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This is a study of New England figurative language from 1600 to 1850, from the English and Continental origins of Puritanism to the symbolic writings of Thoreau. It enriches our understanding of Puritan thought and expression and traces the influence of Puritanism on later American writing. A common link among the writers of this period was a system of prophetic symbolism derived from Scripture. The Bible was the source of figures and types used to illustrate divine guidance in human affairs, and its prophetic language provided the Puritans with a method for explaining and projecting the course of history. Lowance explores these modes of prophetic and metaphorical expression and the millennial impulse in American thinking. In the process he provides a cohesive approach to such diverse writers as Bradford, Cotton, Taylor, Increase and Cotton Mather, Edwards, Freneau, Barlow, Dwight, and Emerson. His book will be welcomed by all students of early American thought and literature.

At sign. --- Christentum. --- Englische Literatur Amerikas. --- Literatur. --- Metapher. --- Puritanisme. --- Puritanismus. --- Religieuze taal. --- Transcendentalism (New England) --- LITERARY CRITICISM / General. --- RELIGION / Biblical Reference / Language Study.

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Die Chronikbücher gelten gemeinhin als Werk eines Autors, der eine kanonische Synthese der Hebräischen Bibel zieht. Die vorliegende Studie untersucht die Geschichte der Könige Judas (2 Chr 10-36) und kommt zu einem neuen Ergebnis. Die Chronik wurde buchübergreifend fortgeschrieben. Chroniktexte sind nun als historisch gewachsene Dokumente verstehbar, in denen ein theologiegeschichtlicher Wandel sichtbar wird.

RELIGION / Biblical Reference / Language Study. --- Chronicles. --- Kingdom of Judah. --- history of theology. --- 222.7 --- Kronieken. Ezra. Nehemia --- Bible. --- Bible --- Criticism, interpretation, etc. --- Criticism, Redaction. --- 222.7 Chroniques. Esdras. Nehemie --- 222.7 Kronieken. Ezra. Nehemia --- Chroniques. Esdras. Nehemie --- 2 Chronicles (Book of the Old Testament) --- Second Chronicles (Book of the Old Testament) --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento

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The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.

Amman. --- Dionysos. --- Dionysus. --- Hellenistic Judaism. --- Hohelied. --- Song of Songs. --- hellenistisches Judentum. --- Sozialgeschichtliche Exegese --- Zeithintergrund --- RELIGION / Biblical Reference / Language Study. --- Historischer Hintergrund --- Geschichtlicher Hintergrund --- Sozialwissenschaftliche Exegese --- Exegese --- Dionysus --- Bible. --- Criticism, interpretation, etc. --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- Aga-sŏ (Book of the Old Testament) --- Asma Asmatōn (Book of the Old Testament) --- Cantar de los Cantares de Salomón (Book of the Old Testament) --- Cântarea-a Cântărilor (Book of the Old Testament) --- Cantica Canticorum (Book of the Old Testament) --- Canticle of Canticles (Book of the Old Testament) --- Canticles (Book of the Old Testament) --- Cantico dei Cantici (Book of the Old Testament) --- Canticum Canticorum Salomonis (Book of the Old Testament) --- Cantique des Cantiques (Book of the Old Testament) --- Énekek Éneke (Book of the Old Testament) --- Erg Ergotsʻ Soghomoni (Book of the Old Testament) --- Hohelied (Book of the Old Testament) --- Hooglied (Book of the Old Testament) --- Lied der Lieder (Book of the Old Testament) --- Musthikaning Kidung anggitane Sang Prabu Suleman (Book of the Old Testament) --- Musthikaning Kidung (Book of the Old Testament) --- Nashīd al-Anāshīd (Book of the Old Testament) --- Nashīd al-Anshād (Book of the Old Testament) --- Shir ha-Shirim (Book of the Old Testament) --- Solomon, Song of (Book of the Old Testament) --- Song of Solomon (Book of the Old Testament) --- Song of Songs (Book of the Old Testament)