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Qian, Zhongshu, --- Qian, Zhongshu, --- Manuscripts. --- Books and readings.
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Authors, Chinese --- Qian, Zhongshu, --- Friends and associates.
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Chinese essays --- Short stories, Chinese --- Qian, Zhongshu,
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Authors, Chinese --- Qian, Zhongshu, --- Yang, Jiang, --- Criticism and interpretation. --- Criticism and interpretation.
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Qian Zhongshu was one of twentieth-century China's most ingenious literary stylists, one whose insights into the ironies and travesties of modern China remain stunningly fresh. Between the early years of the Second Sino-Japanese War (1937-1945) and the Communist takeover in 1949, Qian wrote a brilliant series of short stories, essays, and a comedic novel that continue to inspire generations of Chinese readers.With this long-awaited translation, English-language readers can immerse themselves in the invention and satirical wit of one of the world's great literary cosmopolitans. This collection brings together Qian's best short works, combining his iconoclastic essays on the "book of life" from Written in the Margins of Life (1941) with the four masterful short stories of Human, Beast, Ghost (1946). His essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary criticsand assert the primacy of critical and creative independence. His stories blur the boundaries between humans, beasts, and ghosts as they struggle through life, death, and resurrection. Christopher G. Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes that Qian Zhongshu made to different editions of his writings and providing unprecedented insight into the author's creative process.
Chinese essays --- Short stories, Chinese --- Chinese literature --- Qian, Zhongshu, --- Chien, Chung-shu, --- Dzien, Tsoong Su, --- Qianzhongshu, --- 銭鍾書, --- 钱钟书, --- 钱锺书, --- 전 종서, --- Chŏn, Chong-sŏ, --- Chʻien, Chung-shu, --- Qian, Mocun, --- Chʻien, Mo-tsʻun, --- 钱默存, --- Qian, Huaiju, --- Chʻien, Huai-chü, --- 钱槐聚, --- Qian, Yangxian, --- Chʻien, Yang-hsien, --- 钱仰先, --- Qian, Zheliang, --- Chʻien, Che-liang, --- 钱哲良,
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China’s Literary Cosmopolitans offers a comprehensive introduction to the literary oeuvres of Qian Zhongshu (1910-98) and Yang Jiang (b. 1911). It assesses their novels, essays, stories, poetry, plays, translations, and criticism, and discusses their reception as two of the most important Chinese scholar-writers of the twentieth century. In addition to re-evaluating this married couple’s intertwined literary careers, the book also explains why they have come to represent such influential models of Chinese literary cosmopolitanism. Uncommonly well-versed in Western languages and literatures, Qian and Yang chose to live in China and write in Chinese. China’s Literary Cosmopolitans argues for their artistic importance while analyzing their works against the modern cultural imperative that Chinese literature be worldly. Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65 (ubc Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu (Columbia, 2011).
S16/0170 --- S16/0195 --- China: Literature and theatrical art--General works on modern literature --- China: Literature and theatrical art--Thematic studies --- Chinese literature --- History and criticism --- Qian, Zhongshu, --- Yang, Jiang, --- Criticism and interpretation. --- History and criticism. --- Chien, Chung-shu, --- Dzien, Tsoong Su, --- Qianzhongshu, --- 銭鍾書, --- 钱钟书, --- 钱锺书, --- 전 종서, --- Chŏn, Chong-sŏ, --- Chʻien, Chung-shu, --- Qian, Mocun, --- Chʻien, Mo-tsʻun, --- 钱默存, --- Qian, Huaiju, --- Chʻien, Huai-chü, --- 钱槐聚, --- Qian, Yangxian, --- Chʻien, Yang-hsien, --- 钱仰先, --- Qian, Zheliang, --- Chʻien, Che-liang, --- 钱哲良,
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Patchwork: Seven Essays on Art and Literature presents in English translation a number of essays written by the Chinese literary scholar and novelist Qian Zhongshu (1910-1998). One of the great minds of the twentieth century, Qian, with his characteristic erudition and wit, addresses here aspects of the classical literary and artistic traditions of China. Better known, as a scholar, for his magisterial Limited Views: Essays on Ideas andamp; Letters (Guanzhui bian) (1979-80) and, as a novelist, for his Fortress Besieged (Weicheng) (1947), these essays, first written during the period 1948-83 and much revised over the years, allow readers insight into Qian’s abiding concern with “striking connections” between disparate literary, historical, and intellectual traditions, ancient and modern, Chinese and Western. Dr. Duncan Campbell was awarded the China Book Award for Special Contributions at the 23rd Beijing International Book Fair. Dr. Campbell received this award for his translation of this volume.
