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Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death, and not just the arguably universal fear of death but, equally important, the innumerable impositions on the part of various outsiders. Many conflicts in the lives of Rylkova's subjects arose not from their opposition to the existing political regimes but from their interactions with like-minded and supporting intellectuals, friends, and relatives. The book describes the lives and choices that concrete individuals and-by extrapolation-their literary characters must face in order to preserve their singularity and integrity while attempting to achieve fame, greatness, and success.

Authors, Russian --- Death in literature. --- Death --- A Confession. --- About Chekhov. --- Anna Karenina. --- Dante. --- Gogol. --- Liberation of Tolstoy. --- Meyerhold. --- Psychology of Creative Personality;Death;Creativity;Sustainability;Chekhov;Bunin;Tolstoy. --- Russian drama. --- Russian literature. --- The Cherry Orchard. --- The Death of Ivan Ilych. --- The Decembrists. --- The Kreutzer Sonata. --- The Life of Arseniev. --- The Seagull. --- The Steppe. --- Uncle Vanya. --- War and Peace. --- Writer's Block. --- anxieties. --- existentialism. --- hypochondria. --- letters. --- literary theory. --- mortality. --- psychoanalysis. --- psychology. --- the Divine Comedy. --- writing. --- Attitudes. --- Psychological aspects. --- Tolstoy, Leo, --- Criticism and interpretation. --- Bunin. --- Chekhov. --- Creativity. --- Death. --- Psychology of Creative Personality. --- Sustainability. --- Tolstoy. --- Writer’s Block.