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Motion pictures --- Lantern slides --- Social problems in motion pictures --- Projection art --- Projection art --- Poverty in mass media --- Light art --- Lantern projection --- Social aspects --- Social aspects --- History --- Social aspects --- History --- Social aspects --- Social aspects

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"Art of projection" investigates the prehistory and current state of the use of projected images in art, moving from the screen to the exhibition space and back again. Its ten essays address precedents for the projection of images in space in nineteenth-century magic lantern shows and world's fairs as well as the alternative conceptions of duration or the representaion of time pioneered by surrealists and experimental filmmakers in the early and mid-twentieth century. Now, in the twenty-first century, when the projection of moving pictures has itself become a convention in the exhibition of art and analog media are being 'migrated' to digital proxies, this book is a timely reconsideration of the history of media art.

778.2 --- 791.43.098 --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- negentiende eeuw --- projectie --- projecties --- installaties --- film --- video --- video-installaties --- experimentele film --- mediakunst --- 7.036 --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- Video's. Videofilms. Videoclips. Videokunst --- 778.2 Projectie. Diapositieven. Projectieapparaten --- Projectie. Diapositieven. Projectieapparaten --- Projection art --- Projection art. --- History.

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Video art --- Installations (Art) --- Projection art --- Art vidéo --- Projections (Art) --- Exhibitions --- Expositions --- Oursler, Tony --- Art --- installations [visual works] --- art [fine art] --- popular culture --- mass media --- video art --- stop-motion photography --- art [discipline]

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Interactive art. --- Lighting --- Projection art. --- Special effects. --- Projected art works --- Projected images (Art) --- Projection pieces (Art) --- Projection works (Art) --- Projections (Art) --- Environment (Art) --- Light art --- Light shows --- Special effects (Lighting) --- Participatory art --- Performance art --- Social practice (Art) --- Visual effects

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Charakteristisch für die großformatigen Filmprojektionen David Claerbouts sind die extrem verlangsamten Bildsequenzen, die über computergenerierte Methoden erzeugt werden. Bewegtbilder gefrieren dabei zu Standbildern. Die Themen Vergänglichkeit und Stillstand, vor allem die majestätische Unbeirrbarkeit der Zeit, erhalten in der Bildsprache Claerbouts eine eigene Ästhetik. Von dieser ausgehend analysiert der amerikanische Kunsthistoriker Russell Ferguson in seinem Essay David Claerbouts Verhältnis zur zeitgenössischen Photographie und erläutert dessen oft Jahre beanspruchende, höchst präzise Arbeitsweise. In einem Gespräch mit Thomas D. Trummer spricht David Claerbout über seine Philosophie und seine Wahrnehmung von Welt und Gegenwart, im Besonderen vor dem Hintergrund der im Kunsthaus Bregenz gezeigten Installationen.

21.42 history of photographic art. --- New media art --- New media art. --- Projection art --- Projection art. --- Claerbout, David --- Claerbout, David. --- Art --- tableaux [sculpture] --- architectural elements --- moving images --- Art, Belgian --- Montage --- Claerbout, David, --- 778.5.07 --- Claerbout, David °1969 (°Kortrijk, België) --- Belgische kunstenaars --- Tentoonstellingscatalogi ; Bregenz ; Kunsthaus --- Videokunst ; video-installaties ; geanimeerde fotobeelden --- Digitale kunsten ; vrije --- Geluidsinstallaties --- Arts, Modern --- Projected art works --- Projected images (Art) --- Projection pieces (Art) --- Projection works (Art) --- Projections (Art) --- Environment (Art) --- Light art --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Exhibitions --- Museum exhibits