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Early modern theatre was a visual matter, even though the authors wrote plays which were mainly meant to be read. But whether they wrote their plays to have them performed or not, authors could use comedies, tragi-comedies or tragedies to influence public opinion, to make a statement in a debate, or to convey explicit or implicit lessons that they carried out or had carried out by linguistic, rhetorical and theatrical means. How explicit they were in expressing their views depended on the characters of the authors or the circumstances in which they wrote. Questions regarding the opinion-forming and opinion-following functions of theatre, the means by which authors and theatre makers expressed their ideas, and the role of theatre and plays in public debate are discussed from various angles. Such questions refer not only to ‘literary’ plays, but also to other forms of theatrical event, such as royal entrances. Contributors include: Imre Bésanger, Hartmut Beyer, Stijn Bussels, Jean-Frédéric Chevalier, Verena Demoed, Arjan van Dixhoorn, Ron Gruijters, Jelle Koopmans, Frans-Willem Korsten, Katell Lavéant, Hubert Meeus, Marco Prandoni, and Helmar Schramm.
Theatrical science --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Theater --- Theater and society --- History --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Society and theater --- Social status --- Social aspects --- Theater - Europe - History - 17th century - Congresses --- Theater - Europe - History - 16th century - Congresses --- Theater - Europe - History - 15th century - Congresses --- Theater and society - Europe - History - 17th century - Congresses --- Theater and society - Europe - History - 16th century - Congresses --- Theater and society - Europe - History - 15th century - Congresses
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New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions.
Theatrical science --- Europe --- Theater --- Theater and society --- Moral and ethical aspects --- Political aspects --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Society and theater --- Social status --- Social aspects --- Arts and Humanities --- Literature --- Theater - Moral and ethical aspects - Europe --- Theater and society - Europe --- Theater - Political aspects - Europe
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-Theater and society --- -Actors --- Society and theater --- -Social status --- -Toneel. Drama--20e eeuw. Periode 1900-1999 --- -82-2 "19" --- European drama --- Theater and society --- Theater --- 82-2 "19" --- Actors --- 82-2 "19" Toneel. Drama--20e eeuw. Periode 1900-1999 --- Toneel. Drama--20e eeuw. Periode 1900-1999 --- History and criticism --- History --- Social status --- Social aspects --- Theatrical science --- anno 1900-1999 --- Europe --- 20th century --- Theater - Europe - History - 20th century. --- Theater and society - Europe. --- European drama - 20th century - History and criticism.
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Christendom en literatuur --- Christianisme et littérature --- Christianity and literature --- Drama, Medieval --- Liturgical drama --- Theater --- Theater and society --- Théâtre médiéval --- Drame liturgique --- Théâtre --- Théâtre et société --- History and criticism --- Religious aspects --- History --- Histoire et critique --- Aspect religieux --- Histoire --- Théâtre médiéval --- Théâtre --- Théâtre et société --- Drama [Medieval ] --- Europe --- Medieval, 500-1500 --- Christian drama [Latin ] (Medieval and modern) --- Drama, Medieval - History and criticism. --- Liturgical drama - History and criticism. --- Theater - Europe - History - Medieval, 500-1500. --- Theater and society - Europe. --- Christian drama, Latin (Medieval and modern) - History and criticism. --- Christianity and literature. --- Theater - Religious aspects. --- Middle Ages, 500-1500
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