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Essays which state the fundamentals of Jung's psychological system: "On the Psychology of the Unconscious" and "The Relations Between the Ego and the Unconscious," with their original versions in an appendix.

Subconsciousness. --- Psychoanalysis. --- Archetype (Psychology) --- A Matter of Fact. --- Active imagination. --- Adolf Bastian. --- Allegory. --- Allusion. --- Analogy. --- Anthropomorphism. --- Antithesis. --- Apotheosis. --- Apuleius. --- Archetype. --- Article (grammar). --- Astrology. --- Axiom of Maria. --- Benvenuto Cellini. --- Buddhism. --- Causality. --- Co-operation (evolution). --- Collective unconscious. --- Consciousness. --- Criticism. --- Deity. --- Delusion. --- Dissociation (psychology). --- Emblem. --- Enantiodromia. --- Explanation. --- Fairy tale. --- Feeling. --- Figure of speech. --- Four sons of Horus. --- Good and evil. --- Hermes Trismegistus. --- Hiranyagarbha. --- Humming. --- Hypothesis. --- Idealization. --- Illustration. --- Imagination. --- Incest. --- Individuation. --- Inference. --- Lecture. --- Level of consciousness (Esotericism). --- Literature. --- Loneliness. --- Materialism. --- Medical psychology. --- Mephistopheles. --- Mother goddess. --- Mythology. --- Neurosis. --- Parapsychology. --- Personal life. --- Personal unconscious. --- Personality. --- Phenomenon. --- Philosopher. --- Philosophy. --- Prejudice. --- Prima materia. --- Probability. --- Psyche (psychology). --- Psychic. --- Psychological Types. --- Psychology and Alchemy. --- Psychology of the Unconscious. --- Psychology. --- Psychopathology. --- Psychosis. --- Psychotherapy. --- Reality. --- Reason. --- Religion. --- Religious experience. --- Requirement. --- Schizophrenia. --- Science (journal). --- Science. --- Seven Sleepers. --- Spirit. --- Spiritual development. --- State of affairs (sociology). --- Suffering. --- Suggestion. --- Superiority (short story). --- Symbols of Transformation. --- Symptom. --- Taoism. --- The Other Hand. --- The Philosopher. --- The Various. --- Theory. --- Thought. --- Transference. --- Trickster. --- Unconsciousness. --- Wise old man. --- World. --- Writing.

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Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart.At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards.In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing.The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Report writing. --- English language --- English language --- Style. --- Rhetoric. --- Abstraction. --- Accessibility. --- Active voice. --- Allegory. --- Antithesis. --- Approximation. --- Areopagitica. --- Classical language. --- Colloquialism. --- Concept. --- Conflation. --- Creative nonfiction. --- Deed. --- Distraction. --- Divine providence. --- Elizabeth Eisenstein. --- Empiricism. --- Erudition. --- Essay. --- Etiquette. --- Family resemblance. --- Figure of speech. --- Fine art. --- Formality. --- Greatness. --- Handbook. --- Heuristic. --- Hilary Putnam. --- Humility. --- Ideogram. --- Image schema. --- Inception. --- Informality. --- Ingenuity. --- Introspection. --- Invention. --- Irony. --- James Thurber. --- Julian Barnes. --- Kenneth Burke. --- Lady Catherine de Bourgh. --- Lettres provinciales. --- Level of detail. --- Linguistic competence. --- Mark Twain. --- Metonymy. --- Mr. --- Narrative. --- New Thought. --- Obfuscation. --- On Truth. --- Optimism. --- Oracle. --- Parody. --- Peor. --- Persuasive writing. --- Philosopher. --- Philosophy. --- Phrase. --- Piety. --- Plain English. --- Platitude. --- Prima facie. --- Printing. --- Prose. --- Provenance. --- Reasonable person. --- Religion. --- Result. --- Rhetoric. --- Righteousness. --- Romanticism. --- Science. --- Self-interest. --- Selfishness. --- Sentimentality. --- Silliness. --- Simile. --- Sincerity. --- Sir Thomas Elyot. --- Skepticism. --- Sophistication. --- Special pleading. --- Spoken language. --- Standard English. --- Subtitle (captioning). --- Suggestion. --- Superiority (short story). --- The Elements of Style. --- The Other Hand. --- Theorem. --- Thought. --- Thucydides. --- Treatise. --- Understanding. --- Understatement. --- Verbosity. --- White's. --- Writing style. --- Writing.

