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interdisciplinarity --- material culture --- carnivalesque literature --- rhetoric and science --- theatrical performance --- psyche and myth --- Italian literature --- Philology --- Linguistics --- Communication --- Social sciences
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This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.
School Of Performing Arts (Universidad Nacional (Costa Rica)) --- History --- Universidad Nacional (Costa Rica) --- University Professors --- Actors --- Artists --- Theatrical Performance --- Theater
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This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.
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This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.
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We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfommance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned them. Philip Butterworth is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; Katie Normington is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama. Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer, Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler.
Performing arts. --- Show business --- Arts --- Performance art --- Theater --- Performing arts --- Drama, Medieval. --- History --- European drama --- Medieval drama --- Plays, Medieval --- Moralities --- Mysteries and miracle-plays --- To 1500 --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Audience. --- Dance History. --- Dance. --- Drama. --- European Studies. --- Medieval Studies. --- Medieval drama. --- Medieval performance. --- Middle Ages. --- Performance. --- Performing Arts. --- Puppetry: Automata. --- Theatre History. --- Theatre. --- Theatrical performance. --- medieval audience.
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This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.
Theater --- rievocazione storica --- storia della danza e dell'arte --- performance teatrale --- rievocazione come strategia di appropriazione --- reconstitution --- histoire de la danse et de l'art --- représentation théâtrale --- la reconstitution comme stratégie d'appropriation --- reenactment --- history of dance and art --- theatrical performance --- reenactment as a strategy of appropriation
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Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages. Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.
Italian literature --- Caminer Turra, Elisabetta. --- Literature. --- LITERARY COLLECTIONS / General. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Caminer Turra, Elisabetta, --- Turra, Elisabetta Caminer, --- Caminer, Elisabetta, --- 18th century, 1700s, venice, italy, italian, regional, locale, western, europe, women, correspondence, republic, journalist, publisher, debate, controversy, capital punishment, political, politics, freedom, press, abuse, clerical, power, enlightenment, publishing, voltaire, plays, theatre, theatrical, performance, poems, writings, journalistic, collected works, literary.
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