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In Gothic Queer Culture, Laura Westengard proposes that contemporary U.S. queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought - including ghosts embedded in queer theory, shadowy crypts in lesbian pulp fiction, monstrosity and cannibalism in AIDS poetry, and sadomasochism in queer performance - Westengard argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic. Gothic Queer Culture examines the material effects of marginalization, exclusion, and violence and explains why discourse around the complexities of genders and sexualities repeatedly returns to the gothic. Westengard places this queer knowledge production within a larger framework of gothic queer culture, which inherently includes theoretical texts, art, literature, performance, and popular culture. By analyzing queer knowledge production alongside other forms of queer culture, Gothic Queer Culture enters into the most current conversations on the state of gender and sexuality, especially debates surrounding negativity, anti-relationalism, assimilation, and neoliberalism. It provides a framework for understanding these debates in the context of a distinctly gothic cultural mode that acknowledges violence and insidious trauma, depathologizes the association between trauma and queerness, and offers a rich counterhegemonic cultural aesthetic through the circulation of gothic tropes.
Goth culture (Subculture) --- Sexual minority culture. --- Queer culture --- Subculture --- Gothic culture (Subculture) --- Gay culture. --- Gay subculture --- Lavender culture
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Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys' Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans' diverse strategies in negotiating with cultural strictures and media censorship. It further outlines the performance of subjectivity, identity, and agency that cyberspace offers to female fans. Presenting a wide array of concrete case studies of queer fandoms in Chinese-speaking contexts, the essays in this volume challenge long-established Western-centric and Japanese-focused fan scholarship by highlighting the significance and specificities of Sinophone queer fan cultures and practices in a globalized world. The geographic organization of the chapters illuminates cultural differences and the other competing forces shaping geocultural intersections among fandoms based in Mainland China, Hong Kong, and Taiwan.
Fans (Persons) --- Sexual minorities in mass media. --- Mass media --- Aficionados --- Devotees --- Enthusiasts (Fans) --- Supporters (Persons) --- Persons --- Hobbyists --- Queer culture --- Asian queer people
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"Influential sexologist and activist Magnus Hirschfeld founded Berlin's Institute of Sexual Sciences in 1919 as a home and workplace to study homosexual rights activism and support transgender people. It was destroyed by the Nazis in 1933. This episode in history prompted Heike Bauer to ask, Is violence an intrinsic part of modern queer culture? The Hirschfeld Archives answers this critical question by examining the violence that shaped queer existence in the first part of the twentieth century. Hirschfeld himself escaped the Nazis, and many of his papers and publications survived. Bauer examines his accounts of same-sex life from published and unpublished writings, as well as books, articles, diaries, films, photographs and other visual materials, to scrutinize how violence--including persecution, death and suicide--shaped the development of homosexual rights and political activism. The Hirschfeld Archives brings these fragments of queer experience together to reveal many unknown and interesting accounts of LGBTQ life in the early twentieth century, but also to illuminate the fact that homosexual rights politics were haunted from the beginning by racism, colonial brutality, and gender violence"--
LGBTQ+ people --- LGBTQ+ archives --- Queer culture --- Institut für Sexualwissenschaft --- Berliner Institut für Sexualwissenschaft --- Magnus Hirschfelds Berliner Institut für Sexualwissenschaft --- Institute of Sexology --- Archives. --- History --- Homosexuality --- Nazism --- Racism --- Sexology --- Suicide --- Hirschfeld, Magnus
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"Drawing on over a decade of ethnographic fieldwork in northwest China, Casey James Miller offers a novel, compelling, and intimately personal perspective on Chinese queer culture and activism. In Inside the Circle: Queer Culture and Activism in Northwest China, Miller tells the stories of two courageous and dedicated groups of queer activists in the city of Xi'an: a grassroots gay men's HIV/AIDS organization called Tong'ai and a lesbian women's group named UNITE. Taking inspiration from "the circle," a term used to imagine local, national, and global queer communities, Miller shows how everyday people in northwest China are taking part in queer culture and activism while also striving to lead traditionally moral lives in a rapidly changing society. The queer diversity seriously requires us to de-center Western cultural values, historical experiences, and theoretical perspectives"--
Homosexuality --- Gays --- Sexual minorities --- Gay liberation movement --- queer, queer culture, China, lgbtq, lesbian, gay, bisexual, trans, transgender, transsexual, Xi'an, activism, ethnography, Tong'ai, gender, sexuality, politics, CCP, PRC, People's Republic of China, AIDs, HIV. --- Gay people
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With a focus on historic sites, this volume explores the recent history of non- heteronormative Americans from the early twentieth century onward and the places associated with these communities. Authors explore how queer identities are connected with specific places: places where people gather, socialize, protest, mourn, and celebrate. The focus is deeper look at how sexually variant and gender non-conforming Americans constructed identity, created communities, and fought to have rights recognized by the government. Each chapter is accompanied by prompts and activities that invite readers to think critically and immerse themselves in the subject matter while working collaboratively with others.