Chinese essays --- Literature --- Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Literature and philosophy --- Philosophy and literature --- Chinese literature --- Philosophy. --- Analysis, interpretation, appreciation --- Theory --- Qian, Zhongshu, --- Chien, Chung-shu, --- Dzien, Tsoong Su, --- Qianzhongshu, --- 銭鍾書, --- 钱钟书, --- 钱锺书, --- 전 종서, --- Chŏn, Chong-sŏ, --- Chʻien, Chung-shu, --- Qian, Mocun, --- Chʻien, Mo-tsʻun, --- 钱默存, --- Qian, Huaiju, --- Chʻien, Huai-chü, --- 钱槐聚, --- Qian, Yangxian, --- Chʻien, Yang-hsien, --- 钱仰先, --- Qian, Zheliang, --- Chʻien, Che-liang, --- 钱哲良,
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Key essays on comparative literature from the eighteenth century to todayAs comparative literature reshapes itself in today's globalizing age, it is essential for students and teachers to look deeply into the discipline's history and its present possibilities. The Princeton Sourcebook in Comparative Literature is a wide-ranging anthology of classic essays and important recent statements on the mission and methods of comparative literary studies. This pioneering collection brings together thirty-two pieces, from foundational statements by Herder, Madame de Staël, and Nietzsche to work by a range of the most influential comparatists writing today, including Lawrence Venuti, Gayatri Chakravorty Spivak, and Franco Moretti. Gathered here are manifestos and counterarguments, essays in definition, and debates on method by scholars and critics from the United States, Europe, Asia, Africa, and Latin America, giving a unique overview of comparative study in the words of some of its most important practitioners. With selections extending from the beginning of comparative study through the years of intensive theoretical inquiry and on to contemporary discussions of the world's literatures, The Princeton Sourcebook in Comparative Literature helps readers navigate a rapidly evolving discipline in a dramatically changing world.
Akivaga, Samora. --- Aristophanes. --- Aristotle. --- Augustine of Hippo. --- Bach, Johann Sebastian. --- Beckett, Samuel. --- Benjamin, Walter. --- Bin Xin. --- Blackburn, Dougal. --- Candido, Antonio. --- Carter, Martin. --- Cervantes, Miguel de. --- Coleridge, Samuel Taylor. --- Conrad, Joseph. --- Curtius, Ernst Robert. --- Dante Alighieri. --- De Quincey, Thomas. --- Dostoyevsky, Fyodor. --- Dumézil, Georges. --- Eliot, Thomas Stearns. --- Eschenburg, Johann Joachim. --- Featherston, Mike. --- Futabatei, Shimei. --- Fénelon, François. --- Gervinus, Georg Gottfried. --- Habermas, Jürgen. --- Hawthorne, Nathaniel. --- Hemingway, Ernest. --- Hofmannsthal, Hugo von. --- Ibn Hazm. --- Irving, Washington. --- Jeismann, Michael. --- Ji Xianlin. --- Kanishka. --- Kierkegaard, Søren. --- Levinas, Emmanuel. --- Marlowe, Christopher. --- Mommsen, Theodor. --- Persius. --- Petronius. --- Plautus. --- Qian Zhongshu. --- Raphael (Sanzio). --- Richard, Jean-Pierre. --- Sagan, Françoise. --- Schopenhauer, Arthur. --- Shen Congren. --- Shih Ching. --- Spenser, Edmund. --- Symons, Arthur. --- Tagore, Rabindranath. --- Tolstoy, Leo.
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