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Directing --- Meyerhold, Vsevolod E. --- 792.027 --- Theaterregie --- 792.027 Theaterregie
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792.027 --- Theaterregie --- 792.027 Theaterregie --- Théâtre d'amateurs
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792.027 --- 792.027 Theaterregie --- Theaterregie --- Theatrical science --- biografieën (genre) --- Brooks, Peter
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792.027 --- 792.027 Theaterregie --- Theaterregie --- Directing --- anno 1900-1999 --- regisseurs --- theater --- regie
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Drama --- 792.027 --- 792.027 Theaterregie --- Theaterregie --- Dramaturgy --- Authorship --- Playwriting --- Technique --- Theatrical science
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Directing --- Stein, Peter --- Stein, Peter, --- 792.027 --- Theaterregie --- 792.027 Theaterregie --- Stein, Peter, - 1937 --- -792.027 --- -Stein, Peter,
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792.027 --- 78 BERG, ALBAN --- Theaterregie --- Muziek--BERG, ALBAN --- 78 BERG, ALBAN Muziek--BERG, ALBAN --- 792.027 Theaterregie
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Max Reinhardt (1873–1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.
Directing --- Reinhardt, Max --- Reinhardt, Max, --- 792.027 --- Theaterregie --- 792.027 Theaterregie --- Reĭnkhardt, Maks, --- Reinhart, Max, --- Goldmann, Maximilian, --- Rheinhardt, Maximilian, --- Reinhardt, Max, - 1873-1943.
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This 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth, Kipphardt and Weiss. Professor Innes sketches the background of Dadaism and Expressionism from which Piscator came, and points out the differences between Piscator and the other experimenters of his time. He also gives a vivid description of Piscator's technical innovations, the modern means of communication such as film, the illumination of the stage from below and 'the treadmill', a flat moving band along which the characters walked. These turned drama into a multi-media event. Professor Innes uses Piscator's career as a focus to describe theatrical developments in the twentieth century and to discuss the role of the author, the director, and the actor in drama, the purpose of the theatre, and the involvement of the audience.
792.027 --- 792.027 Theaterregie --- Theaterregie --- German drama --- Theater --- German drama. --- Theater. --- History and criticism --- Political aspects. --- Piscator, Erwin, --- 1900-1999. --- Germany.
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