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"The technical crafts of sound in classical Hollywood cinema have, until recently, remained largely 'unsung' by histories of the studio era. Yet film sound - voice, music and sound effects - is a crucial aspect of film style and has been key to engaging and holding audiences since the transition to sound by Hollywood's major studios in 1929. This innovative new text restores sound technicians to Hollywood's creative history. Exploring a range of films from the early sound period (1931) through to the late studio period (1948), and drawing on a wide range of archival sources, the book reveals how Hollywood's sound designers worked and why they worked in the ways that they did. The book demonstrates how sound technicians developed conventions designed to tell stories through sound, placing them within the production cultures of studio era filmmaking, and uncovering a history of collective and collaborative creativity. In doing so, it traces the emergence of a body of highly skilled sound personnel, able to apply expert technical knowledge in the science of sound to the creation of cinematic soundscapes that are alive with mood and sensation."--Bloomsbury Publishing.

Motion pictures --- Sound effects. --- History.

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"In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: - A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing - Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" - Fresh approaches to working with digital video and to moving projects from one workstation to another - An insider's analysis of what happens on the set, and how that affects the dialogue editor - Discussions about the interweaving histories of film sound technology and film storytelling - Eye-opening tips, tricks, and insights from film professionals around the globe - A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art"--

Motion pictures --- Sound motion pictures. --- Sound effects.

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L'ouvrage recense les techniques relatives aux bruitages et aux effets sonores afin de réaliser ses propres montages : sélection du bon micro, enregistreurs mobiles, abécédaire de l'audio digital, sound design, etc. Selon George Lucas, "le son c?est la moitié de l?expérience". Le guide ultime du sound designer est le guide absolu de l?enregistrement, de l?édition et de la création de vos propres effets sonores. Si ça claque ! Craque ! Pop ! Crash ! Boom ! Ou Bang ! Vous le trouverez quelque part dans le tout premier livre jamais réalisé sur la science des bruitages et des effets sonores. Essayez d?imaginer la manière dont votre film prendra vie une fois que vous aurez essayé ces techniques éprouvées qui ont apporté une si grande profondeur de narration, à des films tels que "Le Seigneur des Anneaux", "Le Pirates des Caraïbes" et "There Will Be Blood". Cet ouvrage complet couvre des champs aussi larges que, la sélection du bon micro, les enregistreurs mobiles, un abécédaire de l?audio digital, l?appréhension des stations audionumériques, la construction de son propre parterre de bruitage, la conception de son propre studio, le Sound Design et encore beaucoup d?autres choses.

Motion pictures --- Television broadcasting --- Cinéma --- Télévision --- Sound effects --- Sound effects --- Son --- Effets sonores

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Michael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better.Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy.This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change

Motion pictures --- Sound effects. --- Haneke, Michael, --- Criticism and interpretation.

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'The Auditory Setting' introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'.

Sound in motion pictures. --- Motion pictures --- Ambient sounds. --- Sound effects.