Gays --- Historic sites --- Sexual minorities --- History. --- Bisexual Culture. --- Bisexual History. --- Bisexual Identity. --- Gay Culture. --- Gay History. --- Gay Identity. --- Lesbian Culture. --- Lesbian History. --- Lesbian Identity. --- Queer Culture. --- Queer History. --- Queer Identity. --- Transgender Culture. --- Transgender History. --- Transgender Identity.
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»To define is to limit«, Lord Henry states, and Mrs. Dalloway »would not say of anyone [...] that they were this or that«. Why then are the respective novels mostly read - and in recent adaptations rewritten - in denial of their genuinely ambiguous designs? Bringing the two literary classics together for the first time, their shared concerns regarding textual and sexual identities are revealed. Challenging an established critical record commonly related to Oscar Wilde's and Virginia Woolf's own mythologised biographies, this study underscores the value of constantly rethinking labels by liberating the texts from the limiting grip of categorical readings. Reviewed in: Anglistik: International Journal of English Studies, 23.2/9 (2012), Sylvia Mieszkowski
Literature; Queer; Culture; Novel; Wilde; Woolf; Gender; British Studies; Queer Theory; Gender Studies; Literary Studies --- British Studies. --- Culture. --- Gender Studies. --- Gender. --- Literary Studies. --- Novel. --- Queer Theory. --- Queer. --- Wilde. --- Woolf.
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"Matchmaking in the Archive draws the reader into intimate paired relationships between the living and the dead. Each pair was formed through a unique matchmaking process that took place in the archives of The Gay Lesbian Bisexual Transgender Historical Society. The author, who is also the matchmaker, issued an invitation to wander through one archive, to connect with one person, and to invent a creative response. The nineteen relationships that emerged generated a powerful body of creative work that has been exhibited and performed on four continents. It has encompassed live monologue, poetry, an aria sung by a male soprano, sculptural installations, paintings, photography, personal letters, a jam session, a short film, and the author's uncanny photographic portraits of each matched pair. Underlying the creative work are questions that crop up repeatedly: What is our lineage? How do we remember individual people after they die? What does a person's archive reveal? And, just as critical, what is absent from the archive, what secrets do the artifacts suggest, what shimmers in the gaps?"--
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Out in Culture charts some of the ways in which lesbians, gays, and queers have understood and negotiated the pleasures and affirmations, as well as the disappointments, of mass culture. The essays collected here, combining critical and theoretical works from a cross-section of academics, journalists, and artists, demonstrate a rich variety of gay and lesbian approaches to film, television, popular music, and fashion. This wide-ranging anthology is the first to juxtapose pioneering work in gay and lesbian media criticism with recent essays in contemporary queer cultural studies.Uniquely accessible, Out in Culture presents such popular writers as B. Ruby Rich, Essex Hemphill, and Michael Musto as well as influential critics such as Richard Dyer, Chris Straayer, and Julia Lesage, on topics ranging from the queer careers of Agnes Moorehead and Pee Wee Herman to the cultural politics of gay drag, lesbian style, the visualization of AIDS, and the black snap! queen experience. Of particular interest are two "dossiers," the first linking essays on the queer content of Alfred Hitchcock’s films, and the second on the production and reception of popular music within gay and lesbian communities. The volume concludes with an extensive bibliography—the most comprehensive currently available—of sources in gay, lesbian, and queer media criticism.Out in Culture explores the distinctive and original ways in which gays, lesbians, and queers have experienced, appropriated, and resisted the images and artifacts of popular culture. This eclectic anthology will be of interest to a broad audience of general readers and scholars interested in gay and lesbian issues; students of film, media, gender, and cultural studies; and those interested in the emerging field of queer theory.Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood
