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Richards, James

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Requests and Antisongs is an artists book to accompany a sequence of exhibitions by James Richards held at Bergen Kunsthall, Norway; Institute of Contemporary Arts, London; and the Kestner Gesellschaft, Hanover. The book contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg. 

In Richardss work, images and sounds are merged into highly affective videos that combine footage from a wide range of sources to form elegant compositions. His recent projects separate these elements out again, allowing space for multichannel audio installations that combine sound in a way that is physical and spatial. The video works convene materials according to the silent rhythms and movements of the footage they containfootage from newscasts, medical documentaries, and French erotica as well as the institutions own archives of video documentationcomposing a lyrical meditation on the body as a site for the flow of material and sensation.

This book, the most significant publication on Richardss work to date, is an extension of the shows, transposing the strategies of his exhibition making into the rhythm of printed matter. The artist has developed a new series of collages specially for the book, comprising promiscuous relations and dissonant juxtapositions between photographic documentation of the works in the exhibitions, the artists personal photographs, and found images.

Richards, James --- Video installations (Art) --- Richards, James, --- Video installations (Art) - 21st century - Exhibitions --- Richards, James, - 1983- - Exhibitions --- Richards, James, - 1983 --- -Richards, James

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Painting --- Art --- Sculpture --- art [fine art] --- Art styles --- painting [image-making] --- sculpting --- Minimal --- Hendler, Maxwell --- Thurston, Roy --- White, Jonathan --- Wayne, Alan --- Heywood, Scot --- Chang, Fandra --- Larner, Liz --- Toon, Carolee --- Miller, John M. --- Richards, James --- Corse, Mary --- Gilbert-Rolfe, Jeremy --- Furbeyre, Caren --- Hudson, Linda --- Hayward, James --- White, Pae --- anno 2000-2099 --- anno 1900-1999 --- United States --- Art, American --- Visual perception --- Light in art --- Space (Art) --- art [discipline] --- United States of America

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You Are Here: Art After the Internet is the first major publication to critically explore both the effects and affects that the internet has had on contemporary artistic practices. Responding to an era that has increasingly chosen to dub itself as “post-internet,” this collective text explores the relationship of the internet to art practices from the early millennium to the present day. The book positions itself as a provocation on the current state of cultural production, relying on first-person accounts from artists, writers and curators as the primary source material. The book raises urgent questions about how we negotiate the formal, aesthetic and conceptual relationship of art and its effects after the ubiquitous rise of the internet.

Kholeif, Omar --- Art and the Internet --- Art, Modern --- Technology and the arts --- Art --- 705.9 --- 700.6 --- Abbas, Basel --- Abou-Rahme, Ruanne --- Al-Maria, Sophia --- Ashby, Sam --- Bailey, Jeremy --- Bailey, Stephanie --- Balsom, Erika --- Blas, Zach --- Bridle, James --- Chan, Jennifer --- Coburn, Tyler --- Connor, Michael --- Court, Model --- Darling, Jesse --- Droitcour, Brian --- Dullaart, Constant --- Halter, Ed --- McHugh, Gene --- Pietrouiusti, Lucia --- Rafman, Jon --- Richards, James --- Senova, Basak --- Shovlin, Jamie --- Troemel, Brad --- essays --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts and technology --- Contemporary art --- Modernism (Art) --- Internet and art --- Internet --- Technological innovations --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- new media art --- art theory --- technology --- virtual reality --- computer art [visual works] --- anno 2000-2099 --- 21e siècle --- Technologie --- Innovation --- technology [general associated concept] --- Art, Primitive --- internetkunst --- kunst en technologie

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This catalogue presents a generation of young artists who respond to "anonymous" materials of the 21st century, such as 3D-printed objects, body scans and stock photos. Participating artists include Michele Abeles, Ed Atkins, Sachin Kaeley, Oliver Laric, Pamela Rosenkranz, Avery Singer and Ryan Trecartin.

Art --- installations [visual works] --- multimedia works --- technology [general associated concept] --- Nature --- virtual reality --- ecological art --- materials [substances] --- bodies [animal components] --- Aranda, Julieta --- Brätsch, Kerstin --- Braun, Björn --- Canell, Nina --- Denny, Simon --- Laric, Oliver --- Madison, Tobias --- Richards, James --- Rosenkranz, Pamela --- Schultz, Nora --- Trecartin, Ryan --- Winterling, Susanne M. --- Atkins, Ed --- Okiishi, Ken --- Baga, Trisha --- Yang, Lu --- Reus, Magali --- Domanović, Aleksandra --- Rafman, Jon --- Channer, Alice --- Si-Qin, Timur --- Kline, Josh --- Yi, Anicka --- Baremboym, Alisa --- Novitskova, Katja --- Balema, Olga --- Evans, Cécile B. --- Eilers, Debo --- Singer, Avery --- Abeles, Michele --- Stead, Jessie --- Catala, Antoine --- Holen, Yngve --- Kaeley, Sachin --- Keller, Daniel --- Okiishi, Ken --- Bonneviot, Juliette --- Kurian, Ajay --- Lewitt, Sam --- Loebs, Jason --- Mul, Marlie --- Gilligan, Melanie --- Raether, Johannes Paul --- Uoo, Stewart --- Euler, Jana --- Deshayes, Nicolas --- Crespo, Andrea --- Budor, Nora --- Douard, Cécile --- GCC