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Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Comparative literature --- Nietzsche, Friedrich W. --- anno 1900-1999 --- Literature, Modern --- Modernism (Literature) --- Philosophy in literature. --- History and criticism. --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Modernism (Literature). --- Nietzsche, Friedrich --- Crepuscolarismo --- Literary movements --- History and criticism&delete& --- History and criticism --- Aestheticism. --- Allusion. --- Anguish. --- Antithesis. --- Apathy. --- Aphorism. --- Apollonian and Dionysian. --- Art for art's sake. --- Arthur Schopenhauer. --- Beyond Good and Evil. --- Black rage (law). --- Career. --- Catharsis. --- Consciousness. --- Criticism. --- Critique. --- Cultural Bolshevism. --- D. H. Lawrence. --- Death in Venice. --- Decadence. --- Dionysus. --- Disenchantment. --- Disgust. --- Distrust. --- Doctor Faustus (novel). --- Doctor Faustus (play). --- E. M. Forster. --- Epigram. --- Existence. --- Existentialism. --- Faust. --- Friedrich Nietzsche. --- Geoffrey Hartman. --- Gesta Romanorum. --- God is dead. --- Good and evil. --- Hans Vaihinger. --- Henri Bergson. --- Iconoclasm. --- Imagery. --- Irony. --- Jacques Derrida. --- Jude the Obscure. --- Karl Jaspers. --- Last man. --- Literary modernism. --- Literature. --- Man's Fate. --- Master–slave morality. --- Mephistopheles. --- Modernism. --- Morality. --- Necessitarianism. --- New Thought. --- Nietzschean affirmation. --- Nihilism. --- On the Aesthetic Education of Man. --- On the Genealogy of Morality. --- Out of Revolution. --- Paradox. --- Parody. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Pity. --- Polemic. --- Posthumanism. --- Psychoanalysis. --- Psychology. --- Rainer Maria Rilke. --- Religion. --- Ressentiment. --- Result. --- Robert Musil. --- Romanticism. --- Scientism. --- Self-denial. --- Self-fulfillment. --- Superiority (short story). --- Søren Kierkegaard. --- The Birth of Tragedy. --- The Case of Wagner. --- The Counterfeiters (novel). --- The Cult of the Self. --- The Four Great Errors. --- The Goths. --- The Philosopher. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodor W. Adorno. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Twilight of the Idols. --- Utilitarianism. --- Will to power. --- Women in Love. --- Word and Object. --- Writer. --- Writing.

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Michelle Zerba engages current debates about the relationship between literature and theory by analyzing responses of theorists in the Western tradition to tragic conflict. Isolating the centrality of conflict in twentieth-century definitions of tragedy, Professor Zerba discusses the efforts of modern critics to locate in Aristotle's Poetics the origins of this focus on agon. Through a study of ethical and political ideas formative of the Poetics, she demonstrates why Aristotle and his Renaissance and Neoclassical beneficiaries exclude conflict from their accounts of tragedy. The agonistic element, the book argues, first emerges in dramatic criticism in nineteenth-century Romantic theories of the sublime and, more influentially, in Hegel's lectures on drama and history.This turning point in the history of speculation about tragedy is examined with attention to a dynamic between the systematic aims of theory and the subversive conflicts of tragic plays. In readings of various Classical and Renaissance dramatists, Professor Zerba reveals that strife in tragedy undermines expectations of coherence, closure, and moral stability, on which theory bases its principles of dramatic order. From Aristotle to Hegel, the philosophical interest in securing these principles determines attitudes toward conflict.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Conflict (Psychology) in literature. --- Tragedy. --- Drama --- Aristotle. --- Aeschylus. --- Aesthetic Theory. --- Anguish. --- Antinomy. --- Antithesis. --- Appeal to emotion. --- Ars Poetica (Horace). --- Averroes. --- Bussy D'Ambois. --- Catharsis. --- Characters of Shakespear's Plays. --- Classical unities. --- Classicism. --- Closed circle. --- Coluccio Salutati. --- Consciousness. --- Contemptus mundi. --- Critical theory. --- Criticism. --- Critique. --- Decorum. --- Deontological ethics. --- Dialectic. --- Disputation. --- Dissoi logoi. --- Divine law. --- Dramatic theory. --- Ethical dilemma. --- Euripides. --- Existentialism. --- Externality. --- Francis Fergusson. --- Good and evil. --- Greek tragedy. --- Hamartia. --- Hannah Arendt. --- Hedonism. --- Hegelianism. --- Hubris. --- Intentionality. --- Irony. --- Irrational Man. --- Irrationality. --- Jacques Derrida. --- Jean Hyppolite. --- Karl Jaspers. --- King Lear. --- Literary criticism. --- Literary theory. --- Lodovico Castelvetro. --- Mental space. --- Mimesis. --- Moral absolutism. --- Moral realism. --- Morality. --- Myth. --- New Thought. --- Nicomachean Ethics. --- On Truth. --- Pathos. --- Philosopher. --- Philosophy. --- Pity. --- Platitude. --- Plautus. --- Poetics (Aristotle). --- Poetry. --- Polonius. --- Pre-Socratic philosophy. --- Prohairesis. --- Quintilian. --- Rationality. --- Renaissance tragedy. --- Republic (Plato). --- Revenge tragedy. --- Rhetoric. --- Romanticism. --- Satire. --- Scholasticism. --- Shakespearean tragedy. --- Sophocles. --- Stephen Greenblatt. --- Suffering. --- Superiority (short story). --- Søren Kierkegaard. --- Teleology. --- The Birth of Tragedy. --- The Marriage of Heaven and Hell. --- The Philosopher. --- Theodicy. --- Theory. --- Thomas Kyd. --- Thought. --- Tragic hero. --- Verisimilitude. --- W. D. Ross. --- William Prynne. --- William Shakespeare.

