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PHILIPPOT, Paul --- ARCHITECTURE --- ART --- RESTAURATEURS (ART) --- CONSERVATION ET RESTAURATION --- BELGIQUE --- philippot, paul --- architecture --- conservation et restauration --- art --- restaurateurs (art) --- belgique
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Contient une bibliographie (feuillets 71-76).
Architecture --- Archives --- Architectes --- Archives. --- Bases de données --- Architecture. --- Conservation et restauration --- Restaurateurs (art)
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Recueil de quatre essais publiés en 1893 par l'architecte, ingénieur et historien de l'art C. Boito (1836-1914). Sous la forme de dialogues, ils invitent à la prudence en matière de restauration des édifices anciens et des oeuvres d'art.
Art --- Architecture --- Art restorers --- Art --- Architecture --- Restaurateurs (Art) --- Conservation and restoration --- Conservation and restoration --- Attitudes. --- Conservation et restauration --- Conservation et restauration --- Attitudes
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Conservation. Restoration --- restoration [process] --- restauratie (kunst) --- Art objects --- Art restorers --- Museum conservation methods --- Oeuvres d'art --- Restaurateurs (Art) --- Musées --- Conservation and restoration --- Periodicals --- Conservation et restauration --- Périodiques --- Méthodes de conservation --- Art --- Cultural property --- Protection --- Painting --- Technique --- Musées --- Périodiques --- Méthodes de conservation --- Conservatie. Restauratie --- restauratie [procédé] --- Periodicals.
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During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750 the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades King Louis XVI and his advisor, the Comte d’Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work – more than just the quick repairs as done by painters in the past – and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established.During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge – especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration.In this book the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one – including as much as possible about their restoration techniques.
Art restorers --- Restaurateurs (Art) --- Conservation and restoration Painting --- Painting --- France --- History --- Conservation and restoration --- Peinture --- Biography --- Conservation et restauration --- Histoire --- Biographies --- Conservation. Restoration --- restoration [process] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- easel paintings [paintings by form] --- Biography. --- Painting - Conservation and restoration Painting - France - History - 18th century --- Painting - Conservation and restoration
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