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Stage or film presentations of Look Back in Anger, A Taste of Honey, Saturday Night and Sunday Morning, Alfie, and Darling were much changed, even transformed, by censorship between 1955-1965. Indeed, censorship altered the progression of the artistic and creative renaissance of the period, and John Osborne, Shelagh Delaney, Alan Sillitoe, Tony Richardson, Lindsay Anderson, and John Schlesinger are just a few of the people who were forced to change their work.Censorship and the Permissive Society explores the predicament writers and directors faced, and highlights the debate over the liberalizing or progressive aspects of the sea changes affecting British society at the time.
Motion pictures --- Theater --- Censorship --- History --- Cinéma --- Théâtre --- Censure --- Histoire --- Motion pictures - Censorship - Great Britain - History - 20th century --- Theater - Censorship - Great Britain - History - 20th century
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L'information que donne ce fonds éclaire l'historien sur l'évolution des notions politiques qui sous-tendent l'existence de la censure : une certaine idée de l'ordre public et de la morale, une certaine idée du droit de l'État. Une histoire du goût se laisse aussi entrevoir à travers les ouvrages (près de 2600 pièces) soumis à la censure.
Theater --- French drama --- Censorship --- History --- Archives nationales (France) --- Catalogs --- 78.77.4 --- Theater - Censorship - France - Paris - History - 19th century. --- French drama - 19th century - Bibliography.
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L’ouvrage explore la relation entre droit et théâtre en Europe entre le XIVe et le XVIIe siècle : législations et réglementations des autorités qui ont tenté d’encadrer les activités théâtrales, rapports entre norme et pratique, censure politique et religieuse, mise en scène de questions juridiques sur scène.
Theater --- Law and legislation --- Law --- Theatrical science --- anno 1400-1499 --- anno 1300-1399 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Censorship --- History of the law --- Theater - Censorship - Europe - Congresses --- Theater - Law and legislation - Europe - Congresses
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La censure est, hélas, aussi éternelle qu’universelle : elle a condamné le philosophe grec Socrate à boire la mortelle ciguë pour avoir prôné la parole libre ; et les œuvres de l’artiste contemporain Ai Wei-Wei sont traquées par les dizaines de milliers de fonctionnaires chinois sur les blogs et les réseaux sociaux. Dans ce Grand Livre de la censure, celle-ci est visitée au gré de ses différentes obsessions : les bonnes mœurs, la religion, la politique et le pouvoir, la préservation de la santé, le maintien de dogmes scientifiques, tout comme la lutte contre le « pacifisme », la drogue, la sorcellerie ou encore le « socialement incorrect ». Aucun genre n’y a échappé : de la littérature à la chanson, cinéma aux arts plastiques, du théâtre à la presse, de la radio à la télévision, sans oublier les jeux vidéo ou internet. On croisera donc ici Ovide et les Beatles, Galilée et Darwin, Carmen et Lady Gaga, Goya et Tolkien, Rodin et les Frères Jacques, Albert Camus et Ai Wei-Wei, Voltaire et Picasso, Salman Rushdie et les Pussy Riot… Le grand livre de la censure raconte au lecteur un large choix d’affaires (près de deux cents…), anciennes ou contemporaines, franco-françaises ou au retentissement mondial, en mêlant les grands scandales qui ont marqué leur époque et d’autres interdictions moins connues, mais méritant d’être sorties de la discrétion ou de l’oubli. Car l’important est aussi de comprendre que la censure, inventive, perturbée par le pouvoir des mots et des images, est bel et bien, depuis toujours, le miroir de l’humanité et de nos peurs.