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Nietzsche's impact on the world of culture, philosophy, and the arts is uncontested, but his political thought remains mired in controversy. By placing Nietzsche back in his late-nineteenth-century German context, Nietzsche's Great Politics moves away from the disputes surrounding Nietzsche's appropriation by the Nazis and challenges the use of the philosopher in postmodern democratic thought. Rather than starting with contemporary democratic theory or continental philosophy, Hugo Drochon argues that Nietzsche's political ideas must first be understood in light of Bismarck's policies, in particular his "Great Politics," which transformed the international politics of the late nineteenth century.Nietzsche's Great Politics shows how Nietzsche made Bismarck's notion his own, enabling him to offer a vision of a unified European political order that was to serve as a counterbalance to both Britain and Russia. This order was to be led by a "good European" cultural elite whose goal would be to encourage the rebirth of Greek high culture. In relocating Nietzsche's politics to their own time, the book offers not only a novel reading of the philosopher but also a more accurate picture of why his political thought remains so relevant today.

Demokratie. --- Politik. --- Philosophie. --- Political and social views. --- Nietzsche, Friedrich, --- Nietzsche, Friedrich Wilhelm, --- Philosophieren --- Philosoph --- Philosophin --- Staatspolitik --- Politische Lage --- Politische Entwicklung --- Politische Situation --- Volksherrschaft --- Demokratischer Staat --- Democracy --- Herrschaftssystem --- Parteienstaat --- Republik --- Volkssouveränität --- Demokratische Bewegung --- Demokrat --- Postdemokratie --- Political and social views of a person --- After Virtue. --- Alexander Nehamas. --- Ancient Greece. --- Aphorism. --- Apollonian and Dionysian. --- Aristocracy. --- Arthur Schopenhauer. --- Bellum omnium contra omnes. --- Bernard Williams. --- Beyond Good and Evil. --- Bonnie Honig. --- Brian Leiter. --- Cambridge University Press. --- Career. --- Concept. --- Contemporary society. --- Contradiction. --- Critique. --- Darwinism. --- David Runciman. --- Democracy. --- Democratization. --- Disenchantment. --- Ethics. --- Existence. --- Franco-Prussian War. --- Friedrich Nietzsche. --- German philosophy. --- God is dead. --- Good and evil. --- Hegelianism. --- High culture. --- Hostility. --- Institution. --- Intellectual. --- J. W. Burrow. --- Jacques Derrida. --- Jews. --- John Rawls. --- Last man. --- Lecture. --- Legislation. --- Legitimacy (political). --- Literature. --- Machiavellianism. --- Martin Heidegger. --- Master–slave morality. --- Mazzino Montinari. --- Modernity. --- Morality. --- Nachlass. --- Nation state. --- Nihilism. --- Of Education. --- On the Genealogy of Morality. --- Oxford University Press. --- Pathos. --- Phenomenon. --- Philosopher. --- Philosophy in the Tragic Age of the Greeks. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Plato. --- Platonism. --- Political party. --- Political philosophy. --- Politics. --- Postmodernism. --- Pre-Socratic philosophy. --- Princeton University Press. --- Quentin Skinner. --- Radicalism (historical). --- Ralph Waldo Emerson. --- Realpolitik. --- Regulatory state. --- Religion. --- Republic (Plato). --- Ressentiment. --- Rhetoric. --- Romanticism. --- Routledge. --- Self-interest. --- Slavery. --- State (polity). --- State of nature. --- Suggestion. --- Superiority (short story). --- The Birth of Tragedy. --- The End of History and the Last Man. --- The Gay Science. --- The Philosopher. --- Theory. --- Thomas Hobbes. --- Thought. --- Thus Spoke Zarathustra. --- Tractatus Politicus. --- Transvaluation of values. --- Twilight of the Idols. --- Will to power. --- Writing.