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Quid est secretum? Visual Representation of Secrets in Early Modern Europe, 1500-1700 is the companion volume to Intersections 65.1, Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700. Whereas the latter volume focused on sacramental mysteries, the current one examines a wider range of secret subjects. The book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it. In the early modern period, the discursive and symbolical sites for the representation of secrets were closely related to epistemic changes that transformed conceptions of the transmissibility of knowledge.
Symbolism in art --- Knowledge, Theory of --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- History --- Conferences - Meetings --- Iconography --- knowledge --- symbolism [artistic concept] --- emblems [symbols] --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Symbolism in art - Congresses --- Knowledge, Theory of - Europe - History - Congresses
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Chronology --- Iconography --- Symbolism in art --- Time in art --- Art and history --- Symbolisme dans l'art --- Temps dans l'art --- Art et histoire --- Congresses. --- Congrès --- History and art --- Conferences - Meetings --- Congrès --- History --- History in art --- Symbolism in art - Congresses. --- Time in art - Congresses. --- Art and history - Congresses.
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Longtemps délaissées, les études iconographiques ont connu en France, depuis deux ou trois décennies, un grand renouveau. Des travaux importants ont porté sur le choix et la distribution des thèmes et des motifs. D'autres ont étudié les pratiques et les procédés mis en œuvre pour construire les images et en assurer un bon fonctionnement. Tous ont souligné combien leur encodage et leur réalisation matérielle étaient toujours étroitement liés à leurs fonctions. Quelles que soient les époques, les problèmes et les sociétés concernés, la vie des formes n'est jamais autonome. Peu d'enquêtes, en revanche, se sont intéressées à la question de l'attribut, qui reste aujourd'hui le parent pauvre de l'histoire des images. Le présent volume lui est donc entièrement consacré. Il porte principalement sur les images médiévales mais ne s'interdit pas plusieurs excursus - nécessaires - vers l'Antiquité tardive ou les débuts de la période moderne.
Middle Ages in art --- Moyen Age dans l'art --- Christian church history --- Iconography --- anno 500-1499 --- Christian art and symbolism --- Art, Medieval --- Symbolism in art --- Pictures --- Art et symbolisme chrétiens --- Art médiéval --- Illustrations, images, etc. --- History --- Histoire --- Christian art and symbolism. --- Christian art and symbolism - Congresses --- Art, Medieval - Congresses --- Symbolism in art - Congresses --- Iconographie --- Attribut
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"This volumes contains 81 contributions on ancient wall painting presented in the form of papers and posters during the twelfth triennial meeting of the Association Internationale pour la Peinture Murale Antique (AIPMA) held at Athens from September 16 through September 20, 2013. 120 participants were guests of Radboud University Nijmegen and the École Française d'Athènes, in collaboration with the Netherlands Institute at Athens, and the National Hellenic Research Foundation. In recent decades there has been a growing interest among researchers in the analysis of paintings in terms of their context rather than as expressions of art in and for itself. Therefore the conference focused on figural themes, and to the iconographical and iconological problems of paintings considered in relation to their specific contexts. Which messages images in wall painting, from the archaic to the late-antique period (ca 700 BC-AD 500) conveyed to contemporary viewers in specific contexts and how were they received. Many contributions in this volume zoom in on the rationale behind the use of specific motifs in wall paintings, the syntax of decorative systems in particular contexts, as well as specific fashions in the use of figural themes in determined areas or sites in the ancient world. Within the series of BABESCH supplements, this book is a sequel to the third one of 1993 which contains the proceedings of the fifth AIPMA conference in Amsterdam."--Back cover.
Mural painting and decoration, Ancient --- Symbolism in art --- Art and society --- Themes, motives --- History --- Mural painting and decoration [Greco-Roman ] --- Mural painting and decoration [Roman ] --- Mural painting and decoration, Ancient - Themes, motives - Congresses --- Symbolism in art - Congresses --- Art and society - History - To 1500 - Congresses --- Peinture et décoration murales antiques.
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