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Perché si è tanto insistito sul fatto che l’istantanea mostra ben più di quanto non narri? E che cosa significa rivendicare che la fotografia è innanzi tutto una pratica, e non una testualità? A quali condizioni la foto può assurgere a documento e a strumento critico rispetto a un’altra forma di espressione? Se da più parti si osserva la vocazione delle fotografie a dar luogo ad album, collezioni, archivi, è stata poi conseguentemente elaborata una metodologia per lo studio di corpus? È a queste domande che il presente volume cerca di rispondere, offrendo due densi itinerari teorici e una serie di analisi che percorrono i territori della fotografia artistica così come di quella turistica, giornalistica e teatrale. I saggi qui contenuti assumono ad oggetto di indagine delle foto di Isabelle Esraghi, Alexandra Boulat, Martine Franck, nonché due corpus d’eccezione quali Mère courage et ses enfants di Roger Pic e Les preuves du temps di Denis Roche.
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A diferencia de los países pioneros (Estados Unidos, Francia e Italia), los inicios del cine en nuestro país (Colombia) no fueron con producción nacional. Como en la gran mayoría de los países latinoamericanos y de gran parte del mundo, a Colombia arribaron camarógrafos y operadores enviados por los hermanos Lumiere, cuya finalidad apuntaba al registro de las ciudades a las que llegaban y a la proyección al público local ávido de lo que se había filmado sobre su propia realidad.
Colombia --- Cine colombiano --- Semiótica --- Cine --- Historia --- Crítica --- Documentary films
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A diferencia de los países pioneros (Estados Unidos, Francia e Italia), los inicios del cine en nuestro país (Colombia) no fueron con producción nacional. Como en la gran mayoría de los países latinoamericanos y de gran parte del mundo, a Colombia arribaron camarógrafos y operadores enviados por los hermanos Lumiere, cuya finalidad apuntaba al registro de las ciudades a las que llegaban y a la proyección al público local ávido de lo que se había filmado sobre su propia realidad.
Film: styles & genres --- Cine colombiano --- Semiótica --- Cine --- Historia --- Crítica --- Colombia --- Documentary films --- Motion pictures
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Pragmatismo. --- Semiotics. --- Semiótica. --- Sémiotique. --- Peirce, Charles S. --- Peirce --- Peirce, Charles S. --- Semiotik.
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A diferencia de los países pioneros (Estados Unidos, Francia e Italia), los inicios del cine en nuestro país (Colombia) no fueron con producción nacional. Como en la gran mayoría de los países latinoamericanos y de gran parte del mundo, a Colombia arribaron camarógrafos y operadores enviados por los hermanos Lumiere, cuya finalidad apuntaba al registro de las ciudades a las que llegaban y a la proyección al público local ávido de lo que se había filmado sobre su propia realidad.
Film: styles & genres --- Colombia --- Cine colombiano --- Semiótica --- Cine --- Historia --- Crítica --- Documentary films --- Motion pictures
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Science --- Information theory. --- Philosophy. --- Communication theory --- Communication --- Cybernetics --- Normal science --- Philosophy of science --- Semiòtica --- Filosofia de la ciència --- Filosofia i ciència --- Ciència --- Coincidència --- Filosofia de la matemàtica --- Teoria de sistemes --- Semiologia (Lingüística) --- Semàntica --- Simbolisme --- Anàlisi del discurs --- Intertextualitat --- Multimodalitat --- Onomasiologia --- Simbolisme fònic --- Semiòtica de l'arquitectura
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Esiste un nesso fra i film che guardiamo e il modo in cui diamo senso a noi stessi e al nostro abitare il mondo? In che modo le storie sul grande schermo ci aiutano a rifuggire l’horror vacui? Se il cinema veicola un’idea di destino, se guardando i film ci rimane un destino impresso, si possono pensare dei metodi per capire come effettivamente si attua un procedimento tanto delicato ed essenziale? Attraverso una metodologia sfaccettata, che integra semiotica, film philosophy e storia del cinema, questo volume prova a rispondere a simili domande, accompagnandoci in un vertiginoso viaggio attraverso centinaia di film, dal cinema delle origini a quello contemporaneo, dal cinema d’autore al b-movie, dal cartone animato al documentario, delineando le basi per una teoria della destinalità nel cinema.
Film Radio Television --- teoria del cinema --- semiotica --- film philosophy --- storia del cinema --- cinema d’autore --- b-movie --- documentario --- cartone animato --- cinema theory --- semiotics --- history of cinema --- auteur cinema --- documentary --- cartoon
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This book invites readers to embark on a journey into the world of agency encompassing humans, other organisms, cells, intracellular molecular agents, colonies, populations, ecological systems, and artificial autonomous systems. We combine mechanistic and non-mechanistic approaches in the analysis of the function and evolution of organisms, their subagents, and multi-organism systems, and in this way offer a theoretical platform for integrating biosemiotics with both natural science and the humanities/social sciences. Agents are autonomous systems that incorporate knowledge on how to make sense of their environment and use it to achieve their goals. The functions of all agents are supported by mechanisms at the lowest level; however, the explanatory power of mechanistic analysis is not sufficient for complex agents. Non-mechanistic methods rely on the goal-directedness of agents whose dynamics follow self-stabilized dynamic attractors. The properties of attractors depend on stable or slowly changing factors, and such dependencies can be interpreted as sign relations if they are adaptive in nature. Agents can replace or redirect mechanisms on demand in order to preserve their functions; for performing higher-level semiotic functions, mechanisms are thus only means. We assume that mechanism and semiosis are not mutually exclusive, and that simple agents can interpret signs mechanistically. This assumption allows us to extend semiotic analysis to all agents, including ribosomes in cells, computers, and robots. This book challenges established traditions in natural science and the humanities/social sciences: semiotics no longer appears as restricted to humans and rational thinking, and biology is no longer limited to rely exclusively on mechanistic reasoning.
