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Book
Drama, performance and debate
Authors: --- ---
ISBN: 9789004240636 9789004236998 9004240632 9004236996 1283854538 Year: 2013 Volume: 2 Publisher: Leiden Boston Brill

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Abstract

Early modern theatre was a visual matter, even though the authors wrote plays which were mainly meant to be read. But whether they wrote their plays to have them performed or not, authors could use comedies, tragi-comedies or tragedies to influence public opinion, to make a statement in a debate, or to convey explicit or implicit lessons that they carried out or had carried out by linguistic, rhetorical and theatrical means. How explicit they were in expressing their views depended on the characters of the authors or the circumstances in which they wrote. Questions regarding the opinion-forming and opinion-following functions of theatre, the means by which authors and theatre makers expressed their ideas, and the role of theatre and plays in public debate are discussed from various angles. Such questions refer not only to ‘literary’ plays, but also to other forms of theatrical event, such as royal entrances. Contributors include: Imre Bésanger, Hartmut Beyer, Stijn Bussels, Jean-Frédéric Chevalier, Verena Demoed, Arjan van Dixhoorn, Ron Gruijters, Jelle Koopmans, Frans-Willem Korsten, Katell Lavéant, Hubert Meeus, Marco Prandoni, and Helmar Schramm.


Book
Scandal on stage : European theater as moral trial
Author:
ISBN: 9780521112604 9781107412637 0521112605 9780511635502 9780511635052 0511635052 9780511632891 0511632894 1107412633 0511699603 1107202809 1282336835 9786612336836 0511634617 0511631685 0511634099 0511635508 Year: 2009 Publisher: Cambridge : Cambridge University Press,

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Abstract

New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions.

European theatre 1960-1990 : cross-cultural perspectives
Author:
ISBN: 0415000475 9780415000475 Year: 1991 Publisher: London New York Routledge

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