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Sound --- Music appreciation --- Sound recordings --- Son --- Musique --- Enregistrements sonores --- Recording and reproducing --- Enregistrement et reproduction --- Appréciation --- Sound recording industry --- Sound in mass media --- Popular culture --- History --- Social aspects --- Industrie de la musique et du son --- Écoute musicale (pratique) --- Aspect social --- Histoire --- Appréciation --- Music appreciation. --- Enregistrements sonores. --- Aspect social. --- Histoire. --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave-robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.
Sound --- Sound recording industry --- Sound in mass media --- Sound recordings --- Popular culture --- Recording and reproducing --- History --- Social aspects --- Culture populaire. --- Enregistrements sonores --- Geluidsweergave. --- Klangerzeugung. --- Kultur. --- Populaire cultuur. --- Popular culture. --- Schallaufzeichnung. --- Sociale aspecten. --- Son dans les médias. --- Son --- Sound in mass media. --- Technische vernieuwing. --- Aspect social. --- Industrie --- Enregistrement et reproduction --- Histoire. --- Social aspects. --- History. --- Recording and reproducing. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Mass media --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Recording and reproducing&delete& --- Sound - Recording and reproducing - History --- Sound recording industry - Social aspects --- Sound recordings - Social aspects
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