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sculpting --- Sculpture --- Kruisweg --- bathing --- equestrians --- cocks [birds] --- Equus caballus [species] --- Iconography --- Canis familiaris [species] --- monkeys [animals] --- Homo sapiens [species] --- Poot, Rik --- Icarus --- Belgium --- Beeldhouwkunst --- Biographies --- Levensbeschrijvingen --- Poot, R. --- Artists' preparatory studies --- Poot, Rik, --- -Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- -Poot, Rik --- Preliminary sketches (Art) --- bathing [hygienic activity] --- Icarus [Mythological character] --- human figures [visual works]
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Painting --- anno 1500-1799 --- France --- Austria --- Belgium --- Netherlands --- Germany --- Italy --- Spain --- Painting, European --- -Artists' preparatory studies --- -Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- European painting --- Congresses --- Exhibitions --- -Congresses --- Artists' preparatory studies --- Preliminary sketches (Art) --- congres / 1984 --- oil sketches
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Artists' preparatory studies --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Garnier, Louis, --- Titon du Tillet, Évrard, --- Titon du Tillet, Evrard, --- Titon du Tillet, Evrard
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During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, commonly called a "model" (or exemplum in latin), was used to record the form and content of works of art. Some of those drawings have survived in albums or "model books". The author discusses the many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. The period extends to the fifteenth century, when artistic reproduction by mechanical means made its appearance. The introduction addresses such complex issues as the views of contemporary writers on the position of the visual arts in medieval thought and society, the development of labour-saving devices, the transition from drawing after earlier prototypes to the growing tendency to work from nature, and the "emancipation" of the model in the early Renaissance. The extensive "catalogue raisonné" of extant model books directs the reader to more specific problems. The appendix summarises what little is known about the role of models in Byzantine art.
History --- pattern books --- Art --- anno 500-1499 --- Drawing --- Manuscripts. Epigraphy. Paleography --- Europe --- Artists' preparatory studies --- Drawing books --- Drawing, Medieval --- Etudes préparatoires d'artistes --- Cahiers de dessin --- Dessin médieval --- Sources --- 091.31:75.056 --- 091:083.76 --- -Drawings, Medieval --- Medieval drawing --- Books --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Verluchte handschriften: techniek --- Modelboeken--(handschriften) --- Artists' preparatory studies. --- Drawing books. --- Sources. --- -Verluchte handschriften: techniek --- 091:083.76 Modelboeken--(handschriften) --- 091.31:75.056 Verluchte handschriften: techniek --- -Books --- Drawings, Medieval --- -Preliminary sketches (Art) --- Etudes préparatoires d'artistes --- Dessin médieval --- Art, Medieval --- Arts --- Dessins et modèles. --- Peinture et dessin d'animaux --- Dessin médiéval. --- Étude et enseignement. --- tekenboek
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sculpting --- Kinetic [style] --- Sculpture --- Art styles --- Tinguely, Jean --- anno 1900-1999 --- anno 2000-2099 --- Artists' preparatory studies --- Exhibitions. --- Tinguely, Jean, --- Carla Schulz-Hoffmann, Stefanie Poley --- kunst --- twintigste eeuw --- beeldhouwkunst --- installaties --- kinetische kunst --- Tinguely Jean --- tekenkunst --- Zwitserland --- 7.071 TINGUELY --- Exhibitions --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Dinggeli, Shang, --- Art --- Kinetic Art
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Drawing --- anno 1500-1599 --- Italy --- Musée du Louvre [Paris] --- Drawing, Italian --- Drawing, Renaissance --- Artists' preparatory studies --- 741.034 --- CDL --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Italian drawing --- Themes, motives --- History --- Exhibitions --- Louvre Museum [Paris]
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Sculpture --- anno 1700-1799 --- Germany --- Sculpture, German --- Sculpture, Rococo --- Exhibitions --- Artists' preparatory studies --- Rococo sculpture --- German sculpture --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Sculpture, German - Germany - Bavaria - Exhibitions --- Sculpture, Rococo - Germany - Bavaria - Exhibitions
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Painting --- Aesthetics of art --- Art styles --- Architecture --- anno 1600-1699 --- Rome --- trompe l'oeil --- barok --- Exhibitions --- Artists' preparatory studies --- Mural painting and decoration, Baroque --- Mural painting and decoration, Italian --- Italian mural painting and decoration --- Baroque mural painting and decoration --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Rome.
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Candid, Peter --- Candid, Peter, --- Artists' preparatory studies --- Tapestry --- Fiber sculpture --- Tapestries --- Decorative arts --- Interior decoration --- Needlework --- Textile fabrics --- Wall hangings --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Witte, Pieter de, --- Candido, Pier, --- Candido, Pietro d'Elia, --- De Witte, Pieter, --- Munich.
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Altarpieces, Baroque --- Architectural models --- Artists' preparatory studies --- Exhibitions. --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Buildings --- Models, Architectural --- Architectural casts --- Communication in architectural design --- Miniature objects --- Models and modelmaking --- Baroque altarpieces --- Exhibitions --- Models
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