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Form perception --- Perception des formes --- 316.77 --- #SBIB:309H505 --- Form discrimination --- Shape discrimination --- Shape perception --- Perception --- Visual perception --- Figure-ground perception --- Communicatiesociologie --- Code en boodschap: psychologische, psycho-analytische benadering --- Form perception. --- 316.77 Communicatiesociologie

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Perception --- Form perception --- Psychophysics --- Perception des formes --- Psychophysique --- Research --- Recherche --- 159.93 --- -Form perception --- -Psychophysics --- Physics --- Psychophysiology --- Form discrimination --- Shape discrimination --- Shape perception --- Visual perception --- Figure-ground perception --- Supraliminal perception --- Cognition --- Apperception --- Senses and sensation --- Thought and thinking --- Zintuiglijke waarnemingen --- 159.93 Zintuiglijke waarnemingen --- Research.

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Form Perception. --- Visual Perception. --- Dots (Art) --- -Form perception --- Form discrimination --- Shape discrimination --- Shape perception --- Perception --- Visual perception --- Figure-ground perception --- Art --- Perception, Visual --- Perceptions, Visual --- Visual Perceptions --- Vision, Ocular --- Contour Perception --- Contour Perceptions --- Form Perceptions --- Perception, Contour --- Perception, Form --- Perceptions, Contour --- Perceptions, Form --- Contrast Sensitivity --- Psychological aspects --- Form perception. --- Psychological aspects. --- Form perception --- Form Perception --- Visual Perception --- Visual Processing --- Processing, Visual

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In this book, Shimon Ullman focuses on the processes of high-level vision that deal with the interpretation and use of what is seen in the image. In particular, he examines two major problems. The first, object recognition and classification, involves recognizing objects despite large variations in appearance caused by changes in viewing position, illumination, occlusion, and object shape. The second, visual cognition, involves the extraction of shape properties and spatial relations in the course of performing visual tasks such as object manipulation, planning movements in the environment, or interpreting graphical material such as diagrams, graphs and maps. The book first takes up object recognition and develops a novel approach to the recognition of three-dimensional objects. It then studies a number of related issues in high-level vision, including object classification, scene segmentation, and visual cognition. Using computational considerations discussed throughout the book, along with psychophysical and biological data, the final chapter proposes a model for the general flow of information in the visual cortex. Understanding vision is a key problem in the brain sciences, human cognition, and artificial intelligence. Because of the interdisciplinary nature of the theories developed in this work, High-Level Vision will be of interest to readers in all three of these fields.

architectuurtheorie --- Architecture --- architectural theory --- anno 1900-1999 --- Architecture, Modern --- Philosophy --- Philosophie --- Robert Venturi °1925 (°Philadelphia) --- Architectuurtheorie ; 20ste eeuw ; R. Venturi --- Architectuur ; iconologie ; betekenis --- 72.01 --- Architectuur ; theorie, filosofie, esthetica --- History --- Visual perception. --- NEUROSCIENCE/Visual Neuroscience --- COGNITIVE SCIENCES/General --- 72.07 --- Venturi, Robert 1925-2018 (°Philadelphia, Verenigde Staten) --- Architecten. Stedenbouwkundigen --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Psychological aspects --- Form perception. --- Form discrimination --- Shape discrimination --- Shape perception --- Visual perception --- Figure-ground perception

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Today in many studies, mental images are still either treated as conscious by definition, or as empirical operations implicit to completing some type of task, such as the measurement of reaction time in mental rotation, an underlying mental image is assumed, but there is no direct determination of whether it is conscious or not. The vividness of mental images is a potentially helpful construct which may be suitable, as it may correspond to consciousness or aspects of the consciousness of images. In this context, a complicating factor seems to be the surprising variety in what is meant by the term vividness or how it is used or theorized. To fill some of the gaps, the goal of the present Special Issue is to create a publication outlet where authors can fully explore through sound research the missing theoretical and empirical links between vividness, consciousness and mental imagery across disciplines, neuroscience, psychology, philosophy, cognitive science, to mention the most obvious ones, as well as transdisciplinary methodological (single, combined, or multiple) approaches.

Psychology --- vividness --- mental imagery --- consciousness --- cognitive neuroscience --- neuroimaging --- cognitive psychology --- behavior --- verbal report --- phenomenology --- perception --- DMN --- TPN --- familiarity --- memory --- amodal completion --- shape perception --- perceptual organization --- depth perception --- visual illusions --- color-gustatory synesthesia --- taste --- taste modulator --- synesthesia --- bibliometrics --- map of science --- term co-occurrence --- contrast polarity --- simplicity principle --- likelihood principle --- simplicity–likelihood equivalence --- Bayes --- classical information theory --- modern information theory --- Bayes’ framework --- visual imagery --- stroke --- posterior cerebral artery --- aphantasia --- prosopagnosia --- visual perception --- n/a --- simplicity-likelihood equivalence --- Bayes' framework