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Museology --- Art --- art [discipline] --- architecture [discipline] --- museology --- urban planning --- site-specific works --- Buren, Daniel --- Phinthong, Pratchaya --- Balducci, Fabio --- Chardon, Nicolas --- Cool, Marie --- Ferrer, Esther --- Gaillard, Cyprien --- Haaning, Jens --- Margolles, Teresa --- Müller, Hans Walter --- Oldendorf, Rainer --- Panayiotou, Christodoulos --- Pettena, Gianni --- Sierra, Gabriel --- Mathieu, Dominique --- Saladin, Matthieu --- Les gens d'Uterpan --- Breer, Robert C. --- Cattelan, Maurizio --- Veilhan, Xavier --- Estève, Lionel --- Lamelas, David --- Ondàk, Roman --- Weinberger, Lois --- Sierra, Santiago --- VIER5 [Paris] --- Atelier Van Lieshout [Rotterdam] --- R&Sie(n) --- Paris
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The title of this book and the exhibition it documents--Sounds Like Silence--is ambiguous. On the one hand, silence effectively "sounds"--or as Cage put it, "There is no such thing as silence." On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with--provided it even exists? John Cage's 4'33"" (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer's own variations, derivatives, and sequels of the "silent piece" in the years from 1962 to 1992.
kunst --- muziek --- kunst en muziek --- twintigste eeuw --- Verenigde Staten --- Cage John --- stilte --- Allen Dave --- Böll Heinrich --- de Boer Manon --- Brand Jens --- vom Bruch Klaus --- Cage against the machine --- Conrads Martin --- Creed Martin --- Cunningham Merce --- Davis Paul --- Debord Guy --- DeLaurenti Christopher --- Einstürzende Neubauten --- von Hausswolff Carl Michael --- Heitjohann Jens --- Huyghe Pierre --- Keats Jonathon --- Klein Yves --- Kollektivnye Deystviya --- Collective actions --- Korn Christoph --- Kubota Shigeko --- LaBelle Brandon --- Lohner Henning --- Marclay Christian --- Muresan Ciprian --- Nauman Bruce --- Neuhaus Max --- Paik Nam June --- People like us --- Bennett Vicki --- Petschulat Hein-Godehart --- Rauschenberg Robert --- Rogalsky Matt --- Saladin Matthieu --- Schmidt Harald --- Schneider Helge --- Söderström-Kelley Petri --- Stilinovic Mladen --- Ultra-red --- Vitiello Stephen --- Wearing Gillian --- Whyte Dick --- 7.038/039 --- 78 --- 7.071 CAGE --- Exhibitions --- Cage, John --- Cage, John. --- Cage, John, 1912-1992 --- Music --- Cage, John - Exhibitions --- Cage, John. - 4'33", - no. 1 - Exhibitions --- Cage, John. - 0'00" - Exhibitions --- Cage, John. - 4'33", - no. 1 --- Cage, John. - 0'00"
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Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).
kunst --- twintigste eeuw --- eenentwintigste eeuw --- Eichhorn Maria --- Weibel Peter --- Walter Thibault --- Wallach Alan --- Villeglé Jacques --- Vautier Ben --- Vallier Dora --- Trbuljak Goran --- Tomii Reiko --- Takis --- Suter Olivier --- Sottsass Ettore --- Schulmann Fanny --- Schmeling Sören --- Saladin Matthieu --- Rutault Claude --- Ribemont-Dessaignes Georges --- Rainer Yvonne --- Quintyn Olivier --- Pires do Vale Paulo --- Picard Lil --- Perret Mai-Thu --- Parrino Steven --- Page Robin --- Oxley Nicola --- de Oliveira Nicolas --- Nickas Bob --- Morris Robert --- Mendini Alessandro --- Mbembe Achille --- Maciunas George --- Lurie Boris --- Lunch Lydia --- Lovay Balthazar --- Lefevre Jean Claude --- Laks Déborah --- Laderman Ukeles Mierle --- Labelle-Rojoux Arnaud --- James Gareth --- Jakobsen Jakob --- Jacoby Roberto --- Home Stewart --- Holmberg Ryan --- Hollein Hans --- Van Helsing Storm --- Heger Swetlana --- GX Jupitter-Larsen --- Guggenheim Katie --- Gruijthuijsen Krist --- Griffin Tim --- Goodman Sam --- Goldstein Richard --- Goldsmith Kenneth --- Giroud Michel --- Gilardi Piero --- Genpei Akasegawa --- Gauthier Michel --- Toche Jean --- Silvianna --- Johnson Poppy --- Hendricks Jon --- Guerilla Art Action Group --- Friedman Yona --- Follet Véronique --- Flynt Henry --- Fisher Stanley --- Drobnick Jim --- Dimitrijevic Branislav --- Dejanov Plamen --- Copeland Mathieu --- Colomina Beatriz --- Clert Iris --- Cladders Johannes --- Thomson Charles --- Childish Billy --- Carnevale Graciella --- Buren Daniel --- Bullot Erik --- Genesis Breyer P-orridge --- Archizoom Associati --- Branzi Andrea --- Blas Zach --- Bellini Andrea --- Barry Robert --- Armleder John --- Apollinaire Guillaume --- 069 --- 7.01 --- 7.038/039 --- 7.036/039 --- kunsttheorie --- tentoonstellingen --- concept art --- conceptuele kunst --- museologie --- musea --- Kunst ; theorie, filosofie, esthetica --- art criticism --- manifestoes --- anti-art --- criticism --- Art --- Kunsttheorie ; het anti-museum ; anti-kunst ; alles is kunst --- Art museums --- Art, Modern --- Art, Modern. --- Art museums. --- History --- 1900-2099. --- MAD-faculty 17 --- kunsttentoonstellingen --- kunstkritiek --- writings [documents] --- political art --- social criticism
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