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Christelijke heiligen in de kunst --- Christelijke heiligen--Iconografie --- Christelijke heiligen--Kunst --- Christelijke iconografie --- Christian saints in art --- Christian saints--Art --- Christian saints--Iconography --- Heiligen [Christelijke ]--Iconografie --- Heiligen [Christelijke ]--Kunst --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Saints chrétiens dans l'art --- Saints chrétiens--Art --- Saints chrétiens--Iconographie --- Art --- Indexes. --- Indexes --- Christian saints in art - Indexes. --- Art - Indexes. --- Saints --- Iconographie

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Christelijke heiligen in de kunst --- Christelijke heiligen--Iconografie --- Christelijke heiligen--Kunst --- Christelijke iconografie --- Christian saints in art --- Christian saints--Art --- Christian saints--Iconography --- Heiligen [Christelijke ]--Iconografie --- Heiligen [Christelijke ]--Kunst --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Saints chrétiens dans l'art --- Saints chrétiens--Art --- Saints chrétiens--Iconographie --- Sculpture, Medieval --- Sculpture médiévale --- Sculpture médiévale --- Sculpture [Italian ] --- Italy --- Lombardy (Italy) --- 15th century --- 14th century --- Sculpture [Late Gothic ]

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Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. John the Evangelist, St. Bernard of Clairvaux, and the Blessed Henry Suso is studied through an analysis of a wide range of paintings, illuminated manuscripts, prints, and sculpture. From these case studies, Muir argues that different visual conventions were used in the art of this period to portray the male and female experiences of mystic marriage and suggests possible reasons for these differences. She further considers why comparatively few mystics were visually portrayed in a mystic marriage with Christ, despite the large number recorded as having had that experience. Providing insights into the meanings of the mystical experience when portrayed in visual terms, this book will appeal to art historians as well as to other medievalists with an interest in the intersections of art, religion, and gender.

Christian spirituality --- Iconography --- anno 1400-1499 --- anno 1500-1599 --- Christelijke heiligen in de kunst --- Christelijke heiligen--Iconografie --- Christelijke heiligen--Kunst --- Christelijke iconografie --- Christian saints in art --- Christian saints--Art --- Christian saints--Iconography --- Heiligen [Christelijke ]--Iconografie --- Heiligen [Christelijke ]--Kunst --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Saints chrétiens dans l'art --- Saints chrétiens--Art --- Saints chrétiens--Iconographie --- Mystical union --- Saints in art --- Art, Renaissance --- Union mystique --- Saints dans l'art --- Art de la Renaissance --- Themes, motives --- Thèmes, motifs --- Mystical union in art --- Sex differences in art --- Mystical union in art. --- Saints in art. --- Art, Northern European. --- Christian art and symbolism --- Themes, motives. --- Thèmes, motifs --- Art [Renaissance ] --- Art, Renaissance - Europe, Northern - Themes, motives --- Mariage mystique

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Christelijke heiligen in de kunst --- Christelijke heiligen--Iconografie --- Christelijke heiligen--Kunst --- Christelijke iconografie --- Christian saints in art --- Christian saints--Art --- Christian saints--Iconography --- Heiligen [Christelijke ]--Iconografie --- Heiligen [Christelijke ]--Kunst --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Saints chrétiens dans l'art --- Saints chrétiens--Art --- Saints chrétiens--Iconographie --- Sculpture --- History --- Christian art and symbolism --- Sculpture, French --- Sculpture, High Gothic --- High Gothic sculpture --- Sculpture, Gothic --- Sculpture, Medieval --- French sculpture --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- High Gothic --- Sculpture [High Gothic ] --- France --- Rouergue --- Languedoc (France) --- Sculpture [French ] --- Mary [Blessed Virgin ] --- Art --- Symbolism in art --- Sculpture - History

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Book history --- Manuscripts. Epigraphy. Paleography --- Christian special devotions --- anno 500-1499 --- Christelijke heiligen in de kunst --- Christelijke heiligen--Iconografie --- Christelijke heiligen--Kunst --- Christelijke iconografie --- Christian saints in art --- Christian saints--Art --- Christian saints--Iconography --- Enluminure -- Moyen âge --- Enluminure des livres et des manuscrits médiévale --- Enluminure du Moyen âge --- Enluminure médiévale --- Heiligen [Christelijke ]--Iconografie --- Heiligen [Christelijke ]--Kunst --- Iconografie [Christelijke ] --- Iconographie chrétienne --- Illumination of books and manuscripts [Medieval ] --- Manuscrits à peintures -- Moyen âge --- Manuscrits à peintures du Moyen âge --- Manuscrits à peintures médiévaux --- Medieval illumination of books and manuscripts --- Middeleeuwse verluchting van boeken en handschriften --- Miniature médiévale --- Saints chrétiens dans l'art --- Saints chrétiens--Art --- Saints chrétiens--Iconographie --- Verluchting van boeken en handschriften [Middeleeuwse ] --- Illumination of books and manuscripts, Medieval --- 091.31:75.046.3 --- 091.31:7.04 --- 235 --- Verluchte handschriften-:-Schilderkunst--?.046.3 --- Verluchte handschriften: iconografie --- Engelen. Demonen. Heiligen --- 091.31:7.04 Verluchte handschriften: iconografie --- 091.31:75.046.3 Verluchte handschriften-:-Schilderkunst--?.046.3 --- Painting, Medieval