes it interesting.’” The book forms the second volume on the artist’s work and contains almost all the works the artist made from late 2020 to mid-2023, including the room views of ‘Prologue’, the exhibition at PLUS-ONE gallery, where the book will be introduced. Consistently, Ritsart continues to build an evocative and tactile oeuvre in which he increasingly challenges the viewer’s perception and causes the gaze to slow down. More than in the first book – with works from 2017 to 2020 – the artist incorporates fragments/citations of other artists into his paintings, raising the question of what motivations preceded that choice. Does Ritsart neutralise the works of grandmasters by painting them alongside tape, paper scraps and dirty footprints, or does he instead pay homage to his pictorial heroes?Is there a truth to be found here, somewhere among the backward sloping scraps?

Gobyn, Ritsart --- schilderkunst --- eenentwinitgste eeuw --- 75.071 GOBYN --- België --- trompe-l'oeil --- abstracte schilderkunst --- abstractie --- Gobyn Ritsart --- kunst --- Belgische kunstenaars ; 21ste eeuw --- Posture Editions --- Docenten Sint-Lucas Gent ; Beeldende Kunst --- Schilderkunst ; België ; 21ste eeuw --- Gobyn, Ritsart °1985 (°Gent, België) --- 75.07 --- Schilderkunst ; schilders A-Z --- Painting --- oil paintings [visual works] --- spray painting --- acrylic painting [technique]