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Die verschlagene Lust : zur ästhetischen Subversion im Masochismus
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ISBN: 9783825352455 3825352455 Year: 2006 Publisher: Heidelberg : Winter,

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Una erótica sangrienta : literatura y sadomasoquismo
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ISBN: 9789871985722 Year: 2015 Publisher: Buenos Aires, Argentina : Editorial de la Universidad Nacional de La Plata (EDULP),

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The commerce of peoples : sadomasochism and African American literature
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ISBN: 1280684224 9786613661166 0739167448 9780739167441 9780739167434 073916743X Year: 2012 Publisher: Lanham, Md. : Lexington Books,

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The Commerce of Peoples introduces a new way of reading. It puts into place a sadomasochistic framework which allows for both diachronic and synchronic analysis. By reading sadomasochistic practice as historical and defining it in terms of practices of embodiment, by alternating between analysis and synthesis, between specific texts and general principles, it provides a new theoretical framework and a new methodology for the analysis of literature and culture.

Nightmare on main street : angels, sadomasochism and the culture of gothic
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ISBN: 0674874846 0674624637 Year: 1999 Publisher: Cambridge, Mass. Harvard University Press

Ovid's Art and the Wife of Bath : The Ethics of Erotic Violence
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ISBN: 9780801473173 9780801443794 0801473179 0801443792 1501727060 Year: 2018 Publisher: Ithaca, NY : Cornell University Press,

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Ovid's Art and the Wife of Bath examines how Ovid's Ars amatoria shaped the erotic discourses of the medieval West. The Ars amatoria circulated in medieval France and England as an authoritative treatise on desire; consequently, the sexualities of the medieval West are haunted by the imperial Roman constructions of desire that emerge from Ovid's text. The Ars amatoria ironically proposes the erotic potential of violence, and this aspect of the Ars proved to be enormously influential. Ovid's discourse on erotic violence provides a script for Heloise's epistolary expression of desire for Abelard. The Roman de la Rose extends the directives of the Ars with a rhetorical flourish and poetic excess that tests the limits of Ovidian irony. While Christine de Pizan critiqued the representations of erotic violence in the Rose, Chaucer appropriates the Ovidian discourse from the Roman de la Rose to construct the Wife of Bath-a female figure that today's readers find uncannily familiar. Well written and provocative, this book will interest scholars of premodern literature, especially those who work on Medieval English and French, as well as classical, texts. Marilynn Desmond draws on feminist and queer theory, which places Ovid's Art and the Wife of Bath at the cutting edge of debates in gender and sexuality.

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