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Standing at the intersection of Visual Studies and Queer Studies, the volume Queer(ing) Russian Art: Realism, Revolution, Performance exposes and explores the queer imagery and sensibilities in works of visual art in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian art.

Queerness. --- Russian/Soviet/Post-Soviet art. --- art criticism. --- art history. --- art. --- history of Russian/Soviet/Post-Soviet art. --- queer art. --- queer theory. --- queer. --- visual studies.

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This book analyzes the ways in which literary works and cultural discourses employ the construct of the Jew’s body in relation to the material world in order either to establish and reinforce, or to subvert and challenge, dominant cultural norms and stereotypes. It examines the use of physical characteristics, embodied practices, tacit knowledge and senses to define the body taxonomically as normative, different, abject or mimetically desired. Starting from the works of Gogol and Dostoevsky through to contemporary Russian-Jewish women’s writing, the book argues that materiality also embodies fictional constructions that should be approached as a culture-specific material-semiotic interface.

Russian literature --- Jews in literature. --- History and criticism. --- Bely. --- Chekhov. --- Cultural Studies. --- Dostoevsky. --- Food. --- Gogol. --- Jewish. --- Judaism. --- Russian. --- Soviet art. --- antisemitism. --- blood libel. --- body. --- corporeality. --- embodied memory. --- ethnic cuisine. --- heritage. --- history. --- literature. --- materiality. --- prejudice. --- ritual murder trials. --- women.

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Soviet Union --- URSS --- History --- Exhibitions --- Histoire --- Expositions --- Art, Soviet --- Socialist realism in art --- -947.098 --- Art and revolutions --- Communism and art --- Socialism and art --- Art of the Soviet Union --- Soviet art --- 947.098 --- Exhibitions. --- Art, Soviet - Exhibitions. --- Socialist realism in art - Soviet Union - Exhibitions.

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The Russian Avant-Garde was born at the turn of the twentieth century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-Garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level.Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin

Art, Russian --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Bubnovyĭ valet (Group of artists) --- Golubai︠a︡ roza (Group of artists) --- Inspekt︠s︡ii︠a︡ medit︠s︡inskai︠a︡ germenevtika (Group of artists) --- Art, Soviet. --- Art, Soviet --- Art of the Soviet Union --- Soviet art --- Russian art --- Krug khudozhnikov (Group of artists) --- NOMA (Group of artists) --- Trinadt︠s︡atʹ (Group of artists)

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Social change --- Art styles --- anno 1900-1999 --- anno 1800-1899 --- Art and revolutions --- -Art, Soviet --- Socialist realism in art --- -7.01 --- Communism and art --- Socialism and art --- Art of the Soviet Union --- Soviet art --- Revolutions and art --- Arts and revolutions --- Politics in art --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Art, Soviet. --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Art, Soviet --- 7.01