Listing 1 - 4 of 4 |
Sort by
|
Choose an application
World history --- anno 1500-1599 --- Renaissance --- Historiography --- History --- Renaissance - Historiography --- Historiography - Europe - History - 16th century --- Historiographie humaniste --- Historiographie --- Humanisme --- Europe --- Vie intellectuelle --- Histoire --- 15e-16e siecles
Choose an application
Vasari, Giorgio --- Art, Italian --- Art italien --- Vasari, Giorgio, --- Criticism and interpretation. --- Art, Renaissance --- Historiography --- Criticism and interpretation --- Historiography. --- Art, Renaissance - Historiography --- Vasari, Giorgio, - 1511-1574 - Criticism and interpretation --- Vasari, Giorgio, - 1511-1574
Choose an application
History of civilization --- anno 1600-1699 --- anno 1500-1599 --- Europa ; geschiedenis van de nieuwe tijden --- Europe ; histoire des temps modernes --- Renaissance --- 09 <063> --- 930.85.44 --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Cultuurgeschiedenis: Renaissance --- 09 <063> Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Historiography --- History --- Renaissance - Congresses --- Renaissance - Historiography - Congresses --- History as a science
Choose an application
Few people who use the word "Renaissance" today realize that it is a comparatively recent historical idea, or that it is a myth or story constructed by writers to explain the past. In this innovative and wide-ranging study, J.B. Bullen traces the genesis of that myth back to the late eighteenth and nineteenth centuries. The seeds of the idea are to be found in Voltaire, but Bullen shows how it was taken up by French art historians and Gothic revivalists as an important element in the acrimonious political and religious debates with French historiography. He then focuses on English intellectual life and the ways in which writers like Pugin, Ruskin, Browning, and George Eliot took up the terms established by Hugo, Rio, and Michelet in France and adapted a reading of fifteenth-century Italy to suit the special conditions of Victorian England. Ultimately, in the work of Swinburne, Arnold, Pater, and Symonds, the Renaissance became a key factor in relating ethics and aesthetics, and in its late nineteenth-century phase, the myth figures prominently in an important discussion about the relationship between power, authority, and individualism.
Myth in literature --- Mythe dans la littérature --- Mythe in de literatuur --- Renaissance dans la litterature --- Renaissance in de literatuur --- Renaissance in literature --- Romanticism --- Romantiek --- Romantisme --- English literature --- Renaissance in literature. --- French literature --- Renaissance --- Myth in literature. --- Romanticism. --- History and criticism. --- Historiography. --- -Renaissance in literature --- -Renaissance --- -Myth in literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism --- Historiography --- History --- 19th century --- English literature - 19th century - History and criticism. --- French literature - 19th century - History and criticism. --- Renaissance - Historiography. --- LITTERATURE ANGLAISE --- RENAISSANCE DANS LA LITTERATURE --- LITTERATURE FRANCAISE --- RENAISSANCE --- MYTHES DANS LA LITTERATURE --- ROMANTISME --- 19E SIECLE --- HISTOIRE ET CRITIQUE --- HISTORIOGRAPHIE
Listing 1 - 4 of 4 |
Sort by
|