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While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.

Aisthesis. --- Dostoevsky. --- Dostojewski. --- Pain. --- Schmerz. --- Sebald. --- Wittgenstein. --- Wittgenstein, Ludwig,

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"A Swiss journal of pharmacology."

Pharmacology --- Pharmacology. --- Pharmacologie --- Pharmacologie. --- pharmacology. --- Allergie --- Analgetikum --- Antiallergikum --- Antiphlogistikum --- Entzündung --- Enzymaktivität --- Histamin --- Farmacologie. --- Entzündung. --- Schmerz

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'A deeply original work of scholarship. Through fine close readings of primary and secondary texts, the author offers the fullest account we have of the related phenomena of pain, sympathy, and sensation in early modern culture.' Michael Schoenfeldt, John R. Knott, Jr., Professor of English, University of Michigan, Ann Arbor. In late medieval Catholicism, pain was seen as a way of imitating Christ, and as an avenue to salvation. During the early modern period, Protestant theologians came to reject these assumptions, and attempted to redefine and circumscribe the spiritual meaning of suffering. The rethinking of the meaning of pain during the early modern era is the central theme of this book. The author pays particular attention to how literary writers explored the issue of pain, by placing their work in a broad context of devotional, theological, philosophical and medical texts on suffering. In detailed readings of Alabaster, Donne, Herbert, Crashaw, Lanyer, Spenser, Milton and Montaigne, he shows that early modern culture located the meaning of pain in its capacity to elicit compassion in others - yet the nature of this compassion was also fiercely contested. Dr Jan Frans van Dijkhuizen is Lecturer in English Literature at the University of Leiden.

English literature --- Thematology --- anno 1600-1699 --- anno 1500-1599 --- Compassion in literature. --- Englisch. --- Folter. --- Literatur. --- Mitleid. --- Pain in literature. --- Schmerz. --- Early modern. --- History and criticism --- 1500-1700. --- Compassion (Buddhism) in literature --- History and criticism. --- Jacobean poetry. --- Religion. --- poetry.

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Geistesruhe --- Meditation und Gebet --- Psychische und geistige Speise --- das 'Ich' --- Schmerz und Weisheit --- Vegetarisches Leben --- das Sexuelle --- die Finsternismächte --- Wirkung der Meditation auf den Körper --- Willenserziehung --- Heilkräfte --- Willenserkrankungen --- Askese --- das Böse --- Soziales Christentum --- Furcht --- Spiritismus --- Menschenbild --- Meditation --- Selbsterziehung --- Rudolf Steiner

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Schmerz ist kulturell überformt. Durch das kulturelle Phänomen der Verfeinerung des Spürens werden unsere Körper immer empfindlicher. Am Beispiel von Kopfschmerzen kann Stefan Dreßke zeigen, dass die physische Empfindlichkeit den Normen und Praktiken sozialer Milieus, des Geschlechts und des Alters folgt. Die soziologische Studie mit Berichten von 136 Frauen und Männern untersucht die sich zunehmend differenzierenden Deutungen des Körperausdrucks und den Wandel der Krankheitsvorstellungen. Dabei wird deutlich, dass Krankheiten der Empfindlichkeit Narrative sind, die der Verständigung in Sprach- und Praxiscodes dienen und die institutionellen Regimes folgen.

Soziologie; Körper; Schmerz; Gefühl; Kultur; Medizin; Therapie; Kopfschmerzen; Migräne; Medizinsoziologie; Medizingeschichte; Philosophie des Körpers; Sociology; Body; Pain; Emotion; Culture; Medicine; Therapy; Sociology of Medicine; History of Medicine; Philosophy of Body --- Body. --- Culture. --- Emotion. --- History of Medicine. --- Medicine. --- Pain. --- Philosophy of Body. --- Sociology of Medicine. --- Therapy.