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DNA Di Nulla Academia : rivista di studi camporesiani.
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ISSN: 27245179 Year: 2020 Publisher: Bologna : Alma mater studiorum Università di Bologna,

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Escuela de Arte Escénico
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Year: 2014 Publisher: Heredia Editorial Universidad Nacional (EUNA)

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This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.


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Escuela de Arte Escénico
Author:
Year: 2014 Publisher: Heredia Editorial Universidad Nacional (EUNA)

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This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.


Book
Escuela de Arte Escénico
Author:
Year: 2014 Publisher: Heredia Editorial Universidad Nacional (EUNA)

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Abstract

This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.


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Medieval theatre performance : actors, dancers, automata and their audiences
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ISBN: 1787440788 1843844761 Year: 2017 Publisher: Cambridge : D.S. Brewer,

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We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfommance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned them. Philip Butterworth is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; Katie Normington is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama. Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer, Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler.


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On Reenactment: Concepts, Methodologies, Tools

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This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.

Selected writings of an eighteenth-century Venetian woman of letters
Authors: ---
ISBN: 0226817687 0226817679 9786611126100 1281126101 0226817695 9780226817699 9780226817675 9780226817682 Year: 2003 Publisher: Chicago : University of Chicago Press,

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Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages. Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.

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