Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combined with an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music print publication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's success was his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for several generations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

Music publishers --- Composers --- Morley, Thomas, --- Music --- History and criticism --- Publishers and publishing --- Music Print Publication. --- Music Publishing. --- Recreational Music. --- Renaissance Music. --- Thomas Morley.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dunstable, John --- -Criticism and interpretation --- Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -Dunstable, John --- Dunstapell, John --- Dumstable, John --- Donstaple, John --- Criticism and interpretation --- Medieval music --- Music, Medieval --- Music, Renaissance --- Renaissance music --- Dunstable, John, --- Donstaple, John, --- Dumstable, John, --- Dunstapell, John, --- Dunstaple, John, --- Criticism and interpretation. --- Dunstable (John).

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The New Senfl Edition (NSE) begins with the publication of those works which have not yet been available in a modern edition: the motets for four voices. The first volume includes the innovative motet cycle Quinque Salutationes for the private devotion of DukeWilhelm IV of Bavaria and the well-known Ecce quam bonum for the Imperial Diet in Augsburg 1530 in addition to many hitherto unknown motets. The Critical Reports accompanying the editionsoffer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on the history of each composition. Die New Senfl Edition (NSE) eröffnet mit der Publikation jener Werke, die bislang kaum in einer Edition zugänglich waren: den vierstimmigen Motetten. Zusammen mit zahlreichen bislang unbekannten Werken enthält Band 1 so außergewöhnlicheKompositionen wie den Zyklus der Quinque Salutationes Domini Nostri Jesu Christi für die private Andacht von Herzog Wilhelm IV. von Bayern, oder das berühmte Ecce quam bonum für den Augsburger Reichstag von 1530. Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jederMotette mit Blick auf die Texte, Choralvorlagen, einerQuellenbewertung (inkl. einer synoptischen Darstellung derLesarten), sowie einen werkgeschichtlichen Kontext.

Medieval & Renaissance music (c 1000 to c 1600) --- Choral music --- Sacred & religious music --- Musical scores, lyrics & libretti --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The New Senfl Edition (NSE) begins with the publication of those works which have not yet been available in a modern edition: the motets for four voices. The first volume includes the innovative motet cycle Quinque Salutationes for the private devotion of DukeWilhelm IV of Bavaria and the well-known Ecce quam bonum for the Imperial Diet in Augsburg 1530 in addition to many hitherto unknown motets. The Critical Reports accompanying the editionsoffer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on the history of each composition. Die New Senfl Edition (NSE) eröffnet mit der Publikation jener Werke, die bislang kaum in einer Edition zugänglich waren: den vierstimmigen Motetten. Zusammen mit zahlreichen bislang unbekannten Werken enthält Band 1 so außergewöhnlicheKompositionen wie den Zyklus der Quinque Salutationes Domini Nostri Jesu Christi für die private Andacht von Herzog Wilhelm IV. von Bayern, oder das berühmte Ecce quam bonum für den Augsburger Reichstag von 1530. Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jederMotette mit Blick auf die Texte, Choralvorlagen, einerQuellenbewertung (inkl. einer synoptischen Darstellung derLesarten), sowie einen werkgeschichtlichen Kontext.

Medieval & Renaissance music (c 1000 to c 1600) --- Choral music --- Sacred & religious music --- Musical scores, lyrics & libretti --- Ludwig Senfl, Motette, Edition, Renaissance, Vocal music, Reformation, Humanism --- ÖFOS 2012, Musicology --- ÖFOS 2012, Church music --- ÖFOS 2012, Performance practice --- ÖFOS 2012, Cultural history --- Ludwig Senfl, Motette, Edition, Renaissance, Vokalmusik, Reformation, Humanismus --- ÖFOS 2012, Musikwissenschaft --- ÖFOS 2012, Kirchenmusik --- ÖFOS 2012, Aufführungspraxis --- ÖFOS 2012, Kulturgeschichte

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- Arts, Medieval. --- Musique --- Arts médiévaux --- Busnois, Antoine, --- Criticism and interpretation. --- Critique et interprétation --- Busnoys, Antoine --- Busnois, Antoine --- -Busnois, Antoine --- -Busnoys, Antonius --- Bunoys, Antoine --- de Busnes, Antoine --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Criticism and interpretation --- Medieval music --- Music, Medieval --- Music, Renaissance --- Renaissance music --- Bunoys, Antoine, --- Busne, Anthoine de, --- Busne, Antoine de, --- Busnes, Antoine de, --- Busnois, Anthoine, --- Busnoys, Antoine, --- De Busne, Anthoine, --- De Busnes, Antoine, --- 15th century --- Muziekgeschiedenis --- Muziekwetenschappen --- Thematische catalogi --- Middeleeuwen --- Renaissance --- 15e eeuw --- Lage Landen --- Zuidelijke Nederlanden --- Vlaanderen --- Boergondië --- Nederlanden --- Frankrijk