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The first English-language anthology on the Taiwan New Cinema and its legacy, this exciting collection covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Tsai Mingliang and more.
Motion pictures --- History. --- S26/1600 --- History --- Taiwan--Film, photography
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Motion pictures --- Cinéma --- S17/2000 --- S26/1600 --- China: Art and archaeology--Film --- Taiwan--Film, photography
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This book is a cultural study of New Wave cinema that considers the experience of modernity and modernization in Taiwan and mainland China. While following separate paths, Taiwan and China have rapidly modernized, economically and culturally, since 1949. Despite differences in the political, social and economic systems of these countries, the process of modernization in both have challenged traditional cultural norms. Tonglin Lu examines how differences in cultural formation between Taiwan and China have influenced reactions to modernity and how cultural identity has taken different forms on both sides of the Taiwan straits. She illustrates how these differences in the experience of modernity are expressed through analysis of paradigmatic films produced in both countries, with a particular emphasis on their formal experiments.
Motion pictures --- S17/2000 --- S26/1600 --- History --- China: Art and archaeology--Film --- Taiwan--Film, photography --- History.
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The Chinese cinemas--including mainland China, Taiwan, and Hong Kong--have been the most internationally popular and successful non-Western cinemas for almost two decades now. In recent years, they have generated a vigorous and thriving field of interpretation and criticism. 'Chinese Films in Focus: 25 New Takes 'is an anthology of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and the diaspora are all included, and historical coverage ranges from the 1930s to the present. Film titles covered include 'Farewell My Concubine, Chungking Express, Flowers of Shanghai, The Goddess, Bullet in the Head, Crouching Tiger Hidden Dragon, Crows and Sparrows, Yi Yi, 'and many more. As well as globally famous films, the anthology also introduces a number of Chinese classics that are less well known internationally and deserve more attention. The essays are concise, accessible, rich, and on the cutting edge of current research. Each one outlines existing writing on the film, and then presents an original perspective. All are designed for classroom use, scholarly research, and to appeal to the general reader with an interest in Chinese film.
S17/2000 --- S26/1600 --- S27/1600 --- China: Art and archaeology--Film --- Taiwan--Film, photography --- Hong Kong--Film --- Motion pictures
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Film --- China --- S17/2000 --- S27/1600 --- S26/1600 --- China: Art and archaeology--Film --- Hong Kong--Film --- Taiwan--Film, photography
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S26/1600 --- S26/0200 --- Academic collection --- Taiwan--Film, photography --- Taiwan--General works --- culture --- Physical geography --- cultuur --- natuurgebieden --- reisgidsen (genre) --- Fraeye, de, Mark --- Taiwan --- Fraeye, De, Mark --- de Fraeye, Mark --- culture [concept]
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Motion picture producers and directors --- S26/1600 --- Taiwan--Film, photography --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons
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S17/2000 --- S26/1600 --- S27/1600 --- J6839 --- K9790 --- China: Art and archaeology--Film --- Taiwan--Film, photography --- Hong Kong--Film --- Japan: Media arts and entertainment -- cinema --- Korea: Performing and media arts -- cinema --- Motion pictures --- Cinéma --- Motion pictures - Asia
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