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Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.

Adjective. --- Allusion. --- Ambiguity. --- Ambivalence. --- Anti-Oedipus. --- Awakenings. --- Black people. --- Bourgeoisie. --- Carelessness. --- Castration. --- Classicism. --- Conflation. --- Counterstereotype. --- Cowardice. --- Cynicism (contemporary). --- Cynicism (philosophy). --- Deconstruction. --- Deleuze and Guattari. --- Denial (poem). --- Desiring-production. --- Dialectic. --- Digression. --- Disgust. --- Duress. --- Embarrassment. --- Emblem. --- Eroticism. --- Fatalism. --- Femininity. --- Feminism (international relations). --- Feminism. --- Genre. --- Gertrude Stein. --- Gloom. --- Greatness. --- Hatred. --- Ideology. --- Imagery. --- Imperialism. --- Indication (medicine). --- Infanticide. --- Irony. --- Jacques Derrida. --- John Barth. --- Joseph Conrad. --- Kurtz (Heart of Darkness). --- Laziness. --- Leveling (philosophy). --- Liminality. --- Literature. --- Loneliness. --- Lord Jim. --- Luce Irigaray. --- Macabre. --- Masculinity. --- Meanness. --- Memoir. --- Metonymy. --- Misogyny. --- Modernism. --- Mr. --- Mrs. --- Narrative. --- New Criticism. --- Novel. --- Novelist. --- Oppression. --- Patusan. --- Pity. --- Plotinus. --- Poetry. --- Postmodernism. --- Promiscuity. --- Race (human categorization). --- Racism. --- Result. --- Reterritorialization. --- Self-destructive behavior. --- Selfishness. --- Sexual inhibition. --- Simile. --- Sister Carrie. --- Stanza. --- Stupidity. --- Subjectivity. --- Suggestion. --- Superiority (short story). --- Sympathy. --- T. S. Eliot. --- Tender Buttons (book). --- Terence. --- The Other Hand. --- The Voyage Out. --- Think of the children. --- Thought. --- Undoing (psychology). --- Upper middle class. --- Western culture. --- Woolf. --- Writing.

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"Illuminated with a wide variety of images, this book traces the long history of yellow around the world. In antiquity, yellow was considered a sacred color, a symbol of light, warmth, wealth, and prosperity. But in medieval Europe, it became highly ambivalent: greenish yellow came to signify demonic sulfur and bile, the color of forgers, felon knights, traitors, Judas, and Lucifer--while warm yellow recalled honey and gold, serving as a sign of joy, pleasure and abundance. The yellow stars of the Holocaust were seared into the color's negative tradition. In Europe today, yellow has diminished to a discreet color. Greenish yellow can still be seen as dangerous, sickly, or poisonous, and golden yellow remains positive, but the color is absent in much of everyday life and is lacking in symbolism. In Asia, however, yellow pigments like ocher and orpiment and dyes like saffron, curcuma, and gaude are abundant. Painting and dyeing in this color has been easier than in Europe, offering a richer and more varied palette of yellows that has granted the color a more positive meaning. In ancient China, for example, yellow clothing was reserved for the emperor. In India, the color is seen as a source of happiness: wearing a little yellow is believed to keep evil away. And importantly, it is the color of Buddhism, whose temple doors are marked with the color. Yellow continues to have different meanings in different cultural traditions, but in most, the color remains associated with light and sun, something that can be seen from afar and that seems warm and always in motion"--

