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77 SPENCE, JO --- [Jorge Ribalta, Terry Dennett, Jessica Evans et al.] --- fotografie --- Groot-Brittannië --- kunst --- Spence Jo --- 77.071 SPENCE --- 77 SPENCE, JO Fotografie--SPENCE, JO --- Fotografie--SPENCE, JO --- Art --- Photography --- Spence, Jo --- anno 1900-1999 --- Great Britain --- Artists --- Book
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Photographers --- Women photographers --- Biography --- Biography --- Spence, Jo.
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Dit boek geeft een beeld van de bijdrage die de Britse fotografe Jo Spence heeft geleverd aan de hedendaagse fotografie en fotografie-theorie. Rijkelijk geïllustreerd.
Sociology of the family. Sociology of sexuality --- Human physiology --- Hygiene. Public health. Protection --- Graphic arts --- Photography --- Photography --- Health --- Drawing --- Images of women --- Female body --- Book --- Spence, Jo --- Great Britain
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De essays in dit boek onderzoeken hoe twintigste-eeuwse vrouwelijke artiesten zichzelf representeren op het raakvlak van het visuele beeld, geschreven tekst en performance. Veertien auteurs kijken hoe deze artiesten gebruik maken van verschillende media - schilderkunst, fotografie, performance, beeldhouwen, verhaal, lied, gedicht, manifest - om hybride zelfportretten te creëren die tussenkomen in kritische debatten over subjectiviteit, feminisme en de geschiedenis van beeldvorming in het westen.
Developmental psychology --- Sociology of the family. Sociology of sexuality --- Human physiology --- Art --- Identity --- Artists --- Body --- Images of women --- Book --- Kahlo, Frida --- Antoni, Janine --- Wilke, Hannah --- Aguilar, Laura --- Baker, Bobby --- Bourgeois, Louise --- Novak, Lorie --- Ringgold, Faith --- Spence, Jo --- Freytag-Loringhoven, von, Elsa --- Cummings, Blondell --- King, Susan --- Lopez, Erika --- Lyons, Joan --- Cahun, Claude --- Sherman, Cindy --- Salomon, Charlotte --- Bach, Elvira --- Orlan --- Saville, Jenny --- Montgomery, L.M. --- Simpson, Lorna --- Piper, Adrian --- Anderson, Laurie --- anno 1900-1999
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77.01 --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Edited by Liz Wells --- Avgikos Jan --- Bailey David A. --- Batchen Geoffrey --- Bate David --- Becker Karin E. --- Berger John --- Brik Ossip --- Collins Jane --- Damisch Hubert --- Desnoes Edmundo --- Edwards Steve --- Grundberg Andy --- Hall Stuart --- Henderson Lisa --- Kelly Angela --- Kember Sarah --- Hooks Bell --- Kuhn Anette --- Lister Martin --- Lutz Catherine --- McGrath Roberta --- Manovich Lev --- Martin Rosy --- Metz Christian --- Mitchell W.J.T. --- Moholy-Nagy László --- Morris Wright --- Perloff Marjorie --- Sekula Allan --- Solomon-Godeau Abigail --- Spence Jo --- Szarkowski John --- Tagg John --- Weston Edward --- Wollen Peter --- Photographie. --- fotografie --- twintigste eeuw --- digitale fotografie --- documentaire fotografie --- fotografietheorie --- reportagefotografie --- tentoonstellingen --- musea --- onderwijs --- Barthes Roland --- Benjamin Walter --- Burgin Victor --- Crimp Douglas --- Eco Umberto --- Lippard Lucy R. --- Rosler Martha --- Sontag Susan --- Photography --- Photography. --- Essays. --- departement Beeldende Kunst 09 --- hedendaagse fotografie --- Bailey David A --- Becker Karin E --- Lippard Lucy R --- Mitchell W.J.T
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"A dazzlingly original reassessment of women's stories, bodies and art, and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims. Writing in the tradition of Susan Sontag, Hel ne Cixous and Maggie Nelson, Lauren Elkin demonstrates her power as a cultural critic, weaving daring links between disparate artists and writers, from Julia Margaret Cameron's photography to Kara Walker's silhouettes, Vanessa Bell's portraits to Eva Hesse's rope sculptures, Carolee Schneemann's body art to Theresa Hak Kyung Cha's trilingual masterpiece DICTEE, and shows that their work offers a potent celebration of beauty and excess, sentiment and touch, the personal and the political"--Publisher's description.
kunst --- feminisme --- vrouwen --- gender studies --- lichamelijkheid --- twintigste eeuw --- eenentwintigste eeuw --- Horn Rebecca --- Sherman Cindy --- Saville Jenny --- Knight Laura --- Simpson Lorna --- Walker Kara --- Biswas Sutapa --- Lassnig Maria --- Schneemann Carolee --- Johnson Claudette --- Wilke Hannah --- Spence Jo --- Hesse Eva --- Mendieta Ana --- Chadwick Helen --- Bell Vanessa --- Woolf Virginia --- 7.01 --- Women artists --- Human figure in art --- Monsters in art --- Female monsters --- Feminist aesthetics --- Female nude in art --- Women in art --- Nude in art --- Aesthetics --- Feminist theory --- Girl monsters --- Monster females --- Women monsters --- Females --- Monsters --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Artists, Women --- Women as artists --- Artists --- Philosophy and psychology of culture --- feminism --- art criticism --- philosophy of art --- lichaam (van de mens) --- Race --- Feminist criticism --- Disability --- Queer --- Body --- Female body --- Book --- Féminisme --- Corps humain
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