Biology --- Semiotics. --- Philosophy --- Biosemiotics --- Semiotics --- Social sciences. --- Humanities. --- Phenomenology. --- Life sciences. --- Philosophy of Biology. --- Humanities and Social Sciences. --- Life Sciences. --- Philosophy. --- Biosciences --- Sciences, Life --- Science --- Philosophy, Modern --- Learning and scholarship --- Classical education --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Vitalism --- Semiòtica --- Biologia --- Filosofia de la ciència
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The “Re-Inventing Organic Metaphors for the Social Sciences” is a volume with the specific goal: to challenge psychological understandings by connecting psychological approaches with multidimensional perspectives of various other scientific streams, meanwhile imbedding the generated knowledge in metaphors that allows researchers to follow phenomena into a deeper and more (w)holistic understanding of its appearance. This is particularly important when the humankind faces challenges due to systemic biological changes, as the phenomenological dynamics bonded to those challenges can be conserved in appropriated context. For this purpose, the organic metaphors are introduced. A tool that has central advantage over mechanical metaphors as it can capture the complex and open-systemic nature of biological, psychological, and social phenomena. For example—the widely used notion “mind as a computer” may be more productively replaced by “mind as a membrane”—with implications (e.g. focus on borders in-between, or in systems in themselves- exosystemic realities in our world). There are many other fertile opportunities not yet explored in the realms of psychology and other sciences. Furthermore, the contributors operated also as cross-reviewers for each other’s. In this occasion a new dimension, in chapter construction, will be introduced. Beside the traditional reviewing of another paper the reviewer has been asked to add a small list of extending questions toward the reviewed paper. These added questions have been introduced as potential questions that the authors were demanded to add into a final sub-chapter of their contribution. The subchapter has been titled as “Dialogue” (the author was free to select between the questions and ideas on those they believe could inhabit an especially worth for the future readers).
Psychology. --- Cognitive psychology. --- Cognition. --- Social psychology. --- Behavioral Sciences and Psychology. --- Cognitive Psychology. --- Social Psychology. --- Mass psychology --- Psychology, Social --- Human ecology --- Psychology --- Social groups --- Sociology --- Psychology, Cognitive --- Cognitive science --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul --- Mental health --- Psicologia cognitiva --- Psicologia social --- Semiòtica
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This monograph is about new perspectives in animal studies methodology, by using concepts and tools from the field of semiotics. It proposes a reflexion on current challenges and issues in the ethology field, and introduces different semiotics – biosemiotics, zoosemiotics – as potential methodological solutions. The chapters cover many aspects of ethology where semiotics can be a helpful hand: studies of language, culture, cognition or emotions, issues about complex, endangered or variable species. It explains why these points are difficult to study for actual ethology, why they still matter for researchers, biodiversity actors or wildlife programs, and how an interdisciplinary study with a semiotic point of view can help understand them. This book will appeal to a wide readership, from researchers and academics in living sciences as well as in linguistics fields, to other professionals – veterinarian, wildlife managers, zookeepers, and many others – who feel the need to better understand some aspects of animals they are working with. Students with animal focus should read this book as an introduction to interdisciplinary methodology, and a proposition to work differently with animals.
Life sciences. --- Semiotics. --- Linguistics—Methodology. --- Life Sciences, general. --- Research Methods in Language and Linguistics. --- Humanities and Social Sciences, multidisciplinary. --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Biosciences --- Sciences, Life --- Science --- Animal communication. --- Animal biocommunication --- Animal language --- Biocommunication, Animal --- Language learning by animals --- Animal behavior --- Animals --- Semiòtica --- Semiologia (Lingüística) --- Semàntica --- Simbolisme --- Anàlisi del discurs --- Intertextualitat --- Multimodalitat --- Onomasiologia --- Simbolisme fònic --- Semiòtica de l'arquitectura --- Regne animal --- Vida (Biologia) --- Fauna aquàtica --- Animals de caça --- Animals en perill d'extinció --- Animals exòtics --- Animals nocturns --- Animals perillosos --- Animals salvatges --- Cordats --- Carnívors --- Fauna urbana --- Herbívors --- Invertebrats --- Metazous --- Poiquiloterms --- Relacions home-animal --- Vertebrats --- Animalitat (Filosofia) --- Productes d'origen animal --- Fauna --- Zoologia --- Linguistics --- Social sciences. --- Humanities. --- Life Sciences. --- Humanities and Social Sciences. --- Methodology. --- Learning and scholarship --- Classical education --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization
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