Censorship - History --- Censorship (Canon law) --- Censorship in literature --- Arts - Censorship --- Prohibited books --- Theater - Censorship --- Erotica - Censorship --- Motion pictures - Censorship --- Internet - Censorship --- Freedom of expression --- Censorship --- Arts --- Theater --- Erotica --- Motion pictures --- Internet
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English drama --- Theater --- Drama --- Censorship --- History and criticism --- History --- Great Britain --- 20th century --- English drama - 21st century - History and criticism --- Theater - Censorship - Great Britain - History - 20th century. --- Drama - Censorship - Great Britain - History - 20th century. --- Censorship - Great Britain - History - 20th century. --- Theater - Great Britain - History - 20th century.
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Relations between theatre and state were seldom more fraught in France than in the latter part of the eighteenth and during the nineteenth century. The unique attraction of the theatre, the sole source of mass entertainment over the period, accounts in part for this: successive governments could not ignore these large nightly gatherings, viewing them with distrust and attempting to control them by every kind of device, from censorship of plays to the licensing of playhouses. In his illuminating study, F. W. J. Hemmings traces the vicissitudes of this perennial conflict, which began with the rise of the small independent boulevard theatres in the 1760s and eventually petered out in 1905 with the abandonment of censorship by the state. There are separate chapters on the provincial theatre, while the French Revolution is given particularly detailed attention. This work, complementing his earlier book The Theatre Industry in Nineteenth-Century France, will be of interest to students of theatre history, French studies and European culture in general.
Theater and state --- Theater --- Censorship --- History --- Theatrical science --- anno 1700-1799 --- anno 1800-1899 --- France --- 19th century --- 18th century --- Theater and state - France. --- Theater - Censorship - France. --- Theater - France - History - 19th century. --- Theater - France - History - 18th century. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- State and theater --- Art and state --- Government policy
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"A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft's Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century"--
English drama --- History and criticism. --- Thomas Holcroft, Treason Trials, melodrama, theater censorship, working-class life writing, William Godwin, Sir Thomas Lawrence, James Gillray, Robert Dighton, Richard Newton, Samuel de Wilde, William Mulready, radicalism, authorship, life writing, afterlives, The Road to Ruin, eighteenth-century theater, nineteenth-century theater, theater and performance, literary activism, 1790s, radical drama, eighteenth-century political activism. --- Holcroft, Thomas, --- Criticism and interpretation. --- Influence. --- Vincent, William,
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Ce nouvel instrument de recherche sur le théâtre à Paris recense huit mille pièces environ qui sont ainsi répertoriées, décrites et classées sous les divers aspects envisagés, correspondant aux différents index qui constituent l'inventaire : listes alphabétiques des pièces et des auteurs, ainsi que des musiciens ; index des genres des pièces ; nomenclature des théâtres avec leurs répertoires respectifs. L'ensemble constitue une source de premier ordre pour l'histoire littéraire, sociale et politique de la France au XIXe siècle.
Theater --- French drama --- Théâtre --- Théâtre français --- Censorship --- History --- Bibliography. --- Censure --- Histoire --- Bibliographie --- Archives nationales (France) --- Catalogs --- 930.25 <44 PARIS> --- 840-2 "18" --- 351.751 <44> "18" --- Archiefwetenschap. Archivistiek--Frankrijk--PARIS --- Franse literatuur: toneel; drama--19e eeuw. Periode 1800-1899 --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Frankrijk--19e eeuw. Periode 1800-1899 --- 351.751 <44> "18" Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Frankrijk--19e eeuw. Periode 1800-1899 --- 840-2 "18" Franse literatuur: toneel; drama--19e eeuw. Periode 1800-1899 --- 930.25 <44 PARIS> Archiefwetenschap. Archivistiek--Frankrijk--PARIS --- Théâtre --- Théâtre français --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- French literature --- Archives de France --- Archives de l'Empire (France) --- Direction des archives de France. --- France. --- Direction des archives de France --- France --- Paris (France) --- 19th century --- Bibliography --- Théâtre (genre littéraire) français --- Production and direction --- Sources. --- Production et mise en scène --- Théâtre (genre littéraire) français --- Production et mise en scène --- Theater - Censorship - France - Paris - History - 19th century. --- French drama - 19th century - Bibliography.
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