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Sasse, Jörg --- Kilimnik, Karen --- Becker, Asalo --- Voïta, Bernard --- Taylor-Wood, Sam
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Brohm, Joachim --- Gursky, Andreas --- Neumann, Hartmut --- Niedermayr, Walter --- Nieweg, Simone --- O'Brien, Abigail --- Sasse, Jörg --- Specker, Heidi --- (e.) Twin Gabriel
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To mark the occasion of the exhibition, Magical Surfaces: The Uncanny in Contemporary Photography, Parasol unit has published a comprehensive, limited edition publication. The works of the seven artists selected for this exhibition, Sonja Braas, David Claerbout, Elger Esser, Julie Monaco, Jörg Sasse, Stephen Shore and Joel Sternfeld, all reveal in varying forms the idea of the uncanny – from the magical to the strange and fearful. Each of the exhibiting artists has chosen their own process, either manipulating photographic imagery or creating such settings, which prompts us to marvel at the many ways the uncanny can occur in surfaces and realise once more that any photograph is indeed authored.
Photography --- artistieke fotografie --- artistieke fotografie --- Shore, Stephen --- Braas, Sonja --- Esser, Elger --- Sasse, Jörg --- Sternfeld, Joel --- Monaco, Julie --- Claerbout, David
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video art --- Film --- projections [visual works] --- slides [photographs] --- photography [process] --- Art --- Photography --- Becher, Bernd und Hilla --- Rinke, Klaus --- Mettig, Klaus --- Höfer, Candida --- Ruff, Thomas --- Sieverding, Katharina --- Muller, Christopher --- Kuball, Mischa --- Gursky, Andreas --- Feldmann, Hans-Peter --- Struth, Thomas --- Evers, Dunja --- Sasse, Jörg --- Streuli, Beat --- Hütte, Axel --- Dusseldorf --- Photography, Artistic --- Photographie --- Photographie artistique --- History --- Exhibitions. --- Histoire --- Expositions
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Iconography --- Sculpture --- Photography --- Film --- photography [process] --- video art --- sculpting --- Wurm, Erwin --- Berchem, Otto --- Gonzalez-Torres, Felix --- Hondius, Juul --- Sasse, Jörg --- Kaap, van der, Gerald --- Wall, Jeff --- Viola, Bill --- Graham, Dan --- Taylor-Wood, Sam --- Thater, Diana --- Bulloch, Angela --- Frize, Bernard --- Sander, Karin --- Rentmeister, Thomas --- anno 2000-2099
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Berchem, Otto ; Boullet, Victor ; Bulloch, Angela ; Frize, Bernard ; Gonzalez-Torres, Felix ; Graham, Dan ; Hatakeyama, Naoya ; Horn, Roni ; Irazabal, Prudencio ; Kaap, Gerald Van Der ; Kooiker, Paul ; Rentmeister, Thomas ; Rigobert, Fabien ; Sander, Karin ; Sasse, Jörg ; Sigurdsson, Hrafnkell ; Taylor-Wood, Sam ; Thater, Diana ; Wall, Jeff ; Wurm, Erwin
Art --- private collections --- photography [process] --- Photography --- Kooiker, Paul --- Horn, Roni --- Frize, Bernard --- Thater, Diana --- Bulloch, Angela --- van der Kaap, Gerald --- Taylor-Wood, Sam --- Wurm, Erwin --- Irazabal, Prudencio --- Graham, Dan --- Sigurdsson, Hrafnkell --- Hatakeyama, Naoya --- Berchem, Otto --- Rentmeister, Thomas --- Gonzalez-Torres, Felix --- Rigobert, Fabien --- Boullet, Victor --- Sander, Karin --- Nefkens, Han --- Wall, Jeff --- Sasse, Jörg --- 20th century --- Exhibitions --- Kaap, van der, Gerald --- Gonzales-Torres, Felix --- private collections [object groupings]
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How have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about? Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective.
760.5 --- Düsseldorf School --- 767 --- digitale fotografie --- digitale kunst --- fotogeschiedenis --- Becher, Bernd --- Becher, Hilla --- the Becher protocol --- Ruff, Thomas --- Gursky, Andreas --- Sasse, Jörg --- fotografie, verzamelen - musea - tentoonstellingen --- fotografie, bijzondere technieken in de fotografie --- (Produktform)Paperback / softback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- Art --- Digital --- Culture --- Computer --- Germany --- Düsseldorf School --- Thomas Ruff --- Andreas Gursky --- Jörg Sasse --- Art History of the 21st Century --- European Art --- Visual Studies --- Fine Arts --- (DDC Deutsch 22)700 --- (DDC Deutsch 22)750 --- (VLB-WN)1744: Hardcover, Softcover / Medien, Kommunikation/Medienwissenschaft
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departement Beeldende Kunst 09 --- fotografie --- 77.038 --- 77.039 --- Becher, Bernd en Hilla --- Berges, Laurenz --- Fotografie ; Dusseldorfse school --- Gursky, Andreas --- Höfer, Candida --- Hütte, Axel --- Nieweg, Simone --- Ruff, Thomas --- Sasse, Jörg --- Struth, Thomas --- Wunderlich, Petra --- 77 <43> --- 760.5 --- 761 --- Becher, Bernd --- Becher, Hilla --- Duitsland --- Esser, Elger --- Hutte, Axel --- verzamelingen --- 77 <43> Fotografie--Duitsland voor 1945 en na 1989 --- Fotografie--Duitsland voor 1945 en na 1989 --- Fotografie ; 1950 - 2000 --- Fotografie ; 2000 - 2050 --- fotografie, verzamelen - musea - tentoonstellingen --- fotografie, geschiedenis
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