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Listeners have enjoyed classical music recordings for more than a century, yet important issues about recorded performances have been little explored. What is the relationship between performance and recording? How are modern audiences affected by the trends set in motion by the recording era? What is the impact of recordings on the lives of musicians? In this wide-ranging book, Robert Philip extends the scope of his earlier pioneering book, Early Recordings and Musical Style: Changing Tastes in Instrumental Performance 1900-1950. Philip here considers the interaction between music-making and recording throughout the entire twentieth century.The author compares the lives of musicians and audiences in the years before recordings with those of today. He examines such diverse and sometimes contentious topics as changing attitudes toward freedom of expression, the authority of recordings made by or approved by composers, the globalization of performing styles, and the rise of the period instrument movement. Philip concludes with a thought-provoking discussion of the future of classical music performance.

Performance practice (Music) --- Sound recordings in musicology. --- Musicology --- History

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"Recording Analysis: How the Record Shapes the Song identifies and explains how the sounds imparted by recording processes enhance the artistry and expression of recorded songs. Moylan investigates how the process of recording a song transforms it into a richer experience and articulates how the unique elements of recorded sound provide essential substance and expression to recorded music. This book explores a broad array of records, evaluating the music, lyrics, social context, literary content and meaning, and offers detailed analyses of recording elements as they appear in a wide variety of tracks. Accompanied by a range of online resources, Recording Analysis is an essential read for students and academics, as well as practitioners, in the fields of record production, song-writing and popular music"--

Popular music --- Analysis, appreciation. --- Sound recordings --- Sound recordings in musicology. --- Production and direction.

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Songs --- Popular music --- Sound recordings in musicology --- Analysis, appreciation --- Philosophy and aesthetics --- History and criticism --- #SBIB:309H142 --- Populaire muziek: functies, muziekgenres, historiek --- Sound recordings in musicology. --- Analysis, appreciation. --- History and criticism. --- Musicology --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions

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Until recently, early recordings were regarded as little more than old-fashioned curiosities by musicians. Scholars and musicians now are beginning to realise their importance as historical documents which preserve the performance of composers and the musicians with whom they worked. In this fascinating study, Robert Philip argues that recordings of the early twentieth-century provide an important and hitherto neglected resource in the history of musical performance. The book concentrates on aspects of performance which underwent the greatest change in the early twentieth century, including rhythm, rubato, vibrato, and portamento. The final chapters explore some of the implications of these changes, both for the study of earlier periods and for the understanding of our own attitudes to the music of the past.

Sound recordings in musicology --- Stijl [Muzikale ] --- Style [Musical ] --- Performance practice (Music) --- Style, Musical. --- Sound recordings in musicology. --- Pratique de l'exécution (Musique) --- Style musical --- Enregistrements sonores en musicologie --- History --- Histoire --- Pratique de l'exécution (Musique) --- 20th century --- Praktijk van de uitvoering (Muziek) -- 20e eeuw --- Performance practice (Music) -- 20th century --- Pratique de l'exécution (Musique) -- 20e siècle --- Stijl [Muzikale] --- Style [Musical] --- Geluidsopnamen in musicologie --- Sounds recordings in musicology --- Enregistrements en musicologie --- 78.54 --- Instrumental music --- Interpretation (Phrasing, dynamics, etc.) --- Musicology --- Musical style --- Music --- Music, Instrumental --- Philosophy and aesthetics --- Opnames --- 20e eeuw --- Uitvoeringspraktijk