Gay men --- Lesbians --- Popular culture --- Queer culture. --- Attitudes. --- Social life and customs. --- History and criticism. --- United States --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Female gays --- Female homosexuals --- Gay females --- Gay women --- Gayelles --- Gays, Female --- Homosexuals, Female --- Lesbian women --- Sapphists --- Women, Gay --- Women homosexuals --- Gays --- Women --- Gays, Male --- Homosexuals, Male --- Male gays --- Male homosexuals --- Urnings --- Men
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Gay neighborhoods, like the legendary Castro District in San Francisco and New York's Greenwich Village, have long provided sexual minorities with safe havens in an often unsafe world. But as our society increasingly accepts gays and lesbians into the mainstream, are "gayborhoods" destined to disappear? Amin Ghaziani provides an incisive look at the origins of these unique cultural enclaves, the reasons why they are changing today, and their prospects for the future.Drawing on a wealth of evidence--including census data, opinion polls, hundreds of newspaper reports from across the United States, and more than one hundred original interviews with residents in Chicago, one of the most paradigmatic cities in America--There Goes the Gayborhood? argues that political gains and societal acceptance are allowing gays and lesbians to imagine expansive possibilities for a life beyond the gayborhood. The dawn of a new post-gay era is altering the character and composition of existing enclaves across the country, but the spirit of integration can coexist alongside the celebration of differences in subtle and sometimes surprising ways.Exploring the intimate relationship between sexuality and the city, this cutting-edge book reveals how gayborhoods, like the cities that surround them, are organic and continually evolving places. Gayborhoods have nurtured sexual minorities throughout the twentieth century and, despite the unstoppable forces of flux, will remain resonant and revelatory features of urban life.
Gay community --- Gay communities --- Communities --- History. --- Andersonville. --- Boystown. --- Chicago. --- Internet. --- assimilation. --- coming out. --- demographic trends. --- gay men. --- gay neighborhoods. --- gayborhoods. --- gays. --- integration. --- journalists. --- lesbians. --- neighborhoods. --- people of color. --- post-gay era. --- queer culture. --- queer youth. --- relocation. --- residents. --- revival. --- same-sex families. --- sexual minorities. --- sexuality. --- straight residents. --- urban change. --- urban life. --- urban planning. --- Coming out --- LGBTQ+ people
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'Queer Formalism: The Return' expands upon William J. Simmons's original, influential essay 'Notes on Queer Formalism' from 2013, offering novel ways of thinking about queer-feminist art outside of the critical-complicit and abstract-representational binaries that continue to haunt contemporary queer art. It therefore proposes a new kind of queer art writing, one that skirts the limits imposed by normative histories of art and film. Artists addressed in 'Queer Formalism: The Return' include: Sally Mann, David Lynch, Lars von Trier, Math Bass, Lorna Simpson, Laurie Simmons, Alex Prager, Lana Del Rey, and Louise Lawler, among others.
Sexual minorities in art. --- Formalism (Art) --- Sexual minority culture. --- Sexual minorities in art --- 308.1 --- 770.6 --- gender --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- activisme --- Sexual minority culture --- queer design --- Art --- Art for art's sake (Movement) --- Queer culture --- Subculture --- sociologie der seksen --- productdesign, filosofie, esthetiek en kritiek
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