Jaune dans l'art. --- Symbolisme des couleurs --- Couleur --- Jaune. --- Yellow in art. --- Symbolism of colors --- Color --- Yellow. --- Histoire. --- Aspect social --- Aspect psychologique --- History. --- Social aspects --- Psychological aspects --- Adage. --- Adjective. --- Athanasius Kircher. --- Beige. --- Bible Historiale. --- Blond. --- Cagot. --- Caravaggio. --- Chivalric romance. --- Church Fathers. --- Classical Latin. --- Clothing. --- Coat of arms. --- Courtly love. --- Cubism. --- Degenerate art. --- Demagogue. --- Dionysus. --- Dyeing. --- Egyptomania. --- Etymology. --- Eurystheus. --- Facsimile. --- Fauvism. --- Gold leaf. --- Grandes Chroniques de France. --- Grisaille. --- Hebrews. --- Heraldry. --- Iconography. --- Impressionism. --- Iseult. --- Jan Hus. --- Jan Steen. --- Jean Chardin. --- Lacquer. --- Ludwig Wittgenstein. --- Medieval Latin. --- Middle French. --- Naples yellow. --- Nibelungenlied. --- Ochre. --- On the Eve. --- Orpiment. --- Paul Gauguin. --- Paul Klee. --- Philip II of Macedon. --- Pigment. --- Pope Innocent III. --- Prostitution. --- Red hair. --- Rococo. --- Roman Empire. --- Roman de Fauvel. --- Roman sculpture. --- Silver age. --- Simon Vouet. --- Sumptuary law. --- Superiority (short story). --- Talc. --- The Other Hand. --- The Philosopher. --- The Tables of the Law. --- The Various. --- Trickster. --- Urine. --- Victor Hugo. --- Vinegar. --- Yellow Peril. --- Yellow journalism. --- Language and languages --- Gold-leaf. --- Psychology. --- Psychological aspects.

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An original and provocative book that illuminates the origins of philosophy in ancient Greece by revealing the surprising early meanings of the word "philosopher"Calling Philosophers Names provides a groundbreaking account of the origins of the term philosophos or "philosopher" in ancient Greece. Tracing the evolution of the word's meaning over its first two centuries, Christopher Moore shows how it first referred to aspiring political sages and advice-givers, then to avid conversationalists about virtue, and finally to disciplinary investigators who focused on the scope and conditions of those conversations. Questioning the familiar view that philosophers from the beginning "loved wisdom" or merely "cultivated their intellect," Moore shows that they were instead mocked as laughably unrealistic for thinking that their incessant talking and study would earn them social status or political and moral authority.Taking a new approach to the history of early Greek philosophy, Calling Philosophers Names seeks to understand who were called philosophoi or "philosophers," and why, and how the use of and reflections on the word contributed to the rise of a discipline. Drawing on a wide range of evidence, the book demonstrates that a word that began in part as a wry reference to a far-flung political bloc, came, hardly a century later, to mean a life of determined self-improvement based on research, reflection, and deliberation. Early philosophy dedicated itself to justifying its own dubious-seeming enterprise. And this original impulse to seek legitimacy holds novel implications for understanding the history of the discipline and its influence.

Philosophy, Ancient. --- Alcidamas. --- Ambiguity. --- Anachronism. --- Analogy. --- Anaxagoras. --- Anaximander. --- Ancient philosophy. --- Anecdote. --- Antidosis. --- Antisthenes. --- Apotheosis. --- Archetype. --- Archilochus. --- Aristotle. --- Calculation. --- Center for Hellenic Studies. --- Charmides (dialogue). --- Clement of Alexandria. --- Clitophon (dialogue). --- Concept. --- Consciousness. --- Critias (dialogue). --- Criticism. --- Critique. --- Decision-making. --- Demetrius of Phalerum. --- Democritus. --- Dialectic. --- Dissoi logoi. --- Empedocles. --- Epistemology. --- Etymology. --- Euripides. --- Explanation. --- Flourishing. --- Glaucon. --- Good and evil. --- Gorgias (dialogue). --- Gorgias. --- Herodotus. --- Hippias. --- Historiography. --- Hypothesis. --- Iamblichus. --- Inference. --- Inquiry. --- Intellectual history. --- Ionians. --- Isocrates. --- Literature. --- Logos. --- Meditations. --- Mythology. --- Narrative. --- Neologism. --- Nicomachean Ethics. --- On Ancient Medicine. --- Parmenides. --- Pessimism. --- Phaedo. --- Phaedrus (dialogue). --- Phenomenon. --- Philosopher. --- Philosophy. --- Philotimo. --- Plato. --- Platonic Academy. --- Polymath. --- Princeton University Press. --- Prodicus. --- Prose. --- Protagoras. --- Protrepticus (Aristotle). --- Pythagoras. --- Pythagoreanism. --- Reason. --- Referent. --- Relevance. --- Rhetoric. --- Self-Reliance. --- Self-control. --- Self-knowledge (psychology). --- Sensibility. --- Seriousness. --- Skepticism. --- Socratic. --- Sophism. --- Sophist. --- Sosicrates. --- Suggestion. --- Superiority (short story). --- Theaetetus (dialogue). --- Theory. --- Thought. --- Thucydides. --- Treatise. --- Understanding. --- Usage. --- Writing. --- Xenophanes.