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ISBN: 9781934105818 1934105813 Year: 2013 Publisher: Berlin Sternberg
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In this collection of essays Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today’s soft ideology of creativity, with special focus on its elaborate retooling of class distinctions. In the creative city, the neutralization or incorporation of subcultural movements, the organic translation of the gritty into the quaint, and the professionalization of the artist combine with armies of eager freelancers and interns to constitute the friendly user interface of a new social sphere in which, for those who have been granted a place within it, an elaborate retooling of traditional markers of difference has allowed class distinctions to be either utterly dissolved or willfully suppressed. The result is a handful of cities selected for revitalization rather than desertion, where artists in search of cheap rent become the avant-garde pioneers of gentrification, and one no longer asks where all of this came from and how. And it may be for this reason that, for Rosler, it becomes all the more necessary to locate the functioning of power within this new urban paradigm, to find a position from which to make it accountable to something other than its own logic.
kunst --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- architectuur --- kunst en architectuur --- stedenbouw --- architectuurtheorie --- gentrificatie --- Verenigde Staten --- kunst en politiek --- 7.01 --- 72.01 --- 711.1 --- 7.071 ROSLER --- urban development --- hedendaagse kunst --- Contemporary [style of art] --- stadsontwikkeling --- Art --- anno 2000-2099 --- Art and society. --- Art, Modern --- Art et société --- Philosophy. --- Philosphie --- 7.07 --- Gentrification --- Stadsontwikkeling ; woonwijken ; wijken ; opwaardering --- Kunst en maatschappijkritiek --- Relatie kunst en stad --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z
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Catalogus n.a.v. de tentoonstelling te Londen (Tate Modern) van 1 februari tot 29 april 2001
Art --- cities --- art [fine art] --- Iconography --- globalization --- anno 1900-1999 --- Vienna --- Tokyo --- Lagos --- Rio de Janeiro --- Moscow --- Paris --- Mumbai --- urban development --- Environmental planning --- Architecture --- History of civilization --- Venice --- New York City --- London --- Art, Modern --- Cities and towns in art --- Villes dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Tate Modern (Gallery) --- (069) --- 7.049 --- Kunst en cultuur ; Bombay/Mumbai ; 1992-2001 --- Kunst en cultuur ; Lagos ; 1955-1970 --- Kunst en cultuur ; Londen ; 1990-2001 --- Kunst en cultuur ; Moskou ; 1916-1930 --- Kunst en cultuur ; New York ; 1969-1974 --- Kunst en cultuur ; Parijs ; 1905-1915 --- Kunst en cultuur ; Rio De Janeiro ; 1950-1964 --- Kunst en cultuur ; Tokyo ; 1967-1973 --- Kunst en cultuur ; Wenen ; 1908-1918 --- Kunst en cultuur ; in de metropolis ; grote steden ; 20ste eeuw --- Relatie avant-gardecultuur en stedelijkheid --- Relatie kunst en stad --- Tentoonstellingscatalogi ; Londen ; Tate Modern --- 7.036 --- 71.03 --- Bombay --- Londen --- Moskou --- New York --- Parijs --- Wenen --- Wien --- architectuur --- cultuurgeschiedenis --- ed. by Iwona Blazwick --- kunst en stedenbouw --- stedenbouw --- 700.4 --- conceptuele kunst --- fotografie --- schilderkunst --- steden --- (Musea. Collecties) --- Iconografie ; verschillende onderwerpen --- beeldende kunst, musea - tentoonstellingen --- Arts, Modern --- cultuur --- culture --- stadscultuur --- kunst --- Art [Modern ] --- 20th century --- art [discipline] --- culture [concept]
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